Bigger Than the Outside : A Conversation with BABY DEE

June 6, 2010 in Global Destruction, Interviews, Music, Politics, With Video

Baby Dee is a fascinating individual.  For some, there is a novelty in the fact that she’s transgender, which they’ve allowed to overshadow her work as an artist.  For others, her musicianship takes center stage over any personal identity that Baby Dee might have.  In reality, the work is far too revealing, honest, and personal to ever be completely separated from the person who created it.  In our approach to any interview conversation that we try and conduct on this site, there is a belief that the humanity of the artist and the exploration of them, their history, insights, and experiences as an individual on this planet should always remain a focus, beyond just the art that they create.  The “why” is more important for us than the “how”.  Even more important is the “who”, because from there the why will expose itself.  These concepts became especially relevant in our recent encounter with the Cleveland-born pianist/harpist.

It’s true that Dee continues to build a catalog of deeply engaging and beautiful music, and that is something that we, in no way, wish to discount.  We hope to open the door for you to explore her work further, but the sounds and feelings presented in her work are things that you can continue to discover slowly, in your own time.  I feel that our job in a piece like this is to attempt to truly help introduce you to the soul of  the person behind the work.  Baby Dee is a fascinating individual, but I think the point here is that, with or without her affiliations with various other artists, being transgender, or even her abilities as a musician, her unique character and quality as a person would still sustain her as such, regardless.  We trust that, after viewing our video interview below, you will see her in the same light as we do.  Her talents as an artist are undeniable, but music is little more than a simple medium to manifest and display the immense levels of truth and personal ideals which she holds inside. Read the rest of this entry →

NEW IDOLS by Francesco De Molfetta at The Don Gallery [Milan]

April 27, 2010 in art, Politics


Italy has a long rich history in the fine arts.  It is the country credited with the birth of the Renaissance movement and home to world famous venues such as the Vatican Museums and The Uffizi Gallery.  It’s a legacy that deserves every bit of respect that it garners, but there is a great amount of people who feel no connection to these ancient works and even more people who feel distanced by the term “art” in general.  Art is a class that you take at school; something coupled with “Literature” on a Trivial Pursuit game card.  It can become more of something to understand intellectually than emotionally.  For the last 30 or 40 yrs, the  Pop Surrealism, Lowbrow, Graffiti and Street Art worlds have challenged these constrictive ideas of what art is and who it’s for.  These are also the selected art-forms that Milan‘s Matteo Donini has been dedicated to showcasing since opening The Don Gallery in 2008.  This month’s exhibit at The Don, New Idols, is a refreshing venture into pop-culture by a young Milanese sculpture  by the name of Francesco De Molfetta. Read the rest of this entry →

M.I.A. Toys With SUICIDE: Arular releases New Video for “Born Free” [...Commandeers Pitchforks Twitter account & reveals Track List]

April 26, 2010 in Global Destruction, Music, Politics, The Web, With Video

When the last album was released from the Sri Lankan/British superstar, Mathangi “Maya” Arulpragasam (aka: M.I.A.), I found myself sitting alone at a local bar and sucking back a full pitcher of Mac and Jacks African Amber ale to my head.  I had been working a lot at the time and had heard that the local spot was doing their own version of a CD release/listening party for the album with some little giveaways.  I decided that I would take that opportunity to go down there by myself, drink a pitcher of beer, and check out the new tracks.  Hardly anybody showed up and, although I didn’t win the album itslef, I did go home with a boxload of KALA stickers an shirts that they were unable to dump off on anyone else.  This resulted in one of our first giveaways that Monster Fresh had ever held.

