Futures & Folly: BLITZEN TRAPPER & DAWES Live @ The Neptune [w/photoset]

December 11, 2011 in Music, Reviews

BLITZEN TRAPPER
DAWES
Neptune Theatre
Seattle, Wa
11.11.11

Last month we posted a brief write-up, along with a ticket giveaway for The Belle Brigade, Dawes, and Blitzen Trapper show at the Neptune here in Seattle.  The contest was super last minute and even more last minute was my decision to pop on over to the show and photograph it.  My credentials came through that evening and I decided that, if I had a photo pass, it would probably be worth swinging down there for it.  With a baby and a bunch of other shit going on, responsibility-wise, it’s not as easy to simply fly out the door on a moments notice anymore. Read the rest of this entry →

Indestructable – ROBYN Live @ City Arts Fest 2011 [w/ Photo Set]

November 18, 2011 in Music, Reviews

ROBYN

City Arts Fest 2011

The Paramount Theatre

Seattle, Wa

10.20.11

Seeing Robyn at this year’s City Arts Fest was my first big pop concert.  I’m happy to have fulfilled this rite-of-passage;  never mind the fact I’m almost 30.  Actually, being almost 30 does relate to this story, because, as I age, the less tolerance I have for staying out late, fumbling through crowds, STANDING, and the general pack-in-as-much-as-you-can-handle model of music festivals.  EXHAUSTION =FUN?   But to see Robyn meant participating in this chaos-fest, so I bucked up, slammed a 24 oz Red Bull, packed a Snickers Charged, and practiced standing around and pushing through crowds a few weeks before the event.  Here is how it all went down: Read the rest of this entry →

EGOWAR – Gang Gang Dance Live @ Neumos in Seattle [10.14.11]

November 14, 2011 in Music, Reviews, With Video

Gang Gang Dance

Neumos

Seattle, Wa

10.14.11

Let’s get this straight: “I am a total snob, a pseudo intellectual, and an occasional dilettante.”

I know this about myself.  At least I should get some Buddha points for being mindfully (if knowingly) self-aware.  I appreciate most genres of art and music.  I even admire my own openness to various genres when I’m alone with myself in my car.  I may pop in Four Tet, followed by Blossom Dearie, Elvis Perkins, Arvo Part, and Simon & Garfunkel.  Then, sometimes it’s the Black Keys, Joy division, Toumani Diabate, Ukulele Ike, Hello Seahorse, and Jurassic 5, finishing off (haha) with Guns N Roses.  The juxtapositions of my car DJ skills have me liking myself right through my morning commute.

One of my biggest snobby glitches is this: When I first hear about something, after it has already become a little too popular with the local hepsters, a wee switch goes off in my brain which keeps me secretly “above” whatever it is (at least for now).  Let’s call it snob-tourettes.  I bide my time.  I hold off until this brilliant (or not so brilliant) pop group, painter, movie, or writer passes through the imaginary threshold of popularity and into the passé; I subconsciously wait for it to be uncool enough for it to be cool enough for me…and then I sit back and take it in for the first time.  Maybe (probably) I haven’t even really paid attention to it before this.  My snob-tourettes has wrestled my tiny Buddha to the ground.

Lately, I have been openly rooting for my better self.  I do aim to grow to appreciate art on its own merits, god damn it!!  So, when an opportunity to cover the Gang Gang Dance show at Seattle‘s Neumos came, I jumped at it.  I – mostly – missed the slow swell of psychedelia that was Gang Gang Dance’s rise to international notoriety; a fact (sadly) that would usually inhibit me from listening for at least a couple of years.  This was the better-self-test that I needed; a prime opportunity to step willingly on to a popular alternative band wagon, or at least be open to it.

So, then and there, I committed to attending the show. Read the rest of this entry →

SINNING IS EASY: Daniel Johnston Live @ Neumos [w/illustrations & Photo-Set]

August 31, 2011 in art, Music, Reviews

In this version of the non-existent biopic that no one is making for Daniel Johnston, they dress up the actor in a paint-speckled gray pocket-shirt, the front of which is tucked into a pair of gray draw-string sweat pants.  The make-up department sets him up with those great eyebrows that would be the dominant feature of his face if it weren’t for his fantastically bulbous nose.  The set director gives him all his characteristic props—the saintly attributes that disambiguate him from every other martyr of the stage: a chair with three identical water bottles, a guitar that resembles more of a ukulele when nestled into his torso, and a pair of converse.  And of the actor’s props, the most outstanding is the pair of converse.  They are pristine and blue, and say, “despite how he appears, he actually is slightly concerned with coolness”.

But it isn’t a movie.  It’s Daniel Johnston, dressed up as himself, at Neumos in Seattle [August 24, 2011].  By now, in his latter—but not quite as late as you might think—years, Johnston is something of a loving parody of himself.  He looks and sounds just as the crowd expects to see and hear (all except for a surprisingly well-kept beard that defies his characteristic baby-face).  And in its predictability, the evening had the tight and tingly sense of sacrament, which begins at the base of the spine and works its way up with the words that everyone knows they are about to hear. Read the rest of this entry →

WEEN @ Les Schwab Amphitheater [Photoset/Download/Set List]

July 20, 2011 in Music

WEEN 

Les Schwab Amphitheater

Bend, Oregon

July 2, 2011

Read the rest of this entry →

RAINY DAYZ – RAEKWON Live in Seattle [Video/Photo-Set]

June 4, 2011 in Music, Reviews, With Video

RAEKWON

Nectar Lounge

Seattle, Wa

May 08, 2011

A week ago, quick posts started showing up all across the internet, informing us that, “Gil Scott-Heron is dead.”  In recent years, the legendary poet/musician had struggled with fairly public substance abuse problems and had triumphantly returned with a his first full-length of new material in 16 years with last years, I’m New Here (XL recordings).  Although the title track was a cover song from the 2005 album, A River Ain’t Too Much To Love by SMOG (aka: Bill Callahan), it’s inclusion on the album and, perhaps more significantly, as the album’s title, were clearly decided upon for profoundly personal reasons.  With lyrics like “no matter how far wrong you’ve gone, you can always turn around” and the titles of such other songs as “Me and the Devil“, “Running“, and “The Crutch“, it was evident that Heron was turning to more introspective subject matter than such politically driven classics as “The Revolution Will Not Me Televised” and “Whitey on the Moon“.  Often referred to as “the godfather of rap,” Heron‘s last collection of new material came with the album Spirits in 1994 and contained the lead-off track “Message to Messengers“, which criticized the direction of hip-hop and what he saw as superficiality and destruction of/within the artform.  Just as I’d like to view I’m New Here as his last big statement before his death, his warnings and pleas to the hip-hop community were one of his last big statements before his extensive gap in productivity.  Around this time, another album called, Enter the Wu-Tang (36 Chambers) was really beginning to pick up steam. Read the rest of this entry →