Disconnect the Dots – A Review of Paralytic Stalks by Of Montreal

March 10, 2012 in Music, Reviews

In late August of 2009, I picked up Of Montreal’s Hissing Fauna, You are the Destroyer? a couple of days into an ill-fated trip with my wife.  Between losing our ID’s and the fact that I had decided (for the both of us) to skip the planning process for the trip, we had as much chance of having a good time as a dying man at a bar mitzvah.  I had this romantic notion that we would drift for a few days and land wherever the road seemed to be taking us. For almost any Seattleite, this “plan” is actually some weird code for “let’s go to Portland.”  We got to the city pretty late. Without a useable ID between the two of us, we were turned away from almost every hotel in the city.  It’s also worthwhile to mention that, at this poin,t we had only been married for two days.  Eventually, we found a hotel with a tenant so mousy that I managed to intimidate my way into a room.  The complementary soap smelled like fish sauce.  The next morning, we stopped at a record shop before leaving the city, where I was drawn to the stained-glass graphics of the Hissing Fauna, and thought some electro-pop might smooth over this honey-moon-gone-wrong.  This also happens to be a good way to describe Of Montreal’s new album, Paralytic Stalks. Read the rest of this entry →

Nightwork – Atlas Sound Live @ Neumos [2.28.12]

March 8, 2012 in Music, Reviews

Atlas Sound
Neumos
Seattle, Wa
2/28/12

Atlas Sound is interesting because it is essentially a counterpoint to Bradford Cox’s other role as frontman of Deerhunter.  On record, the differences between the two projects is slight; and many Atlas Sound songs would dovetail quite well with the more subdued moments on Microcastle and Halcyon Digest, the band’s latest albums.  Yet in a live setting, these nuances are magnified.  As the frontman for Deerhunter, Cox seems to define his music by its relation to, and subversion of, the well-worn tropes of rock music.  I recall a Deerhunter show in 2010 that began with Cox announcing, “We’re just some good ol’ boys from Georgia who like to play rock’n’roll” before launching into a loose, spaced-out effects-laden jam -probably the last thing one might expect “some good ol’ boys” to put out.

At the Atlas Sound show at Neumos the other night, Cox was just as eager to play with the expectations of a “solo” show. Read the rest of this entry →

UP IN THE NORTH: Eleanor Friedberger live in Seattle [2/9/2012]

March 8, 2012 in Music, Reviews

ELEANOR FRIEDBERGER
The Crocodile
Seattle, Wa
2/9/2012

Eleanor Friedberger is an underrated genius.  [You will be reading that word a lot in this review; "genius."]  Most people know Eleanor as one-part of the genius team of the Fiery Furnaces, but she also has her own hermetic freakishly gifted brand of brilliance that is worth casting an admiring eye upon.  The evidence is fully served up in her debut solo album, Last Summer that plays as a 10-song diaristic overview of her life at the time that she wrote it.  Unlike much of the Fiery Furnaces‘ quasi-experimental work, Eleanor’s solo release is super listenable.  It’s full of rock and funk hooks (the “funkiest” example of which carries an upbeat song tailing a meandering trip to get drugs, take drugs, and the thoughts one thinks when on drugs) that sound fresh and new, even though they are working in classic pop territory. 

Last Summer came out in July and Friedberger is currently in the middle of a big-ass US tour to promote it.  When a group of friends and I left the Crocodile after seeing her show there on Feb 9th, the conversation immediately turned towards discussing her as some sort of wunderkind.  We all felt like we had just experienced something sneakily special—there was no bravado, glitz or spectacle surrounding the show (it largely lacked pretense of any kind)—but we were kind of blown away, nevertheless.  Our friend Scotty summed it up perfectly by saying that she has a “shine.”  Here’s the full run down of the shiny-ass night that we had: Read the rest of this entry →

Entire Weird Al Yankovic Career Retrospective Screenprint set for “Is This Thing On? 2”

March 7, 2012 in art, Comedy, Music

This Friday marks the second annual “Is This Thing On?” exhibit in Los Angeles, which features 100 of the top contemporary artists in the game depicting their favorite comedians through their respective mediums.  Last year’s show yielded some impressive results and this year shouldn’t prove any different.  Never satisfied with hosting a simple art show, the folks over at Gallery 1988 have arranged for “Weird AlYankovic himself to MC/host the opening for the exhibit, which has a full title of “Is This Thing On? 2: The Weird Year” and is co-presented by those zany jokers over at Funny Or Die.  Along with his hosting duties, Yankovic will also be honored with a 9-print set chronicling his career and featuring contributions from a few folks that you may even recognize as artists that we’ve featured on the site over the years.

