“The Rent Is Too DAMN High (Vol 1.)” : Jimmy McMillan releases an LP

November 1, 2010 in Music, Politics, Reviews, The Web, With Video

On October 18th, a, now infamous, televised debate was held for New York‘s 2010 Gubernatorial election.  Along with conservative Republican candidate, Carl Paladino, the current NY State Attorney general/Democratic nominee, Andrew Cuomo, and 4 others, there was one relatively unknown third-party candidate that managed to overshadow the other 6 and take the world by storm.  Looking like a cross between Rudy Ray Moore and Dr. Zaius, Jimmy McMillan used his pimp-style cadence to express the core positions of his “Rent Is 2 Damn High Party“, which include a pro-gay-marriage stance and, as would be expected, a belief that the rent in NY is “too damn high“.  Over the last 2 weeks, McMillan‘s stock has risen, as the footage from the debate has continued to spread across sites like Youtube and spring-board him to into full-on internet meme status.  In this relatively short period of time, the McMillan footage has been treated to the usual auto-tune remix treatments and SNL parody, while the man himself has received backlash, due to information suggesting that he doesn’t even pay rent on his own apartment, but rather provides maintenance services in exchange for his housing.  Now, the latest news surrounding the aspiring Governor involves another step towards celebrity status with the release of his very own full-length LP of poverty-inspired soul jams. Read the rest of this entry →

SQUAREPUSHER presents SHOBALEADER ONE – “d’Demonstrator”

September 3, 2010 in Global Destruction, Music, Technology, With Video


Tom Jenkinson (aka: SQUAREPUSHER) is the type of rare artist that I can’t imagine doing anything else except for working at his craft.  What I mean by that isn’t that I couldn’t see him having any other occupation because he is destined to give birth to some of the best electronic music ever and that it is his calling… blah, blah, blah, etc, etc.  What I mean is that I can’t imagine him doing ANYTHING else, as in going to the grocery store or playing boardgames at a dinner party with lifelong chums in his living room.  His sonic creations are so elaborate, complex, and multi-dimensional that they often splinter into so many directions at once that the listener’s mind has no other option but to do the same.  Separate corridors and paths open and close; platforms lift, raise and disintegrate.  No one else is better at actually providing depth, layering, and a visual element to their music; seemingly creating something tangible and solid from simple audio.  No one is better at making music that has the potential to physically give me an anxiety attack either, which is why my girlfriend hates it so much when I want to play it.  Over the last decade and a half, the Englishman has twisted and mutated sound into so many varying directions that his only limitation appears to be his own imagination.  His proficiency is ridiculous and his delivery suggests an obsession with perfection.  This is why I have difficulty imagining him in any other element than in one of methodical experimentation, constant restructuring, and focus.  I imagine that even when he’s making a sandwich, his mind is off trying to work out some ridiculous algorithm and, after he puts the bread away and the cheese back in the crisper, he immediately returns to his dungeon, eating with one hand and tweaking knobs with the other.  He’s always appeared to me as some sort of crazy reclusive electro-alchemist, hibernating simultaneously in a futuristic lab and in a Medieval basement.  Both hermitic and hermetic, residing in a hybrid yurt/hovercraft.  As evidenced by the promotional image/album cover (above), Jenkinson’s latest project, SHOBALEADER ONE, is doing very little to dispel such outlandish suppositions of this character as a futuristic cyber-jazz druid. Read the rest of this entry →

AMONG THE GOLD : free album by Cheyenne Marie Mize & Bonnie “Prince” Billy

July 30, 2010 in Music

Last year Will Oldham released Beware [Drag City], the 7th full-length under his BonniePrinceBilly moniker, and set out on a tour in support of it.  Although the album featured Jennifer Hutt, fellow violinist/vocalst, Cheyenne Marie Mize filled her position for the live tour.  Mize also appeared on the four song accompanying EP, Chijimi and, beyond being a very capable violinist, her voice harmonizes beautifully with Oldham‘s, as she was featured prominently in the live performances.  She is also a member of  an old-timey pseudo-bluegrass situation known as Arnett Hollow, as well as working with The Picket Line, a band that Bonnie “Prince” Billy recorded/released his lesser publicized collaborative work Funtown Comedown with at the end of 2009Cheyenne is really beginning to come into her own as an independent artist and, later this fall, her first solo album is slated to be released.  For the meantime, another joint effort between Mize and Oldham, titled Among the Gold, is being offered to tide you over.  This time, the collaboration comes in the form of the pair covering 19th century parlor music as a duet and it’s being offered ABSOLUTELY FREE.  It’s only a 6 song effort but it’s a beautiful album and, if it’s any indication of what we can expect from her debut release, things look really promising.