Sean Prince and I had gone to seen her perform a couple of years prior as the opening act for LCD Soundsystem.  That show took place at the Showbox in Seattle, a venue that both acts have likely outgrown by this point in their individual careers.  The whole show was pretty amazing, but it was actually more of a back up plan for us, as her previous performance at Chop Suey had been canceled due to the usual problems surrounding the artist: Green Card issues and the fear of potential terrorism.  These days, it seems like LCD Soundsystem has gotten fairly huge and M.I.A. has, by all accounts, become a legitimate “superstar“.  The irony of someone like myself writing reviews about anything related to pop-culture is that I am pretty much oblivious to what is or is not popular these days.  I can go to a show thinking that an artist is “underground“, whatever that means, only to find out that the venue is completely sold out.  Then, I can go to a show with the fear that it will be packed and only find 6 people in the audience.  I didn’t realize that M.I.A . was so fucking huge until I saw her performing with Jay-Z, Lil Wayne, T.I. and Kanye West, while she was pregnant at last years Grammy Awards.  My frame of reference was coming from a time when both she and LCD had only just released their first albums.  LCD Soundsystem‘s 3rd studio album is set to drop next month in the UK and now, Arular herself is letting out some samples of what her own latest effort is going to sound like as well. Read the rest of this entry →

Send in the Clouds: David Berman dissolves Silver Jews w/Personal Message.

January 23, 2009 in Global Destruction, Music, Politics, PSA, The Web

david-berman-hand-red-eye-correctedSome of you may have noticed the announcement in our “coming soon ” section that I would be posting an interview with Silver Jews frontman David Berman.  Some of you may have even been eagerly awaiting to read it.  Berman prefers to stick exclusively to email interviews because he feels that they give him more time to answer any questions in depth and prevent him from repeating himself.  I met with Berman in October after an amazing performance in Seattle and spoke with him about how I had been in contact with Drag City records and would be sending him my questions via email.  He expressed interest and told me that he loves to receive interview questions while touring because it is one of his only creative outlets while on the road.  Berman is one of my favorite songwriters and I put a lot of care and thought into my interview before sending it out to the contact from Drag City.  From there, I waited.

I never got my interview questions back but I’ve received a lot of emails responses that simply state that they, “Haven’t heard back from David, yet“  I was concerned that my questions were too intense and that I had been too personal with the angle that I had taken so I sent the following email,

I was wondering if there has been any headway as far as the David Berman interview questions that I sent out a while back.  I’m beginning to worry that my questions have offended him in some way, or that there is an issue with the interview.

Please let me know if you have any information because I was raised by a Jewish mother and I am neurotic.

Thanks

I got the following response,

I don’t believe it has anything to do with you. David has been EXTREMELY slow to respond since he’s gotten back from tour. He’s not responded to others as well. I think he is taking a mental break, but I will continue to follow up.

That was on October 30th, 2008David and Silver Jews have a show scheduled for the 31st in which they will be performing in a cave in Tennessee.  I felt that it would still be a great time to post the interview and that I should try and follow up with the status at least one more time.  To my surprise, before sending my email, I found out that Berman officially dissolved the group today via a message in the Silver Jews forum section of Dragcity.com.  He further posted an extremely personal message to his fans about his personal life and his father.  I will continue to try and contact David, hopefully with better results.  I know that some of my questioning referred to the future status of the group.  I guess that we all know the answer to that question now.  It is clear that he has been busy with introspection and Drag City is still an amazing label.  They have been extremely accommodating and helpful in other ways and continue to represent many other  terrific groups.  This is clearly a turning point is Berman’s life and, whether the interview ever gets posted or otherwise, I wish him and his wife/bassist, Cassie, the best possible success in their lives and their future endeavors.  We also thank him for the tremendous contributions that he has provided to the world of music, literature, and as an individual as a whole.  Simply based on the brief interraction that I have with Berman, he was very generous with his time and energy.

Here is exactly what David C. Berman posted last night on the Silver Jews bulletin board: Read the rest of this entry →

The Alaska Disasta’: Sarah Palin protested at home

September 19, 2008 in Global Destruction, Politics

Anti Palin Rally in Alaska

I just received an anonymous email with tons of photos (which I will put up here) of a recent rally of Alaskan women protesting against Sarah Palin.  I really have not heard much about this in the major media, so we are throwing this up to help spread the word.  I sent an email out to the person who emailed this to me to contact the original source.  I am putting the photos up as well, to help spread the word that was forwarded, but will take them down if the owner of the photos objects having them on the site. After the jump is the text of the email I received, with the attached photos from the Rally.

Read the rest of this entry →