WOODEN SHJIPS: New album/video & Free tickets to West Coast Tour Dates

August 17, 2011 in Music, With Video

Hey kids, do you like the psychedelic jams?  Do you like to drone out on the goof sauce and get weird?  Of course, you do.  Well, if you’re also into the minimalist, fuzzed out, experimental space grooves of San Francisco‘s WOODEN SHJIPS, you’ll probably be pleased to discover that they have a new full-length album slated for release next month.  If you live on the West Coast, we have some additional news to keep your synapses buzzing like a mosquito zapper; the 4-piece is doing a quick 5 show run this month and it’s super easy to grab yourself a pair of tickets to peep them out live free of charge. Read the rest of this entry →

Wet Hot American Summer – Themed Art Show @ Gallery 1988 [L.A.]

June 6, 2011 in art, Comedy, Global Destruction, Movies / Television, With Video

These days, MTV rarely even plays videos or music related programming at all.  Instead, the station has opted to place their focus on terrible reality shows about knocked-up underprivileged teens and self-involved over-privileged teens.  This downfall started back in 1992 with the premiere of The Real World, which, in turn, helped to spawn the reality show craze that continues to poison television programming and culture at large.  It might be easy to forget now, but 120 Minutes and Liquid Television weren’t the only MTV original programs that were not complete trash throughout the 90s.  In fact, around the same time that The Real World first aired, the music channel was also taking a stab at launching a handful of now-historic comedy programs.  The original version of The Ben Stiller Show began with MTV, but later moved to the FOX network where it grew into a full-blown sketch comedy show, featuring the writing talents of Judd Apatow and future Mr. Show creators, Bob Odenkirk and David Cross.  It ran one season before being canceled.  Jon Stewart also hosted a talk show on the network, but it was later syndicated out, replacing the old Arsenio Hall time slot.  That had an even shorter run.  Of all the shows that came out during this time period, however, my favorite was probably the sketch comedy show THE STATE.  The program starred  a comedy troupe of the same name that had found previous work recreating the details of viewer letters in MTV‘s You Wrote It, You Watch It, also hosted by Stewart.  Like the other programs, The State didn’t last very long, but the talent involved went on to create such shows as Viva Variety, Stella Comedy, Reno 911, and Michael & Michael Have Issues, as well as to be involved in Adult Swim programs like Super Jail and Childrens Hospital.  Sure, not all of those subsequent ventures by THE STATE troupe were necessarily “successful” hits either, but that doesn’t make them any less awesome.  Perhaps one of the most simultaneously unsuccessful and awesome attempts by the gang came with the 2001 film, Wet Hot American Summer.  Coincidentally, it’s also one of my favorites. Read the rest of this entry →

NOBODY GIVES A SHIT: An Interview with The Gaslamp Killer

October 29, 2010 in Interviews, Music, Technology

William Bensussen (aka “The Gaslamp Killer”) has been tearing up stages and DJ booths since he was 17, infiltrating and wrecking the, otherwise, fairly orthodox “dance club” scene of San Diego‘s Gaslamp district.  In 2006, he relocated to Los Angeles and helped found the Low End Theory weekly that now serves as the epicenter for U.S.-based experimental beats.  Generously borrowing from a wide range of genres, GLK blends hip-hop, dubstep, jazz, and just about anything else into high-energy, schizophrenic sets characterized by fast cuts, chest-crushing bass, and gritty top-shelf beats.   Although mostly known for his DJ sets and mixes, Bensussen has also dabbled in production, collaborating with label-mates Flying Lotus and Daedelus in the past, and, more recently, with Gonjasufi on the critically acclaimed A Sufi And A Killer.   His most recent project, the Death Gate EP, just came out on Flying LotusBrainfeeder label this past month, and blends deep bass lines with dirty analog drums patterns, twisted ethnic samples, and dreamy, distorted synth lines.  The album includes guest appearances by Gonjasufi, San Francisco-based DJ/producer Mophono, and LA keyboard wiz Computer Jay.

I sat down with The Gaslamp Killer before the “Magical Properties” show at 103 Harriet in San Francisco on October 15th.  The tour featured other Brainfeeder/LA acts such as IDM pioneer Daedelus, dubstep producer/DJ 12th Planet, and Brainfeeder newcomer Teebs.  The lineup encompasses much of what is so exciting about the LA scene- off-kilter beats, powerful bass, record-crate samples, and plenty of weirdness.

