CAPTAIN AO – A Conversation with Electronic Musician, DJAO

January 10, 2012 in Interviews, Music, Technology, With Video

Alex Osuch, who records under the moniker of DJAO, is a member of the Pacific Northwest electronic music label/collective, Dropping Gems.  He is a relatively new artist making his way into the Seattle music scene, but with the release of his first solo EP, Wuhn and his more recent collaborative EP in the No Northwest series, he has been getting a lot of attention.  A promising up and comer, Osuch creates music that has a distinctive tone and that crosses genres.  Though he works with the tools of electronic music, he has a quality that appeals beyond his media.

Electronic music is not my genre of expertise, so it came as a surprise to me when I heard AO’s soothing and ambient tones on his solo release.  I had the good fortune of then, seeing him live at the Dropping Gems Showcase at Decibel Festival, where he was joined by friend and frequent collaborator, Zuri Biringer, whose lilting guitar riffs added a grounded sense of nature, invoking images of sky and water.  It’s impossible to listen to the Seattle native’s sound without being drawn to the beats.  However, while they ultimately drive the music forward, they aren’t the primary focus of the songs, which create a vivid mood through crooning vocals, guitar, and keyboard.  In combination with some incredible imagery that accompanied the performance, the set was nearly transcendent.

Not long after his show that night, I was able to sit down with Alex to discuss his development as a DJ and find out where he draws his inspiration from.  His ambient sound was a divergence from the sounds that I had heard from him previously and I had many questions.  Eloquently and in fascinating detail, he was able to give me answers to questions that I didn’t even know that I had.  To an electronic media newbie, like myself, I found him to be incredibly informative and insightful; even providing hints on where to start my own exploration of the vast genre.  In the end, he was even so helpful as to give a demonstration of how he creates his unique style.

The following is the transcript from that conversation. Read the rest of this entry →

Free Amon Tobin “Live in Brussels” & Two Fingers Downloads

October 10, 2009 in Music, The Web

amontobin

Along with the likes of Squarepusher, Amon Tobin was one of the first artists to give me hope for post-Kraftwerk electronic music and to really open my mind to the genre as a whole.  Being urrounded by ‘90s house and a plethora of clueless, wing nut, suburban candy ravers, instilled a prejudice in me that was hard to shake.  I’d been dragged to raves with monotonous, redundant beats and watched geeked-out teens gawking slack-jawed as some goon twirled glow-sticks in their faces.  Fortunately, I was able to slip out to a Q-bert or Afrika Bambaataa set but, overall, it was not working for me.  I had never realized the potential for live one-man electronica until I finally saw Tobin perform.  It wasn’t just about a laptop and some swirling shapes being projected across a screen.  During his sets, he actually puts on a show; constantly working and reworking every track to death and only moving onto the next one after he’s wrung it dry of every possibility.

Two years ago, the electronic pioneer released his sixth studio album, Foley Room.  With a continued focus on exploring new individual territory, Tobin used the project to venture into the realm of HollywoodFoley” sound effects artists.  The incorporation of found sounds (tiger growls, hornets in a foil, electric toothbrush on a banjo, etc) and contributions by, string masters, Kronos Quartet, made for a eerily beautiful  industrial landscapes.  [For anyone that doesn't own the release, I suggest picking up the cd/dvd, which features video footage of Tobin collecting the field recordings]  Following the release, Amon set out on a meticulously orchestrated tour to promote it.  Last November, the  ambient wizard released Live in Brussels, an audio documentation of one of these live performances.  The album was provided in full-length, as a free download on Amontobin.com.  When visiting the site today, I realized a few things.  The first was that we never covered anything  regarding the Live in Brussels download, when it was released.  The second, and most important, thing was that it is still available on the site and can still be downloaded for free right now. Read the rest of this entry →

WIN 2 tix to Thievery Corporation in Seattle + Ltd ed. Silkscreen

April 15, 2009 in Music, Technology

CONTEST HAS ENDED!

DJ’s Rob Garza and Eric Hilton have been performing together since 1995 under the collective name of Thievery Corporation. Over that time they have been featured on numerous soundtracks, gained endless accolades, and have been able to seemlessly merge styles from Dub and Dancehall to Indian Classical and Ambient. Their new album Radio Retaliation is said to be a direct response to the commercial approach that radio stations currently embrace and is a representation of what they would like to hear themselves. From what we’ve heard about the East Coast dates, this new tour is an amazing spectacle and features the duo performing with a full live band

THE PRIZE
We are giving away 2 free tickets to the following performance
Tuesday April 21st
The Paramount Theatre
Seattle

Winner will also recieve a limited edition silkscreen print commemorating the show

Contest ends @ midnight on Sat. April 18th

To peep out the details and enter now, CLICK HERE