No Plan B – MARC MARON Live @ the Neptune [Seattle]

January 16, 2012 in Comedy, Reviews, The Web

Marc Maron

Neptune Theatre

Seattle, WA

11.25.11

So you’re probably thinking, “Jesus Christ, Devon. What the fuck?  This goddamn show was, like, two months ago. What the hell took so long?”  I know.  I understand.  I’m a little upset about it all myself.  But here’s the thing, see… it’s Marc Maron.  I love the guy, I really do, but sometimes he can be a little rough for me.  Not him or his material per se, but the thing is that, when I talk about Marc Maron, or when I think about Marc Maron, I can’t help but think about myself.  I can’t help but think about how I think about myself, how much I do, and why and when.  Once I start getting into self-examination like that, well, it can get a little overwhelming, and it can get a little paralyzing.  But at the end of it all, it’s why I love Marc Maron.  It’s why I’ve listened to all two-hundred forty-something episodes of his podcast.  It’s why I bought all four of his stand-up records, and why I’ve read his book more than once.  It’s why I snagged a ticket to 2010’s Bumbershoot festival, just so that I could see a live taping of his podcast.  It’s all because I know that I should look inside myself – I want to and I feel like I’m ready to- and it’s not something that I was ever compelled to do before I got into this one stand-up comedian. Read the rest of this entry →

CONTEST HAS ENDED! WIN Tix to live podcast of Uhh Yeah Dude in Seattle

December 12, 2011 in Comedy, The Web, With Video

CONTEST HAS ENDED!

[CLICK HERE to jump directly to giveaway]

Back in the early 2000s, I lived in Olympia, Wa and there was a lot of DIY music and media production happening in the small college town.  People were mixing albums in their basements, silk-screening posters and T-shirts in their kitchens, and using DV, High-8, and/or Super-8 cameras to record short films in dusty fields and damp alley ways.  My friend Mac Dawg was taking advantage of the fact that we had a local public access station to create his own programs.  His original idea was to film a fictional, biopic-style sitcom based around Kurt Cobain in the 80s, referencing his tenure as an Olympia resident.  Being a Jewish Puerto Rican in his early twenties who had dread locks and mutton chops at the time, he came to the conclusion that I would be the perfect person to star as the dead, blonde, white grunge-rock icon in the re-imagining.  The project never actually came to fruition, but, during a random house party at Mac Dawg‘s house, I came up with my own idea for another program by the name of “TANGENT.”  The basic premise was that I would have guests on, like an informal talk show, and then just consistently shift the topic on them.  [I only have brief glimpses of memory pertaining to coming up with the idea... I was really drunk.]  One morning Mac Dawg wakes me up with a phone call and asks if I’m ready to do the show.  “What show?” I asked.  I thought that he might be referring to the Cobain thing again.  He explained that it was my idea and that I should get ready, because he was planning to film it that morning.  I threw on a slim, denim 1970s pantsuit (just vest and pants) and a large plastic dollar sign necklace, bought a case of OLY stubbies and came up with/scribbled down some topic ideas onto a piece of scrap paper during the ride over to his basement, where the video equipment was set up.  Between being awaken to sitting in the basement getting miked, it was probably 1/2 hour total.  It was about 9am, I had taken down enough alcohol to get rolling and we went from there.  There was no real podcasting back then and there was no Youtube whatsoever.  There was no real direction for the program either and, although I’d like to believe that it had it’s moments, there was a decent amount of aimlessness involved.  I imagine that doing an improvised standup routine must be similar to trying to carry an unscripted program and helping it to remain interesting; it can get awkward quicker than you may think.  If I we could have harnessed those select moments, expanded them, and worked tirelessly on them for years, I could still only have hoped to yield something half as effortlessly smooth and entertaining as the podcast, “Uhh Yeah Dude.” Read the rest of this entry →

Futures & Folly: BLITZEN TRAPPER & DAWES Live @ The Neptune [w/photoset]

December 11, 2011 in Music, Reviews

BLITZEN TRAPPER
DAWES
Neptune Theatre
Seattle, Wa
11.11.11

Last month we posted a brief write-up, along with a ticket giveaway for The Belle Brigade, Dawes, and Blitzen Trapper show at the Neptune here in Seattle.  The contest was super last minute and even more last minute was my decision to pop on over to the show and photograph it.  My credentials came through that evening and I decided that, if I had a photo pass, it would probably be worth swinging down there for it.  With a baby and a bunch of other shit going on, responsibility-wise, it’s not as easy to simply fly out the door on a moments notice anymore. Read the rest of this entry →

CONTEST HAS EDNED! – WIN Tix to BLITZEN TRAPPER & DAWES in Seattle

November 9, 2011 in Music, With Video

CONTEST HAS ENDED!

Since forming Blitzen Trapper in 2000, Eric Earley and his Portland, Oregon sextet, have made a name for themselves by grinding through one tour and release at a time.  Blitzen Trapper is a band of musicians and, more importantly, humans with real world experiences and flaws.  This isn’t a polished group of slick hipsters with shiny guitars or elaborate stage setups.  This isn’t a corporate label-created band or “super group” dangling a larger than life persona in front of consumers, living in the world of MTV Cribs, and asking to be lifted overhead as celebrated pop-star deities.  They aren’t simply young rich kids cashing in on the current trend of glossing up old world folk music, either.  It’s true that they’ve had a fortunate unplanned boost or two along the way -including the “Best New Music” label by Pitchfork, in 2007- but it’s clear that the band would still be trudging along whether the masses were listening or not (in fact, they weren’t for a very long time).  Their frontman isn’t “homeless” anymore and BT have actually become the band that people show up in droves to see -not just an opener treated with hostility- but their focus hasn’t changed and they haven’t lost their authenticity.  What’s most impressive is their ability to utilize familiar sounds and demonstrate clear influences, without shame, while still managing to continuously push themselves into new experimental territories and formulate a sound that is unmistakably all their own.  Wikipeida refers to them as “experimental alternative country/folk band“.  Maybe… maybe not.  Either way, we have a pair of tickets to Friday‘s show at Seattle‘s Neptune Theatre to give away, so that one lucky winner and go and decide for themselves. Read the rest of this entry →