- Davis Memes

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Mr. Bill Murray – Group Art Exhibit @ the R&R Gallery L.A. (Preview)

September 13, 2010 in art, Comedy, Movies / Television

At the beginning of last year, artist Tim Doyle released his 6″ x 36″ print entitled “Murray Times Six” through his Natomi Inc website.  The 6 panel silk screen, which depicted various eras of Bill Murray‘s acting career, was decidedly fairly awesome.  The piece garnered a decent amount of attention and sold out quickly; spreading from art sites to film sites and prompting Doyle to print multiple additions.  As surprising as it may have been to come across a Bill Murray print at first, it still beckoned the question of why the subject hadn’t been explored more before.  Not only did the popularity of the work add a little spark to Doyle‘s career, but it was also a clear testament to the popularity of Murray himself.  This week, Los AngelesR&R gallery is stepping up to the plate with an entire gallery exhibit dedicated to one of the world’s most beloved actors and, with 50-plus pieces of new original work and an open bar, it sets out to be one art opening that is not to be missed. Read the rest of this entry →

DEAD MAN’S BONES “Pa Pa Power” mini-film (feat. art by Joshua Allen Harris)

September 2, 2010 in art, Global Destruction, Movies / Television, Music, Reviews, With Video

We first began receiving emails about Dead Man’s Bones less than a week into the beginning of last year.  The first contact included a video and an mp3 link for a song called, “In the Room Where You Sleep“.  There was also some information surrounding the project, but it was very minimal and extremely general.  We were simply informed that the included content revolved around a “collaboration between a new band called Dead Man’s Bones and the Silverlake Conservatory of Music Children’s choir” and that they would be releasing an upcoming record which was “conceptual in nature“.  What wasn’t mentioned and wouldn’t be addressed directly until an email several months later , was that one of the key players in the group is actually quite recognizable in another area of the entertainment industry.  Moments into the video, however, it was clear that the man sitting behind the piano and singing was none other then ex-Mousekateer, Ryan Gosling.  What’s even worse was that, no matter how much I didn’t want it to be true, I knew that I actually liked it.

Gosling‘s identity wasn’t necessarily kept a “secret” but it wasn’t shoved out into the forefront for the marketing campaign either (a-la Juliette and the Licks or when the sub-mediocre actor Keanu Reeves became the unimpressive bass player for the incredibly shitty Dogstar.)  It didn’t matter either way; this time the music was good.  The real test is that whenever I’ve played Dead Man’s Bones around people, without first informing them of who’s behind it , they seem to take an immediate interest.  The reverse is definitely not the case.  I’ve, somewhat recently, gone back to taking on work as a barista and have thrown it on a few times in the cafe.  I’d almost completely forgotten about the album, until a customer mentioned seeing their show in Seattle last year.  I understand the stigma surrounding a Ryan Gosling-fueled musical effort and I have to admit that, although I had a positive view of the album, I believe that some level of superficiality may have played a part with me not throwing it into more of a rotation since it’s release last October.  Just as I was starting to rediscover the work for myself again and wondering about the current state of the project, two new updates/announcements were released.  The first was a slot performing as part of a solid lineup at this weekend’s FYF FEST in Los Angeles.  The second was a nearly 13 minute video for one of the album’s standout tracks, “Pa Pa Power“. Read the rest of this entry →

[Watch in Full] J DILLA Documentary from Stussy X Stones Throw

February 26, 2010 in Movies / Television, Music, With Video

Whether you knew him as Jay Dee, Jay Dilla, or simply James Dewitt Yancey, when the Detroit native, super-producer/MC died from from the rare blood disorder TTP,  he had already managed to make an incredible impact during his mere 32 years (February 7, 1974 – February 10, 2006).  Among his family and friends, Dilla left behind an allegiance of fans, admiring colleagues, and an irreplaceable gap in the music industry.  He also left behind endless new fans, imitators who were forced to discover their own sound, and a posthumously ominous swan song entitled DONUTS, which he perfected on his death bed.

On Feb. 13, STUSSY paid tribute to Dilla through collaborations with Yancey‘s estate and Stones Throw records.  Stage one involved the clothing company’s release of a limited edition T-shirt, featuring a classic image of the producer take from Raph Rashid‘s photography book “Behind the Beat: Hip Hop Home Studios“.  From there, Stones Throw embarked on multi-city in-store release parties for this shirt.  The main project that was birthed through this collaboration, however, was a 3-part documentary, offering insight into Jay Dee‘s character and time on this planet.  Each piece has been being released one at a time and, now that the final installment has finally arrived, we’re pleased to provide the documentary to you now with it’s pieces back to back and in it’s entirety.

Enjoy
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