“Aesop Rock/Kimya Dawson Slip&Slide Picnic/Potluck Thing” – [w/Photo Set]

July 8, 2011 in Music, Reviews

On September4th of 2009, we spent the night at Seattle‘s NEUMOS, attending a performance by two previous Monster Fresh interviewees, Daniel Johnston and Kimya DawsonKimya was asked to open the show by her past collaborator -Daniel appeared on her 2004 album, Hidden Vagenda (K Records)- and even had Johnston briefly sit in behind the drums during her set.  Long-time clean and sober, the all-ages friendly Dawson made the extremely rare exception to perform at the 21+ event just to have the opportunity to appear with her old friend once again.  She did, however, bring along a handful of members from her all-ages, no experience/tryout necessary, community-based Olympia Free Choir, to accompany her on stage for a few songs (including, “We Are The World“).  One track that Kimya performed independently was a brand new one that had yet to be titled, at the time.  Back in February, that song resurfaced with dark, choppy piano thumps and heavy boom-bap hip-hop percussion under the title “Miami Advice“.  The added depth of this new studio-produced version was further increased through vocal contributions by the Free Choir and a much more unlikely collaborator… Aesop Rock.  Last month, I got the opportunity to see Kimya perform the track for the first time since hearing it at that Seattle debut nearly two years ago.  Not only was she joined by her new rapping cohort, this time, but it was also one of the most all-ages friendly venues that anyone could possibly hope for.  In fact, the event was casually titled as the “Aesop Rock/Kimya Dawson Slip & Slide Picnic/Potluck Thing.Read the rest of this entry →

RAINY DAYZ – RAEKWON Live in Seattle [Video/Photo-Set]

June 4, 2011 in Music, Reviews, With Video

RAEKWON

Nectar Lounge

Seattle, Wa

May 08, 2011

A week ago, quick posts started showing up all across the internet, informing us that, “Gil Scott-Heron is dead.”  In recent years, the legendary poet/musician had struggled with fairly public substance abuse problems and had triumphantly returned with a his first full-length of new material in 16 years with last years, I’m New Here (XL recordings).  Although the title track was a cover song from the 2005 album, A River Ain’t Too Much To Love by SMOG (aka: Bill Callahan), it’s inclusion on the album and, perhaps more significantly, as the album’s title, were clearly decided upon for profoundly personal reasons.  With lyrics like “no matter how far wrong you’ve gone, you can always turn around” and the titles of such other songs as “Me and the Devil“, “Running“, and “The Crutch“, it was evident that Heron was turning to more introspective subject matter than such politically driven classics as “The Revolution Will Not Me Televised” and “Whitey on the Moon“.  Often referred to as “the godfather of rap,” Heron‘s last collection of new material came with the album Spirits in 1994 and contained the lead-off track “Message to Messengers“, which criticized the direction of hip-hop and what he saw as superficiality and destruction of/within the artform.  Just as I’d like to view I’m New Here as his last big statement before his death, his warnings and pleas to the hip-hop community were one of his last big statements before his extensive gap in productivity.  Around this time, another album called, Enter the Wu-Tang (36 Chambers) was really beginning to pick up steam. Read the rest of this entry →

WU-TANG Gives WU VS BEATLES Mixtape Official “special edition” Release

January 3, 2011 in Music, The Web

In recent years, the art of the mashup has continued to gain more and more prominence in the music world.  Actually, “art” is probably not the most accurate term to use, considering that it has reached a point of excess in which endless amateur Youtube “deejays” are willing to forcefully press together anything that they feel might get them even the slightest amount of attention.  Generally, it’s all about the gimmick and, unfortunately, there is far too often next to no focus on creating anything of substance.  Like I said, it’s all about quick attention and the sheer novelty of seeing if you can layer somethings like a Beyonce vocal over a track from The Man Machine (hmmm….not a bad idea).  If you think about it, the idea really isn’t all that original in the first place, because stacking tracks is the basic concept behind beat juggling and, although there are genuinely some really good tracks to come out of this genre, most of these mash ups just eliminate the requirement for any skills on the tables.  Another thing that has helped to over-saturate the mashup game is that a large percentage of the people creating these things prove to be one-notes.  If you want to hop in with something to grab attention and then step things up from there, that’s one thing, but if you have little more to deliver after that point, it’s pretty much like telling the same joke over and over again.

