EnvyはEnvy: Interview with ENVY guitarist/songwriter NOBUKATA KAWAI

March 23, 2011 in Interviews, Music, Notes From Japan, With Video

It was a hot day for November and it was the time of year when hotter than average days felt good.  At about 4pm, I was scheduled to interview Tetsu Fukagawa, the lead vocalist of the hardcore group, Envy, at Club Upset in Nagoya, Japan, a city of over two million people.

To get to the club from Nagoya Station, one has to take the subway to a little station called Ikeshita stationIkeshita station is a small subway station that contains a large bus station.  That day, it looked kind of dumpy, littered with cigarettes, Styrofoam noodle cups, and rustling brown leaves.  Pigeons waddled freely across the bricks, feeding on random morsels of refuse.  There is a large mural that is visible upon exiting the subway gates.  It is a highly textured, black and brown piece that appears to depict two long-necked birds facing each other.

I walked around the surrounding area looking for the club.  During my walk, I saw many cheap restaurants selling low quality chicken and cheap beer.  There was also an abundance of adult video arcades and openly publicized brothels. Suited men stood in front of the walls, which were plastered with large numbered photos of the young women working.  The defining features of the women’s faces were blurred out.

I eventually found Club Upset, which was located upstairs in a brick building, five floors above a pizza kitchen.  Once inside the door I came to a small lobby.  The walls were plastered with posters of shows past; almost exclusively Japanese acts.  There was also a small ticket booth, but nobody was in it, so I opened the thick black door opposite the unmanned station.  There was a small hallway that led to another thick black door; a sound proofing technique used by smaller clubs in Japan to avoid noise complaints.

The club was of modest size with a two-level, black and blue checkered board.  Envy’s two guitar players were on stage with their instruments.  The people in the room were surprised to see me and nobody seemed to know what I was talking about when I said that I was there for an interview.  Finally, after some discussion amongst various folks, the singer, Tetsu came out and said, “Hey.”  Then, in Japanese, he explained that he had to do a soundcheck, which might take about an hour, but that I could watch if I wanted, so that’s what I did. Read the rest of this entry →

Giant Robot Destroys Seattle: Buckethead’s New Years Eve Bash

January 9, 2009 in Global Destruction, Music, Reviews, With Video

buckethead new years seattle header shotMuch of BrianBucketheadCarroll’s popularity has risen through his temporary stint as the guitarist for AXL Rose’s makeshift post millennium disaster that he is still stubbornly referring to as Guns N Roses.   However, if you were a fan of Buckethead’s work prior to this, his inclusion in the group may have actually come as a surprise.  Being introduced to his music through previous releases such as  Bucketheadland (feat. Bootsie Collins and released on Avant-Jazz Sax legend, John Zorn’s label),  Monsters and Robots (featuring Les Claypool), and DJ Q-Bert’s animated turntable masterpiece, Wave Twisters, I myself was shocked by his involvement in GNR.  That is until I realized that, if Bon Jovi called me up and asked me to join him in a country-rap project, I would do it just based on the sheer novelty of the whole experience.  My friend Lars gave me a report on the GNR show that he saw featuring Buckethead on guitar by saying, “I still can’t tell if this is the best show I’ve ever seen or the worst“.  Based on what Lars had seen, he theorized that the tour wouldn’t last much longer due to Axl’s inability to restrain Buckethead or Carroll’s long-time collaborator, drummer BrianBrainMantia, to his satisfaction.  Of course, his prediction was right yet, Buckethead seems to still be primarily associated with the corn-rowed has-been. I may be wrong in my assumptions but, I doubt that there are really too many consistent fans of Buckethead’s music.  His discography spans over 100 different albums in varying genres, including classic metal, electronic, funk, ambient, dub, jazz, and more.  This means that, even if you have heard multiple projects that the musician has been featured on, you still may not have a complete grasp of what he is capable of or that you have had much more than a glimpse of the overall scope of Carroll as an artist. Read the rest of this entry →