CITY ARTS FEST 2011

OCTOBER 20-22

(buy tix)

These days, the festival format is pretty much dominating the live music industry.  Not only is it a reflection of a financial necessity to redirect focus on the performance element in an age where recorded material is pirated to such a degree that “consumers” actually expect the product to be free of charge, but the idea to corral multiple artists and genres to present them like an audio smörgåsbord mirrors the desires of the growing demographic who listen to mp3s on shuffle and have come to rely on immediacy, expecting to have the ability to switch between any number or variety of options with no more than a simple finger swipe on their ipads.  The 90s had one primary standout festival, the touring Lollapalooza; now resurrected as a yearly one-off that doesn’t move from it’s static location in Chicago.  That model was mimicked with a more streamlined focus for the female-centric Lilith Fair (97-99, 2010), by the jam band revival set for the H.O.R.D.E. Festival (1992-98), and with the punk  fueled Warped Tour, which has opened it’s arms to a slightly more eclectic lineup -along with extreme sports- in more recent years.  There was also a couple of attempts at multi-day fests like Woodstock, but… I think we all know how that turned out.  Once Coachella started to really get rolling at the turn of the millenium, Bonnaroo picked up the formula on the other side of the country.  Then, slowly (and then, quite a bit more rapidly) the multi-day festivals with huge varied lineups really began popping up all over the country.  Rothbury, Wakarusa, Treasure Island Music Fest, ACL, Vegoose, Fun Fun Fun Fest, Outside Lands, etc. etc. etc….  The tours weren’t traveling as much anymore, so the people began to.  And what about those that can’t travel?  Well, if you won’t have a handful of festivals rolling through your city throughout the year, then I guess every city’s gonna have to throw a shit ton of festivals themselves.

Here in Seattle and the greater Washington area, we’ve already had the Sasquatch! Festival, The Capitol Hill Block Party, Bumbershoot, and Decibel Fest, this year, with the Earshot Jazz Festival scheduled for next week.  Last year, the folks at City Art Magazine decided that wasn’t enough and came up with the brilliant idea to launch the city-wide Heineken sponsored CITY ARTS FESTIVAL.  Not only did they toss yet one more festival into the already overflowing pile, but they also had the nerve to do it in the Fall, in an attempt to drag out the “festival season” which had, by all intents and purposes, already officially ended.  Summer’s over.  People are going back to school.  It’s getting cold, especially here in this city.  Is another music festival really fucking necessary?  Well… I’m not gonna waste my time with rhetoricals.  Instead, I’m just gonna explain why, in fact, it definitely is relevant, by pointing out some of the factors that set it apart from the others and make it a unique experience, while bringing attention to particular elements, performances, and artists that might be overlooked.
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