CONTEST HAS ENDED!: WIN TICKETS to see BORIS @ NEUMOS in SEATTLE!

October 5, 2011 in Music

CONTEST HAS ENDED!


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It wasn’t but 2 days ago that the remarkable Melt Banana came through Seattle to unleash their ridiculous Japanese fury all over the Chop Suey club and now we’re already preparing for a visit from the fellow experimental rock powerhouse from the land of the rising sun known simply as BORIS.  Taking their name from a MELVINS track, BORIS has been pumping out a prolific amount of material since 1996.  A decade and a half into their careers, they’ve released a total of 17 studio efforts, 3 live albums, 4 re-issues, 7 collaborations with noise musician Merzbow, and have teamed up for additional full-lengths with the likes of such artists as Sunn O))), Keiji Haino, Michio Kurihara (aka: White Heaven), and Ian Astbury (The Cult).  These guys are relentless and show no signs of slowing down ever.  In fact, they just dropped 3 new albums, this year alone, not to mention another album with Merzbow (originally intended for release in 2007).  The trio isn’t just pumping out the same album over and over again, either -although they did just release an album with the exact same name and cover design as a previous 2002 effort, save a color change- they blend just as many influences and styles into their sound as they have releases.  Psych, sludge, stoner rock, noise, drone, doom metal… even ambient and pop elements.  The obvious influences like SLEEP and MELVINS are undoubtedly present, but BORIS continues to move forward by focusing on progress and refusing to limit themselves.  They’ve even given nods to inspirations so varied as influential metal pioneers VENOM to sombre 70s singer/songwriter, suicide casualty, Nick Drake (dig that Bryter Layter parody on Akuma No Uta).

An acclaimed live act, BORIS is currently on tour and our friends at NEUMOS have offered us up a pair of tickets to next weeks show so as we can give it away to one of yooz jerk offs, absolutely free.  Check out the details for the giveaway after enjoying this classic BORIS romance groove… Read the rest of this entry →

MAKING CONTACT: Interview with BRIAN DEGRAW of GANG GANG DANCE

July 14, 2011 in Interviews, Music

The following piece/interview was originally written/conducted way back in March and was done so for an upstart print publication that, to my understanding, was to be distributed Nationally.  At that time, there wasn’t a ton of information available regarding Gang Gang Dance’s latest album, Eye Contact, or pertaining exactly to the future plans of the group creating it.  Since my interview, the album has been released to critical acclaim, Gang Gang has already performed their scheduled slot at the Animal Collective-curated ATP event in Minehead, UK, and the band has even announced a slew of upcoming US tour dates.  Although I wasn’t compensated monetarily for the work that I had put into this piece, I was still happy to contribute freely to a new publication, welcoming the opportunity to collaborate on an outside project and to help in its fruition as it grew into whatever it is destined to become.  As for publishing rights, no contracts were signed and, beyond the initial contact with the publicist -whose contact information I had already possessed- all follow up, research, editing, additional contact, and writing was handled by myself.

It would have been great to be the first to provide some “scoops” regarding the album, but it takes a lot to get a new magazine off of the ground and that includes time.  I, of course, never posted the interview here on Monster Fresh, so as not to conflict with the publication that it was originally intended to run in.  A couple of months passed, without any real updates.  I sent an email inquiring about progress with the project, but never heard back.  Eventually, I heard that the magazine had gone into print, but still can’t figure out how to obtain a copy locally or where to instruct anyone to pick one up in their local areas.  I haven’t even seen a copy in person, myself.  My hopes were to help promote the project and alert everyone to it’s existence, but my main goals with writing are to compile information and to make it as available as possible.  Of course, I was also hoping to see my work in print (which it apparently is) and to try and avoid recklessly burning another bridge (which I’m openly risking by posting this now).  As someone who operates an outlet of their own, I’m a firm believer in keeping those who contribute in the loop with the progress of their work.  This is especially true when they aren’t even receiving any real compensation for the work that they provide, other than the pride, outlet, and audience they are creating for.  In my particular situation, I didn’t need the connections or the forum.  I was/am proud of this piece but, as it stands now, I feel as if I’ve put my energy into something that someone else has locked into a box somewhere and have no real understanding of what is happening with it.  I wish no ill will towards the publication and hope to see it surface and do well at some point but, after this much time has passed with consistently little or no response, I feel that it’s time to put this interview up for those that want to read it and have, up until now, been unable to do so.  Like I said, this was originally conducted a full 4-months ago, at this point, but I tried to construct it in a manner that would allow the information to remain consistently relevant.  I hope that endeavor proves to be successful.

as always, thanks for reading.

