Scratches a Pencil – An Interview with Writer/Musician TIM KINSELLA

January 15, 2012 in Interviews, Literature, Music

You may be familiar with Tim Kinsella through one of his many music projects.  It could be from his emo-pioneering band Cap’n Jazz, his ongoing avant-rock project Joan of Arc, or any of a number of other solo efforts, collaborations, or offshoots/incarnations of those groups that he’s been involved in over the years.  But, these days, Kinsella has been involving himself in more than just music and focusing his attention heavily on writing.

Aside from releasing 2 separate albums under the JOA moniker in 2011, his first novel, The Karaoke Singer’s Guide to Self Defense, was published last September by Featherproof Books.  The 376-page work zips back and forth between a handful of people’s lives, many of which are family members in the fictional town of Stone Claw Grove, Michigan.  The characters deal with addiction and aging, struggle with responsibility, and give up on brighter dreams in an attempt to settle for whatever they already have currently.  Throughout it all, strippers strip, fights break out in bars, and singers cover all of the karaoke classics.

I recently had the opportunity to conduct an interview with Mr. Kinsella and to discover more about his venture into literature and his overall approach to the creation process. Read the rest of this entry →

Morphic Resident: Interview w/Neil Michael Hagerty [Howling Hex / Royal Trux]

September 4, 2011 in Interviews, Music

Neil Michael Hagerty is an American guitarist/singer/songwriter/producer who first captured the imagination of the underground music community as a guitarist/contributing songwriter in Jon Spencer‘s pre-Blues Explosion avant punk band, Pussy Garlore.  Following their break up, Hagerty and then-girlfriend, Jennifer Herrema formed the band that he is the most well known for, Royal Trux.  This new project applied Ornette Coleman‘s musical philosophy of harmolodics to a trashy rock and roll sound equally influenced by the Rolling Stones, Grateful Dead, and Velvet Underground.  The duo released 4 albums and countless singles as the flagship band for the fledgling Drag City Records (their “Hero Zero” single was the very first release for the label) before signing a 3 album deal with Virgin Records, as part of the nineties “indie/alternative rock” corporate signing frenzy.  After their second major label album, Sweet Sixteen, was critically trashed and underperformed at record stores, the Trux were dropped from Virgin and returned to Drag City for 3 albums, two eps, and a singles compilation.  Some time in 2000, Neil Hagerty and Jennifer Herrema split up and the Royal Trux ended.

In 2001, Drag City published a Hagerty-penned comic book called, The Adventures of Royal Trux – Vol 1 #10 that hints at some of the reasons for Royal Trux‘s split.  This was followed by three albums released under Hagerty‘s own nameNeil Michael Hagerty (2001), Plays That Good Old Rock and Roll (2002), and Neil Michael Hagerty & The Howling Hex (2003).

In 2004, Hagerty started releasing records under the moniker of “The Howling Hex“, with 2005‘s All Night Fox becoming a personal favorite of mine.  The most recent Howling Hex release, Victory Chimp, is actually a highly ambitious 4xCD (3hr 19 min) audio book version of a 157 page sci-fi paperback that Hagerty originally published in 1997, during his Royal Trux days.  The story centers around a chimp master of the multiverse “rattling the cages of freedom.” It’s also one of the fucking weirdest recordings I’ve ever heard in my life.  Seriously nutty stuff…

Along with releasing this newer Howling Hex material, Drag City recently took all of the Royal Trux albums out of print and has been reissuing them -one at a time- on gatefold vinyl, over the past few years.  Another reissue (maybe Accelerator?) is due out in November.

I recently had the opportunity to ask Hagerty some questions about his bands, Victory Chimp, comic books, baked beans, and where the music industry is today.  Some of these questions may dig a little deep, but pretty much every other Hagerty interview that I’ve found on the internet seems to ask the same questions: “You used to do drugs, huh?” “Why did Pussy Galore cover a whole Rolling Stones album?“, “What was David Briggs like?” etc.  That information’s been covered.  Hopefully there’s something new in here for the hardcore NMH fans and something worthwhile for anyone discovering his work for the first time.