With all of this being said, it’s is definitely true that something will occasionally comes through that’s actually worthy of the attention. Read the rest of this entry →

WOCKA WOCKA! : Baracka Flacka Flames – “Head of State” [Video]

October 22, 2010 in Comedy, Global Destruction, Politics, The Web, With Video

This morning I followed a facebook post of a tweet of a link that was originally a blog post by beat maker/producer Blockhead.  The post was on his blog Phat Friend and, since I never knew that the blog existed and since I instantly liked what I saw him doing with the site, I decided to browse around and scope out what else he had going on.  What I found was crazy as all get out and is something that I have a feeling will be everywhere by tomorrow.  In fact, as I type this, it’s already spreading like swine aids.

Beyond an embedded video, all that Blockhead‘s post said was “I just saw this and I really have no words.  Just watch“.  That’s probably all that needs to be said but, as anyone who has read any decent amount of content on this site knows, I always have words.  This time, however, I’ll leave them until after the video. Read the rest of this entry →

Micheal “EYEDEA” Larsen Memorial Details announced

October 22, 2010 in Music, PSA, With Video

You may not recognize the man in the image posted above, but his name is Micheal Larsen.  If you don’t recognize the name “Micheal Larsen“, it’s probably because he was better known under his moniker “Eyedea” and as the mc-ing half of the hip hop duo Eydea and Abilities.  Wearing a T-shirt, cardigan and converse, along with his unkempt mane and facial hair, he often resembled a variation of Kurt Cobain more than a highly gifted battle rap champion and underground hip-hop icon.  Unfortunately, Larsen suffered a similar fate to late Seattle-based legend, losing his life far too early.  On the plus side, the similarities don’t end there, as he was also able to leave a huge impact on the world before his untimely demise at the tender age of only 28 years old.

Last Sunday October 17th, tweets and facebook posts stating that Larsen had passed away began popping up everywhere.  These yielded two separate reactions from those that read them.  The first was the obvious shock and remorse that anyone would have when a respected artist and/or peer passes away.  The second, however, was a different kind of disbelief.  In the past, Larsen’s been known to wear black T-Shirts with the phrase “EYEDEA IS DEAD” printed on them in white text.  This raised some confusion and a great deal of hope that the announcements of his death may, in fact, have been a hoax.  Of course, as we all know now, the late vocalist/writer/artist’s expired body was found by his mother, with an official cause of death yet to be announced or determined.

We don’t usually post press release straight up and “as is”, but, this is one of those rare exceptions.  After receiving 2 nearly identical press releases from the publicists for Eyedea‘s former label Rhymesayers Entertainment, it’s clear that the amount of information provided through them is both necessary and already formatted in the best possible way.  Along with details about Larsen‘s public wake, there is also  information regarding donations and tributes.  The end of the post also features various statements about Micheal‘s from close friends, label mates, and collaborators, including his mother, P.O.S., Brother Ali, Murs, Abstract Rude. Read the rest of this entry →

FREDDIE GIBBS “Oil Money” – feat. BUN B and DAN AUERBACH (The Black Keys)

September 9, 2010 in Music, With Video

Freddie Gibbs‘ stock continues to rise with his latest video “Oil Money” off of the recently dropped Str8 Killa EP.  We’ve written about the Gary, Indiana-native before and, even more specifically, about the Str8 Killa EP, but it’s hard not to repeatedly address the rapper’s work when the updates continue to be this intriguing.  Our first post about Gibbs featured a live video of his performance during the SXSW music festival earlier this year.  Just prior to that, we also posted a clip of The Black Keys performing at the same festival.  Now, with the release of “Oil Money“, we have a chance too hear what Gibbs and Black Keys guitarist/vocalist, Dan Auerbach sound like on the same track.  For anyone familiar with BlackRoc, last year’s collaboration between The Black Keys and Rocafella records, Auerbach‘s latest foray into the rap world will be far less surprising.  In fact, the blues rock duo of Auerbach and partner, Patrick Carney actually produced some of the most refreshing hip-hop beats in years.  A similar soulfulness is definitely exhibited through the keys and in Auerbach‘s vocal work on this latest Gangsta Gibbs offering.  While The Black Keys‘ frontman prominently appears on the chorus for “Oil Money“, he doesn’t physically appear in it’s video.  The following video does, however, feature appearances by Chip Tha Ripper, producer/rapper Chuck Inglish of The Cool Kids, and long-time Freddie Gibbs influence, Bun B from the Houston‘s legendary UGK crew. Read the rest of this entry →