-Dead C

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FUCK ALL! (pt. 2) : DUNGEN promotes “Skit i Allt” in Seattle [review/photoset]

October 14, 2010 in Music, Reviews, With Video

[click here for part 1]

DUNGEN

DUNGEN guitarist, Reine Fiske came out to begin moving equipment and was followed shortly by Mattias and drummer, Johan Holmegard.  Since DUNGEN‘s inception, Gustav Ejstes has been the primary force behind everything; arranging, writing, and manning the majority of the instruments on all 6 of his albums.  Fiske has been a major contributor since the first release and, in recent years, Ejstes has been able to reduce nearly all of his drum work by passing duties over to Holmegard.  Regardless of the quartet having solidified as much more of a formal “band” these days, Ejstes still performs a total of 8 different instruments on their brand new release, Skit i Allt (meaning: “Fuck All”) and continues to switch it up a bit in the live format.  Prior to making his entrance, a small upright piano was brought out and placed on the stage for the vocalist.  Yep… the setup was beginning to give me a bit of a flashback to last year and this was a good thing.  We tried to hype the fuck out of this performance and, although the crowd wasn’t at the capacity that these skilled musicians warranted, I could easily locate individuals whom I personally made the suggestion to.  Now it was DUNGEN‘s turn to make good on the promises that I had made for them. Read the rest of this entry →

FUCK ALL! (pt. 1) : DUNGEN & THE ENTRANCE BAND in Seattle [10.3.10]

October 14, 2010 in Music, Reviews

This October is a busy month here in SeattleThe Black Keys just played on the 2nd, M.I.A will be here on Oct. 17th, Steven Wright is on the 20th, Trailer Park Boys perform again on the 26th, the city hosts shows by both Sufjan Stevens and Ryuichi Sakamoto on the 30th, then there’s the City Arts Fest (Roky Erickson, Cat Power, DJ Spooky, John Medeski, Gogol Bordello, Big Boi, The Vaselines, etc. etc) from the 20th-23rd, and Gary Numan performing on Halloween.   And those are just the few events that I can name off of the top of my head.  At a quick glance, I’d love to see everything but, in reality, that isn’t even remotely realistic.  There is almost TOO MUCH shit going on and, believe it or not, I’ve found myself getting burned out on even going to a lot of shows these days.  I can get super hyped on something but, as the date approaches, the sun begins to go down and, if we don’t already have something officially arranged for coverage, it becomes really easy to blow it off and go in an easier direction.  It’s not usually being at a show that is overkill but, if it’s been an especially draining day or week, getting up and traveling there can be enough of a pain in the ass to feel like “work”.  Maybe I’ve already seen them and feel like I can let it go until “next time”.  Maybe I convince myself that it won’t be that amazing or I’m just too busy writing about/editing the show that I went to the day before.  However, when I discovered that DUNGEN would be returning for an October 2nd show at Neumos again, there was no question that I would be getting off of my lazy ass and making the trek to see them again.  There was even a free Del the Funky Homosapien show a mere few blocks away from my home but, the last time that I saw the Swedish quartet live, they damn near blew the cap off of my skull with their unique brand of psych-folk/jazz-prog. Read the rest of this entry →

Swede ‘N Lo-Fi : DUNGEN & WOODS in Seattle (9.3.09)

September 17, 2009 in Music, Reviews

Gustav-acousticI used to work the graveyard shift as a night auditor at a pair of shitty hotels, across the street from a crack park in downtown Seattle.  I was eventually, and intentionally, fired but, like most shitty jobs, this one had some Pros mixed in with its Cons. The pros were the comical wingnuts and crackheads, the fact that I met my girlfriend there, my free pizza hook ups every night, and that it was not uncommon for patrons to kick me down free weed.  Among the cons were the not-so comical wingnuts and crackheads, my incompetent and self-important dipshit of a boss (who was over-compensating for his secretive, yet discovered, history for having a taste for man wiener), that I was constantly scheduled as a security guard (not my “job”), and the time that the vato with the dress shirt and neck tattoo tricked me into smoking a sherm blunt with him at 3 in the morning.  The most frustrating situations were the ones where the Cons actually canceled out the Pros all together. One example was when I had learned that the Swedish psych band, DUNGEN, was staying in the hotel and had offered the entire staff free tickets to their local performance.  Sure, it was a “sweet” bonus for having a shitty job, but the problem was that I was actually working at that shitty job during DUNGEN‘s performance.  It would take almost 4 more years before I realized to what magnitude I had missed out. Read the rest of this entry →