MAKING CONTACT: Interview with BRIAN DEGRAW of GANG GANG DANCE

July 14, 2011 in Interviews, Music

The following piece/interview was originally written/conducted way back in March and was done so for an upstart print publication that, to my understanding, was to be distributed Nationally.  At that time, there wasn’t a ton of information available regarding Gang Gang Dance’s latest album, Eye Contact, or pertaining exactly to the future plans of the group creating it.  Since my interview, the album has been released to critical acclaim, Gang Gang has already performed their scheduled slot at the Animal Collective-curated ATP event in Minehead, UK, and the band has even announced a slew of upcoming US tour dates.  Although I wasn’t compensated monetarily for the work that I had put into this piece, I was still happy to contribute freely to a new publication, welcoming the opportunity to collaborate on an outside project and to help in its fruition as it grew into whatever it is destined to become.  As for publishing rights, no contracts were signed and, beyond the initial contact with the publicist -whose contact information I had already possessed- all follow up, research, editing, additional contact, and writing was handled by myself.

It would have been great to be the first to provide some “scoops” regarding the album, but it takes a lot to get a new magazine off of the ground and that includes time.  I, of course, never posted the interview here on Monster Fresh, so as not to conflict with the publication that it was originally intended to run in.  A couple of months passed, without any real updates.  I sent an email inquiring about progress with the project, but never heard back.  Eventually, I heard that the magazine had gone into print, but still can’t figure out how to obtain a copy locally or where to instruct anyone to pick one up in their local areas.  I haven’t even seen a copy in person, myself.  My hopes were to help promote the project and alert everyone to it’s existence, but my main goals with writing are to compile information and to make it as available as possible.  Of course, I was also hoping to see my work in print (which it apparently is) and to try and avoid recklessly burning another bridge (which I’m openly risking by posting this now).  As someone who operates an outlet of their own, I’m a firm believer in keeping those who contribute in the loop with the progress of their work.  This is especially true when they aren’t even receiving any real compensation for the work that they provide, other than the pride, outlet, and audience they are creating for.  In my particular situation, I didn’t need the connections or the forum.  I was/am proud of this piece but, as it stands now, I feel as if I’ve put my energy into something that someone else has locked into a box somewhere and have no real understanding of what is happening with it.  I wish no ill will towards the publication and hope to see it surface and do well at some point but, after this much time has passed with consistently little or no response, I feel that it’s time to put this interview up for those that want to read it and have, up until now, been unable to do so.  Like I said, this was originally conducted a full 4-months ago, at this point, but I tried to construct it in a manner that would allow the information to remain consistently relevant.  I hope that endeavor proves to be successful.

as always, thanks for reading.

-Dead C

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Stream the New GANG GANG DANCE Album”Eye Contact” Now!

May 2, 2011 in Music

2011 marks a full decade since Manhattan‘s Gang Gang Dance began unleashing their trademark mash of neo-tribal futuristic, ambient noise jams onto the world, but it wasn’t until the release of 2005‘s critically acclaimed, GOD’S MONEY that they really began to gain some full-blown attention.  This was also the year that we caught their now-infamous performance at Seattle‘s Chop Suey, known for ending abruptly in a pseudo-riot.  2007 brought the 3-song EP, Rawwar and an abstract DVD/CD titled, Retina Riddim, but it wasn’t until 2008 that the next proper full-length was finally delivered by the group.  This follow-up, titled St. Dymphna, proved another critical success, but a lot had already changed within that 3 year span between albums.  Somwhere along the line, the electro-static left-field sounds of cohorts like Animal Collective and Black Dice -both of which shared a practice space with GGD- transitioned from an obscurity where only freakout music weirdos like ourselves wanted to listen to it, to a place where Grizzly Bear albums were debuting on the Billboard Top 10 list.  Gang Gang Dance may have garnered less prominence than fellow pals like TV On The Radio, but they were still part of what was being considered a new and important must-watch NY CITY “scene”/”movement”.  It was the first time that anyone was really paying attention to what they were doing on a scale large enough to place new and unfamiliar expectations on them.  The creation of St. Dymphna was delayed by inner conflicts, alternate responsibilities, and a lack of funds; forcing them to play one-off shows just to finance more studio time.  So… it took three years for the follow up, but when it came the response was great and they vowed to get to work on the next album almost immediately, with an implication that it would arrive much quicker than the last.  Now, nearly another 3 full years later, their latest album, EYE CONTACT, is slated for a May 10th release.  Stream it in it’s entirety below, a full week before it’s release, and determine for yourself if it was worth the wait. Read the rest of this entry →