FOUR TET Releases Exclusive Track For Upcoming Japan Benefit Compilation

December 15, 2011 in Global Destruction, Music

In the world of electronic music, Kieran Hebden (aka: Four Tet) is one of the good ones.  Timeless, incredibly consistent, and impervious to trends, it’s always worth looking into anything new that is released with the Four Tet name stamped onto it.  Highly respected as an innovator in his field since the late 1990s, albums like 2001‘s PAUSE -his breakthrough sophomore release under the Four Tet moniker- showcased Hedben‘s continued reimagining of the genre through the incorporation of acoustic instrumentation and such unorthodox samples as clicking typewriter keys.  It also resulted in the media pinning Hebden as the posterboy for another catchphrase movement that was being referred to as “Folktronica.”  A decade later, he is still the one to watch.  Even when the musician/producer isn’t releasing his own solo material or working with Fridge (his pre-Four Tet post-rock outfit) he’s remixing music by everyone from Aphex Twin, Madvillain, and Battles to Beth Orton, Explosions in the Sky, and Black Sabbath, or collaborating with the likes of Burial and Thom Yorke.

His latest work, “MOMA” [posted below] is an exclusive track created for an upcoming Japan benefit compilation curated by Blonde Redhead‘s Kazu Makino. Read the rest of this entry →

[Preview] ABSOLUTE HAPPINESS: A Solo Exhibit by Serge Gay Jr.

December 1, 2011 in art, Global Destruction, Politics, With Video

Prior to October of last year, we had never even heard the name Serge Gay Jr.  Since then, we’ve conducted/published an interview (March ’11) with the artist here on the site and I’ve personally purchased 2 of his works (an original piece and a giclee print).  The last year has shown itself to be quite successful for Gay, finding him earning a Grammy nomination -shared with director/frequent collaborator, Matt Stawski- for his work on Cee Lo Green‘s “Fuck You” video.  As the Bay Area gallery/publishing house, Spoke Art was launching themselves into the art world with their breakthrough Wes Anderson-themed art show, Bad Dads, Serge was catching our attention with his standout contributions to that exhibit.  Since then, Gay and Spoke Art have proven to be mutually beneficial to each others success, as the San Francisco-based painter has continued to submit impressive piece after impressive piece to such Spoke Art events as the multiple round (NYC, SF, LA) “Quentin vs. CoenAn art show tribute to the films of Tarantino and the Brothers,” the Pangaea Seed-curated shark exhibit/benefit “Sink Or Swim,” and  “Bad Dads II.”  This Saturday, the two of them will work together yet again; this time with Serge Gay Jr‘s work finally taking center stage in a solo exhibit of his own. Read the rest of this entry →

PangeaSeed & SPOKE ART Present “SINK OR SWIM” [Art Exhibit/Fundraiser]

September 22, 2011 in art, Global Destruction, Politics, PSA

When I was growing up in the 1980s, it was nearly impossible to think about sharks without thinking of the movie JAWS.  Although the original film was actually released in 1975 -the first 80s sequel wasn’t until JAWS 3D (1983)- it was such a groundbreaking cinematic accomplishment and it permeated our culture to such a degree that it was difficult to see imagery of a shark swimming without instantly hearing that infamous John Williams tune doom-thumping through your skull.  JAWS helped launch Spielberg‘s career and has even been credited as the father of the summer blockbuster.  The film transcended the horror movie genre in such a way that the idea of a killer monster shark not only felt like a plausible storyline, but it also felt as it were a real life inevitability.  Those of us who were not marine biologists -especially, those of us that were incredibly young- accepted the idea of JAWS as the quintessential interpretation for the cartilaginous fish and often internalized it as a reality.  What it taught us was that, completely unprovoked, a shark will eat your ass whole.  Even more, they just might jump up onto your boat or simply bite the goddamn thing in half.  In 1987, the Discovery Channel began airing their annual shark week series to help us regular folk gain a wider respect and understanding for these majestic animals of the deep, which had been striking unwarranted fear into the hearts of so many for so long.  It’s fair to say that, over these last 2.5 decades, leaps and bounds have been made in the way of remedying the PR disaster which began for shark kind in the mid-70s, but logic and fear can not always co-exist on the same plane and it can still be difficult to shake off the impact made with those original negative impressions (not unlike with the HYUNDAI EXCEL).  In reality, humans are a great deal more of a threat to sharks than they have ever been to us and many species of the animal have become increasingly endangered.  According  to NOAA Fisheries, “over 100 million sharks are killed each year” by humans, both accidentally, as well as intentionally.  Fortunately, organizations like PangeaSeed have been erected to help reverse this trend and, in association with San Francisco‘s SPOKE ART, they are presenting a new group art exhibit with the hopes of raising some money to help aid in that endeavor even further. Read the rest of this entry →