The opening takes place this Friday March 9th from 7 – 10pm and, as the date approaches, we’ve continued to wait patiently to get glimpses at more and more of the art.  Our accompanying post about the show features our first set of preview images and can be viewed HERE.  As far as the Weird Al pieces, however, we’ve finally got them all available for viewing below.  Along with the images, the following statement was siphoned from the Gallery 1988 blog, which is now delivered via their new tumblr account. Read the rest of this entry →

Kickstart The Nostalgia: Helms Alee – “8/16″ [Video]

February 16, 2012 in Movies / Television, Music, The Web, With Video

The internet’s a weird fucking place and that’s mostly because it’s not really a “place.”  It’s absurd as shit and almost equally as fascinating when, one day, you simply realize that it’s the primary source for all of your information about what people are doing in the “real” world.  The computer is one of the first items that people head toward after they’ve done anything, just so that they can report to the virtual world that it’s just occurred and get validated, as if any meaning will evaporate otherwise.  That is, of course, if they don’t already have a smart phone, which allows them to report from it immediately, or even while these mundane events are still occurring.  It’s amazing how technology has managed to make a phone call even less personal and indirect than they were before.  [Remember the AT&T ads where the marketing angle was exactly the reverse.]  People have invested endless portions of their lives towards traveling this superhighway like Neil Cassady and becoming proficient survivalists in this world like some sort of Bear Grylls / Kevin Flynn hybrid.  Their fingers are on the electronic pulse and seem to know the moment that anything with any level of longstanding importance is generated, along with every fetal meme and the moment that each African green monkey cyber sneezes out a new strain of viral sensation.  These people are called “nerds” and, fortunately or otherwise, all of us have slowly grown closer and closer to epitomizing that term over the last 2 decades.  Most people seem to catch the hype during it’s peak, or even on it’s way out, like walking holographic corpses with the progeriatric life-spans of the digital age.  Those of us who fall somewhere in-between, either become aware of the new media by having it sent to us like a package or stumble across it like a pothole, possibly even getting nicked in the side of the head by it like low-hovering space-junk.  One such anomaly that’s really gained prominence over the last couple of years is the online crowdfunding website Kickstarter.com and, while I’ve often been unsure of what to make of it, the latest project by Seattle-based rock outfit, Helms Alee, has managed to officially validate it’s entire existence for me. Read the rest of this entry →

RTX GONE GONE: Black Bananas – Rad Times Express IV

February 12, 2012 in Music, Reviews, With Video

In 2004, Jennifer Herrema released the debut album from her post-Royal Trux band RTXRoyal Trux had been a favorite band of mine for a few years and all of the Neil Hagerty solo albums had been great so far, so I was really excited about this new project.  I took the September 24th release date off of work so that  I could spend the whole day smoking weed and listening to the album, but was disappointed when  Rainy Day Records‘ shipment from Touch and Go (Drag City‘s distributor at the time) didn’t show up that day.  I was even more disappointed when Rainy Day‘s order came in the next day and I finally heard Transmaniacon.  What a shitty record!  11 songs of fairly straight forward bubble gum metal.  Not what I was expecting from the co-leader of one of the most forward thinking bands of the 90sHerrema‘s vocals were still as good as they had been with Royal Trux, but the music just wasn’t that interesting and it was a bummer that the best song on the album, “Joint Chief“, was just the lyrics to her old band’s song “Shockwave Rider“, except with stadium rock guitar riffs behind it.  I gave each new RTX album a listen whenever they came out, but they just didn’t do it for me.

Then in October of last year, Drag City Records announced that Herrema‘s RTX had “Split into ‘Black Bananas’,” and that the new band’s debut, “Rad Times Xpress IV” would be out in 2012. Read the rest of this entry →