John Brophy “New Songs For the Standard Model” @ Roq la Rue [Preview]

November 9, 2012 in art

[click image to enlarge]


“Valkyrie”
oil on panel
20″ x 24″
Sold

If you want to click the image above, it will enlarge to allow you to really check out the mind-boggling detail in the piece.  Go ahead.  Seriously, just click the goddamn picture already; it’s nuts.

Did you do it?  Ok, good.

You might be confused as to why it’s been labeled as “oil on panel,” rather than as a digital image, mixed-media, or even as something like Krylon on plastic child mannequin.  It’s not a typo–Seattle artist, John Brophy just has a remarkable grasp on lighting, texture, and depth.  If his work looks like a random photoshop project assembled during a cubensis trip, that’s because there is a digital aspect to his creation process, just not in the final result.  Brophy utilizes computer programs like photoshop, Maya, and ZBrush to create meticulous 3-Dimensional images, which he later renders with impressive accuracy through his use of oil paints on panel.  So… that’s pretty much it, I guess.  He simply creates crazy looking 3D images using software and then… they just turn into oil paintings.  I guess that only really explains what he uses as direct visual references for his painting, but not exactly how he manages to actually produce such hyper-realistic works.  The answer to that question is simple, though: he’s just really fucking good at painting.

His latest collection of paintings, titled, “New Songs for the Standard Model” will be on display at the Seattle gallery, Roq la Rue.  The opening is tonight(Nov. 9, 2012) and Brophy will be in attendance. Read the rest of this entry →

JOSH KEYES “Circus and the Sea” @ Roq La Rue [PREVIEW]

November 9, 2012 in art, Global Destruction

[click image to enlarge]


“Exodus 1″
giclee on watercolor paper with hand deckled edges
18″ x 24″  signed and numbered
edition of 50
$275.

As the underground contemporary art world continues to grow, along with the number of artists contributing to that field, it can become easier and easier to find outlets to showcase one’s talents and vision.  At the same time, there can be a lack of editing by curators, sites, and publications, while every artist that dips a toe into anything remotely resembling anything low brow, street art, “underground,” outside, pop art, etc. is provided with a slot to showcase their work in some public forum and touted as relevant and vital, regardless of if they’re really just blatantly stealing their aesthetic from someone like Mark Ryden or creating just more forgettable pieces that are indiscernible from 12 other artists in the exact same group exhibit.  What I’ve always appreciated about Hi Fructose magazine is their devotion to features and to really zeroing in on specific artists that they want to showcase in depth, who deserve that attention.  What I’ve always appreciated about the Seattle gallery Roq La Rue–owned/run/curated by Hi Fructose editor-at-large, Kirsten Anderson–is the dedication to only showcasing the finest talent in the pop-surrealism/underground contemporary movements and doing so on a regular basis.  Josh Keyes is one figure that’s really managed to find his own unique voice through all of the noise, creating the type of striking work that is not only instantly recognizable, but consistently engaging and powerful.  The Portland-based painter is one artist who has been featured prominently on the cover of Hi-Fructose, along with other popular publications like Juxtapoz, but if you want to see the highly sought after visual artist in person tonight, you’ll have to come down to Seattle‘s Belltown district and find him at the Roq La Rue gallery.  He’ll be showcasing a modest new collection of 6 new works under the collective title of “Circus and the Sea” and he will be in attendance. Read the rest of this entry →

PangeaSeed & SPOKE ART Present “SINK OR SWIM” [Art Exhibit/Fundraiser]

September 22, 2011 in art, Global Destruction, Politics, PSA

When I was growing up in the 1980s, it was nearly impossible to think about sharks without thinking of the movie JAWS.  Although the original film was actually released in 1975 -the first 80s sequel wasn’t until JAWS 3D (1983)- it was such a groundbreaking cinematic accomplishment and it permeated our culture to such a degree that it was difficult to see imagery of a shark swimming without instantly hearing that infamous John Williams tune doom-thumping through your skull.  JAWS helped launch Spielberg‘s career and has even been credited as the father of the summer blockbuster.  The film transcended the horror movie genre in such a way that the idea of a killer monster shark not only felt like a plausible storyline, but it also felt as it was a real life inevitability.  Those of us who were not marine biologists -especially, those of us that were incredibly young- accepted the idea of JAWS as the quintessential interpretation for the cartilaginous fish and often internalized it as a reality.  What it taught us was that, completely unprovoked, a shark will eat your ass whole.  Even more, they just might jump up onto your boat or simply bite the goddamn thing in half.  In 1987, the Discovery Channel began airing their annual shark week series to help us regular folk gain a wider respect and understanding for these majestic animals of the deep, which had been striking unwarranted fear into the hearts of so many for so long.  It’s fair to say that, over these last 2.5 decades, leaps and bounds have been made in the way of remedying the PR disaster which began for shark kind in the mid-70s, but logic and fear can not always co-exist on the same plane and it can still be difficult to shake off the impact made with those original negative impressions (not unlike with the HYUNDAI EXCEL).  In reality, humans are a great deal more of a threat to sharks than they have ever been to us and many species of the animal have become increasingly endangered.  According  to NOAA Fisheries, “over 100 million sharks are killed each year” by humans, both accidentally, as well as intentionally.  Fortunately, organizations like PangeaSeed have been erected to help reverse this trend and, in association with San Francisco‘s SPOKE ART, they are presenting a new group art exhibit with the hopes of raising some money to help aid in that endeavor even further. Read the rest of this entry →