Here’s what Cheyenne Marie Mize has to say about the backstory and fruition of Among the Gold: Read the rest of this entry →

MUCH ADO ABOUT NORTON : SIFF Pays Tribute to Edward Norton

July 16, 2010 in Movies / Television, Reviews, With Video

Early last month, multi-Oscar-nominated actor, Edward Norton was invited to the Northwest as part of the 2010 Seattle International Film Festival.  Beginning on June 3rd, with American History X, and ending on the 5th, with Spike Lee‘s 25th Hour, SIFF helped to celebrate the actor’s illustrious career by screening some of his most successful work.  Norton was on hand to provide short personal introductions to each of the films, but the most substantial portion of the tribute took place on June 4th at the Egyptian Theatre and included the festival honoring him with their trademark Golden Space Needle award.  The festivities at the Egyptian also featured a live interview with the actor and a screening of his latest project, Leaves of Grass.  I was there for the events and, for an artist who’s managed to build a career off of his ability to shift characters effortlessly, often within the same role, I can safely say that Norton only exposed one of his faces that night. Read the rest of this entry →

QUASI – [DAY THREE] : Sasquatch Music Festival [Mon. May 31, 2010]

June 27, 2010 in Music, Reviews, With Video

The Coleman 2-person had turned into an EZ-Bake and I woke up cooking again.  My face felt like sand had been dumped in to shrink it and I had a crazy bump on the middle knuckle on my right hand.  No big deal… but Kim was convinced that it was some sort of bug bite that needed to be tended to, so I let her whip out her little first-aid kit and try to sanitize it or whatever she wanted to do.  I was in this same campground 12 years ago, high on acid, and eating marinated chicken out of the same silver cooking bowl as a Rottweiler, so I’m clearly not as concerned about shit like Purel and antiseptics.  I had a positive outlook about the final day and a really simple game plan: “Enjoy Myself.”  No more drama.  No more bullshit.  I felt like I was adjusted to the format and the pacing of everything by this point and the lineup for the day was solid.  Tonight would be the WEEN set and I was so happy drinking my coffee and thinking about it, that I hadn’t even noticed when Kim squeezed some crazy 1/2 inch stinger out of my knuckle. Read the rest of this entry →

DAY ONE *second half* : Sasquatch Music Festival [Sat. May 29, 2010]

June 18, 2010 in Music, Reviews

TO READ THE FIRST HALF, CLICK HERE


MiiKE SNOW

To avoid any confusion right off the bat, I think it’s important to clarify that Miike Snow isn’t the name of a man.  It’s actually the name of a Swedish electro-pop trio.  I first became aware of the group, thanks to friend of the site, SeanHar Mar SuperstarTillmann, whose personal tweets and Facebook postings expressed an appreciation of their recent self-titled debut.  Much like Har Mar, the trio has managed to gain a solid level of popularity in the UK.  Although Miike Snow are arguably still more recognizable overseas, I believe that, if they aren’t on your radar yet, they will be soon enough.  In fact, Miike Snow isn’t unfamiliar with the concept of “Radar“, because 2/3 of the group actually helped to produce a hit song of the same name for Britney Spears.

I use to be a barista at a place where I was lucky enough to work with someone who had similar musical tastes as myself.  Sometimes, our co-workers didn’t feel as lucky about that situation as we did.  A lot of Silver Jews, Dungen, Pavement, Ween, Tortoise, Talking Heads, Sonic Youth, free jazz, etc, was played during our shifts, but one day Josh brought in the Britney Spears Blackout album and everyone was so pissed off that they lost their minds over it.  Both of us, on the other hand, got really into playing it more and more.  It’s extremely popular to trash pop-stars like Brit Brit, especially at that time, but there was something really intriguing about that album.  Once you get past the ideas of commercialism, shallow marketing tactics, and Total Request Live tweens buying scrunchies at a Claire’s in a Westfield shopping mall, it contained some brilliant layering and production work throughout.  Above all, “Radar” had a super catchy hook and was the one track that I couldn’t shake.  It turns out that, along with “Piece of Me” and two other tracks from Blackout, “Radar” was produced and co-written by the Swedish duo of Christian Karlsson and Pontus Winnberg (aka: Bloodshy and Avant).  In 2007, Karlsson and Winnberg teamed up with American frontman/songwriter/multi-instrumentalist, Andrew Wyatt to form Miike Snow and did so without any real expectations.  Bloodshy and Avant had already achieved a high level of success from their production work with vagi-centric pop acts like Spears, Kylie Monogue, Madonna, J-Lo etc.  In fact, these guys even produced and co-wrote the song “Toxic” which was credited by multiple publications as being one of the greatest songs of the Two-Thousands.  So, although their names as artists may not be as recognizable as the acts whose careers they helped to boost, most people are still very familiar with their work.  With Miike Snow, the production duo is now stepping out into the forefront to endure any risks and rewards which may come along with it. Read the rest of this entry →