Enjoy. Read the rest of this entry →

Don’t Hold Your Breath: Chuck Palahniuk’s CHOKE [Part 1]

September 20, 2008 in art, Global Destruction, Movies / Television, Reviews, With Video

(This article has been divided into 2 sections.  The first half is an introduction and review of the “SNUFF” book tour.  Part 2 is a review of the film “CHOKE” .  It is a singular piece and we encourage you to read it in its entirety if you have the time and/or inclination, but please feel free to jump to your specific point of interest)

When the film version of Fight Club was released, it seemed as if any and every pseudo-trendy movie-goer that I spoke with tried to shove their praises of it down my throat.  There were better films released that year (see: “Magnolia“) and Brad Pitt isn’t a name that bumps a film up on my priority list, but I did eventually see it and found it to be worth a recommendation, especially for a Hollywood film.  It definitely lived up to it’s hype much better than “The Blair Witch Project” and “Eyes Wide Shut”, but I didn’t find it to be as cutting edge and revolutionary as many had hailed it to be.  You have to remember that 1999 was the year of “The Sixth Sense” and “The Matrix” or, in other more elaborate words, the year of solid concepts that could have been delivered more effectively outside of Hollywood but were still more than enough to blow Joe Average Consumer’s mind right through the back of their skull.  Regardless of what your feelings about “The Matrix” may be, the quality could have been greatly enhanced without the talents of Ted Theodore Logan in the leading role.  The concept may have been incredibly interesting and foreign to those of you who are isolated and/or have never had a hallucinogenic experience but, for those of us who have experienced the wonders of what linoleum floor patterning has to offer, a methodically constructed false society is an old philosophy and 2: Johnny Utah is a bad trip waiting to happen.  “Fight Club” was a better film and that somehow left me with an ironically diminished interest in the literary source of the script.  What I mean to say is that the glossy, cut-corner Hollywood execution of a film with such a cerebral basis as “The Matrix“, reeked of a commercial takeover while “Fight Club” appeared to be trying to going “balls out” just to fall short of what I would have considered amazing.   I knew that “The Matrix” was 40 milligrams of intellect diluted in a spoonful of Hollywood Rocky Road from the beginning but, “Fight Club” was just good enough for me to assume there would be nothing more to discover from reading the novel that spawned it. Read the rest of this entry →

Don’t Hold Your Breath: Chuck Palahniuk’s Choke [PART 2]

September 20, 2008 in Global Destruction, Movies / Television, Reviews, With Video

(To jump to the first half the article, which includes a review of the “Snuff” book tour, CLICK HERE)

“CHOKE” The Movie

I’d like to begin this review by letting everyone know that it contains what some would refer to as “SPOILERS“.  If you have already read CHOKE and are simply curious about how well one of your favorite novels was adapted into a film, I will be addressing those issues in detail.  Since the creative liberties taken through its transition into cinema are so vast and affect the overall result so much, I wouldn’t know how to approach this review without referring to them with specifics.  If you have not read the book CHOKE yet, I would suggest that you do so before or, rather, instead of seeing the film.   It’s a great novel and masterfully composed.  You, of course, are welcome to continue either way, but know this: I am here to spoil the movie, the movie spoils the book and, although my intention would never be to ruin the book, it may happen indirectly if you are persistent about reading past this paragraph.

I had reservations about the film based on the casting and from what I saw in the trailer but I was still genuinely excited about seeing the film.  I was so excited that I arrived at the Egyptian Theatre on Capitol Hill hours before show time.  The tickets were already all accounted for and some creepy mother fucker tried to scalp some to me.  “How much are tickets anyway?” I asked him.  “How much are MY tickets?” he asked.  “Fuck off, you pedophile looking bastard.“  I got the inside scoop that there was a specific number of tickets held for V.I.P. ticket holders and more would open up to the public if they failed to arrive.  I came back an hour before show time and stood in line, holding spots for my girlfriend and little sister while rain sprinkled down on me.  About 10-15 minutes before the movie started, they released some tickets and we funneled into the theater looking for any open seats that we could find in the packed house. Read the rest of this entry →