“EXPECTATION” – TAME IMPALA Live in Seattle [Feature/Review]

May 20, 2011 in Music, Reviews, With Video

Australia has given birth to longstanding musical influences like Nick Cave and AC/DC, as well as such dated and short-lived commercial outbreaks as Men At Work.  As a Westerner, however, it feels as one of two commonalities have regularly presented themselves, over the last two decades, in regards to what has yielded the most prominent promotion from the country to us here overseas.  First, there was the young band phenomena of the early Nineties, with teenage acts like SilverChair and Ben Lee‘s first vehicle, Noise Addict, garnering attention after winning Australian talent competitions and being spring-boarded into the international public eye.  Then, beginning in the early 2000‘s, Aussie groups like Wolfmother and Jet adopted the heavier and more straight-forward, distorted, and driving sounds of Seventies classic rock, that gained prominence throughout the new millennium.  Depending on who you ask or what source you get your information from, the latest exports from “the land down under”, TAME IMPALA, might be described as falling under either one -or even both- of those categories.  That is, of course, unless you ask the members of the group themselves.   The truth is that TAME IMPALA is, arguably, better than any of the acts that were spawned from either the teen or throwback hypes of the last twenty years and, if their recent performance in Seattle is any indication of their capabilities and versatility as artists, they may even find themselves falling into the category of longstanding musical influences, as well. Read the rest of this entry →

FUCK ALL! (pt. 2) : DUNGEN promotes “Skit i Allt” in Seattle [review/photoset]

October 14, 2010 in Music, Reviews, With Video

[click here for part 1]

DUNGEN

DUNGEN guitarist, Reine Fiske came out to begin moving equipment and was followed shortly by Mattias and drummer, Johan Holmegard.  Since DUNGEN‘s inception, Gustav Ejstes has been the primary force behind everything; arranging, writing, and manning the majority of the instruments on all 6 of his albums.  Fiske has been a major contributor since the first release and, in recent years, Ejstes has been able to reduce nearly all of his drum work by passing duties over to Holmegard.  Regardless of the quartet having solidified as much more of a formal “band” these days, Ejstes still performs a total of 8 different instruments on their brand new release, Skit i Allt (meaning: “Fuck All”) and continues to switch it up a bit in the live format.  Prior to making his entrance, a small upright piano was brought out and placed on the stage for the vocalist.  Yep… the setup was beginning to give me a bit of a flashback to last year and this was a good thing.  We tried to hype the fuck out of this performance and, although the crowd wasn’t at the capacity that these skilled musicians warranted, I could easily locate individuals whom I personally made the suggestion to.  Now it was DUNGEN‘s turn to make good on the promises that I had made for them. Read the rest of this entry →

FUCK ALL! (pt. 1) : DUNGEN & THE ENTRANCE BAND in Seattle [10.3.10]

October 14, 2010 in Music, Reviews

This October is a busy month here in SeattleThe Black Keys just played on the 2nd, M.I.A will be here on Oct. 17th, Steven Wright is on the 20th, Trailer Park Boys perform again on the 26th, the city hosts shows by both Sufjan Stevens and Ryuichi Sakamoto on the 30th, then there’s the City Arts Fest (Roky Erickson, Cat Power, DJ Spooky, John Medeski, Gogol Bordello, Big Boi, The Vaselines, etc. etc) from the 20th-23rd, and Gary Numan performing on Halloween.   And those are just the few events that I can name off of the top of my head.  At a quick glance, I’d love to see everything but, in reality, that isn’t even remotely realistic.  There is almost TOO MUCH shit going on and, believe it or not, I’ve found myself getting burned out on even going to a lot of shows these days.  I can get super hyped on something but, as the date approaches, the sun begins to go down and, if we don’t already have something officially arranged for coverage, it becomes really easy to blow it off and go in an easier direction.  It’s not usually being at a show that is overkill but, if it’s been an especially draining day or week, getting up and traveling there can be enough of a pain in the ass to feel like “work”.  Maybe I’ve already seen them and feel like I can let it go until “next time”.  Maybe I convince myself that it won’t be that amazing or I’m just too busy writing about/editing the show that I went to the day before.  However, when I discovered that DUNGEN would be returning for an October 2nd show at Neumos again, there was no question that I would be getting off of my lazy ass and making the trek to see them again.  There was even a free Del the Funky Homosapien show a mere few blocks away from my home but, the last time that I saw the Swedish quartet live, they damn near blew the cap off of my skull with their unique brand of psych-folk/jazz-prog. Read the rest of this entry →