EnvyはEnvy: Interview with ENVY guitarist/songwriter NOBUKATA KAWAI

March 23, 2011 in Interviews, Music, Notes From Japan, With Video

It was a hot day for November and it was the time of year when hotter than average days felt good.  At about 4pm, I was scheduled to interview Tetsu Fukagawa, the lead vocalist of the hardcore group, Envy, at Club Upset in Nagoya, Japan, a city of over two million people.

To get to the club from Nagoya Station, one has to take the subway to a little station called Ikeshita stationIkeshita station is a small subway station that contains a large bus station.  That day, it looked kind of dumpy, littered with cigarettes, Styrofoam noodle cups, and rustling brown leaves.  Pigeons waddled freely across the bricks, feeding on random morsels of refuse.  There is a large mural that is visible upon exiting the subway gates.  It is a highly textured, black and brown piece that appears to depict two long-necked birds facing each other.

I walked around the surrounding area looking for the club.  During my walk, I saw many cheap restaurants selling low quality chicken and cheap beer.  There was also an abundance of adult video arcades and openly publicized brothels. Suited men stood in front of the walls, which were plastered with large numbered photos of the young women working.  The defining features of the women’s faces were blurred out.

I eventually found Club Upset, which was located upstairs in a brick building, five floors above a pizza kitchen.  Once inside the door I came to a small lobby.  The walls were plastered with posters of shows past; almost exclusively Japanese acts.  There was also a small ticket booth, but nobody was in it, so I opened the thick black door opposite the unmanned station.  There was a small hallway that led to another thick black door; a sound proofing technique used by smaller clubs in Japan to avoid noise complaints.

The club was of modest size with a two-level, black and blue checkered board.  Envy’s two guitar players were on stage with their instruments.  The people in the room were surprised to see me and nobody seemed to know what I was talking about when I said that I was there for an interview.  Finally, after some discussion amongst various folks, the singer, Tetsu came out and said, “Hey.”  Then, in Japanese, he explained that he had to do a soundcheck, which might take about an hour, but that I could watch if I wanted, so that’s what I did. Read the rest of this entry →

AKRON/FAMILY Releases Video for “So It Goes” / Album Listening Parties

January 7, 2011 in Global Destruction, Music, With Video

There are no facts.  Time isn’t real.  Neither is our language.  Everything has been invented and accepted by us as humans.  For all any of us know, we could be sitting in the corner of a mental institution drooling on and talking to ourselves.  It’s all an illusion.  Maybe we’re already dead.  Who knows?  This could all be an experiment by an alien master race.  Maybe we’re all just mold growing on a sandwich or a venereal disease on a giant scrotum.  Remember that time you knew you were losing your mind?  Maybe you DID go over the edge.  Remember that time you ate all of that sugar cube in science class?  Maybe you never came back.  This tangible world will never be as “real” as the intangible one in which we actually “exist” and experience everything.  I get it, but as much as this physical world, your job, and material possessions don’t matter, neither does the bullshit and abstract ideas about perception that you’ve spun around in your skull, which give you a mutated sense of accomplishment for doing nothing but sitting in your own filth and living off your baby’s mama, whom you yell at for walking in front of your XBOX screen. Read the rest of this entry →

EAST MEETS NORTHWEST : Ryuichi Sakamoto Live in Seattle

November 23, 2010 in Music, Reviews

Ryuichi Sakamoto is an enigma in my mind.  Perhaps just as well known for his work with Japanese synth-pop group, Yellow Magic Orchestra, Sakamoto had established himself as one of the most important solo composers in modern Japanese music.  Credited with hundreds of releases, spanning from 1978 to the present, he has bestowed upon his audience a plethora of classical piano, experimental/noise, future jazz, and synth-pop, as well as film soundtracks and scores.  Since his initial success with YMO, Sakamoto has helped to garner increased attention towards Japanese music through his east-meets-west musicianship. Read the rest of this entry →