They’ll Be Here Soon : PHOSPHORESCENT in Seattle w/live video (July 31, 2010)

September 10, 2010 in Music, With Video

On Friday July 30th, SPIRITUALIZED played their classic album Ladies and Gentleman We Are Floating in Space in it’s entirety at the legendary Radio City Music Hall in New York City.  I wasn’t there.  By the next morning, I had finally accepted that fact and reluctantly headed off to the much less exciting activity of pouring high grade espresso drinks for the people.  I had imagined that, through one ridiculous miracle or another, I would make it out to New York City in time, but the world often has its own mangled vision for your life.  How does that joke go, again?  “How do you make God laugh?  Make a Plan.“  As fate would have it, I wound up meeting someone who lives in the Big Apple that day and getting the opportunity to catch a performance by a band that I’d been meaning to check out for quite some time. Read the rest of this entry →

Street Surfing With an Alien : New WAVVES video for “Post Acid”

August 27, 2010 in Music, With Video

Thank you and hello again, everybody.  This week our pop-spotlight song of the week comes from a young Los Angeles, California trio calling themselves WAVVES.  Essentially a project of San Deigo native, Nathan Williams, the first two releases from the lo-fi punk outfit were recorded behind the home of Williams‘ parents, launching the young man into the forefront of America‘s burgeoning Garage Rock resurrection.  For the current incarnation, Williams has recruited the late-Jay Reatard‘s former rhythm section, Stephen Pope (bass) and Billy Hayes (drums).  Together they have released the high-energy 12-track gem, King of the Beach, that all the kids are bopping their heads and tapping their toes along to.  Today our spotlight shines on one particular song from this release and it’s corresponding video, which focuses on extra-terrestrials and skateboarding.  Ladies and gentleman, please enjoy “Post Acid“. Read the rest of this entry →

DAY ONE *second half* : Sasquatch Music Festival [Sat. May 29, 2010]

June 18, 2010 in Music, Reviews

TO READ THE FIRST HALF, CLICK HERE


MiiKE SNOW

To avoid any confusion right off the bat, I think it’s important to clarify that Miike Snow isn’t the name of a man.  It’s actually the name of a Swedish electro-pop trio.  I first became aware of the group, thanks to friend of the site, SeanHar Mar SuperstarTillmann, whose personal tweets and Facebook postings expressed an appreciation of their recent self-titled debut.  Much like Har Mar, the trio has managed to gain a solid level of popularity in the UK.  Although Miike Snow are arguably still more recognizable overseas, I believe that, if they aren’t on your radar yet, they will be soon enough.  In fact, Miike Snow isn’t unfamiliar with the concept of “Radar“, because 2/3 of the group actually helped to produce a hit song of the same name for Britney Spears.

I use to be a barista at a place where I was lucky enough to work with someone who had similar musical tastes as myself.  Sometimes, our co-workers didn’t feel as lucky about that situation as we did.  A lot of Silver Jews, Dungen, Pavement, Ween, Tortoise, Talking Heads, Sonic Youth, free jazz, etc, was played during our shifts, but one day Josh brought in the Britney Spears Blackout album and everyone was so pissed off that they lost their minds over it.  Both of us, on the other hand, got really into playing it more and more.  It’s extremely popular to trash pop-stars like Brit Brit, especially at that time, but there was something really intriguing about that album.  Once you get past the ideas of commercialism, shallow marketing tactics, and Total Request Live tweens buying scrunchies at a Claire’s in a Westfield shopping mall, it contained some brilliant layering and production work throughout.  Above all, “Radar” had a super catchy hook and was the one track that I couldn’t shake.  It turns out that, along with “Piece of Me” and two other tracks from Blackout, “Radar” was produced and co-written by the Swedish duo of Christian Karlsson and Pontus Winnberg (aka: Bloodshy and Avant).  In 2007, Karlsson and Winnberg teamed up with American frontman/songwriter/multi-instrumentalist, Andrew Wyatt to form Miike Snow and did so without any real expectations.  Bloodshy and Avant had already achieved a high level of success from their production work with vagi-centric pop acts like Spears, Kylie Monogue, Madonna, J-Lo etc.  In fact, these guys even produced and co-wrote the song “Toxic” which was credited by multiple publications as being one of the greatest songs of the Two-Thousands.  So, although their names as artists may not be as recognizable as the acts whose careers they helped to boost, most people are still very familiar with their work.  With Miike Snow, the production duo is now stepping out into the forefront to endure any risks and rewards which may come along with it. Read the rest of this entry →