The Story Behind PHISH’s Festival 8 “BOREALIS” (lighted sky sculpture)

October 30, 2010 in art, Music, Technology, With Video

Last year, the Vermont 4-piece, PHISH triumphantly returned to the stage with a full tour, culminating in a 3-day extravaganza over Halloween weekend, entitled FESTIVAL 8.  The event was held at the Empire Polo Grounds in Indio, Ca, where the band played 8 total sets; including one acoustic set and one which featured them covering the Rolling Stones masterpiece Exile on Main St in its entirety, with the assistance of the remarkable Sharon Jones and the Dap Kings.  It was an impressive weekend overall, but one thing that really stood out was a lighted sculpture that took flight and boggled the minds of many of us that were in attendance.  Being the inquisitive and science/astronomy/technology obsessed little gent that he is, our writer ONSEN took it upon himself to track down the creators of the structure and compile the intriguing and fascinating piece that we have presented below for you. Since it was originally written, the 3-dimensional FESTIVAL 8 film was released in theaters, offering many of you who weren’t in attendance at the actual festival to have the opportunity to get a glimpse of the crazy lighted device in action.  For whatever the reason (timing, sloth, misguidance, etc) this article never made it onto the site until now.  Tomorrow night, PHISH will be unveiling and performing another cover of another artists’ legendary work, in their typical Halloween tradition.  This time their performance will be held at the Atlantic City Boardwalk Hall in NJ.  For everyone that’s there, we say, “have a great time, set something on fire for us, and don’t steal anybody else’s shit“.  Posting this article the day before Halloween may mean that we have waited and pushed this topic out right at the very last possible moments of relevance, but I hope that you will feel about it as I do.  This is an interesting piece, presented in a concise, informative, and entertaining fashion by a friend of ours who put in a lot of extra work to bring some fascinating information to light, and it still reads as such.  To you, I say thanks for reading it.  To ONSEN, I say, thanks for writing it.  And to everyone… sorry it took so long.

-DEAD C

{simply click on them to enlarge any of the images below & view at full size}
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EXCLUSIVE DR. DOG PHOTOS: The Sasquatch Music Festival [May 31, 2010]

July 4, 2010 in art, Music

DR. DOG

Sasquatch Music Festival

{Bigfoot Stage}

The Gorge Amphitheatre

May 31, 2010

Some people like reading novels and some people simply enjoy pop-up and picture books.  I know that when it comes to reviews and coverage, we generally lean much more towards the written word, but you may have noticed that we often come away with quite a bit of photographic documentation, as well.  We generally pick through and use the shots that we like the most for the reviews and, depending on the particular event, we may have a large selection to choose from or we may not.  With all of the great music provided at this year’s Sasquatch Music Festival, it created a situation where we had individual sets that yielded more shots than others.  One particular band that I had the pleasure of photographing was Philadelphia‘s Dr. DogRead the rest of this entry →

QUASI – [DAY THREE] : Sasquatch Music Festival [Mon. May 31, 2010]

June 27, 2010 in Music, Reviews, With Video

The Coleman 2-person had turned into an EZ-Bake and I woke up cooking again.  My face felt like sand had been dumped in to shrink it and I had a crazy bump on the middle knuckle on my right hand.  No big deal… but Kim was convinced that it was some sort of bug bite that needed to be tended to, so I let her whip out her little first-aid kit and try to sanitize it or whatever she wanted to do.  I was in this same campground 12 years ago, high on acid, and eating marinated chicken out of the same silver cooking bowl as a Rottweiler, so I’m clearly not as concerned about shit like Purel and antiseptics.  I had a positive outlook about the final day and a really simple game plan: “Enjoy Myself.”  No more drama.  No more bullshit.  I felt like I was adjusted to the format and the pacing of everything by this point and the lineup for the day was solid.  Tonight would be the WEEN set and I was so happy drinking my coffee and thinking about it, that I hadn’t even noticed when Kim squeezed some crazy 1/2 inch stinger out of my knuckle. Read the rest of this entry →

DAY TWO *second half* : Sasquatch Music Festival [Sun. May 30, 2010]

June 23, 2010 in Global Destruction, Music, Politics, Reviews, With Video

TO READ THE FIRST HALF, CLICK HERE

Towards the end of The XX‘s set, Kim woke up confused.  She was half asleep and must have still been lost in a dream, because she was talking nonsense.  She tried to prop herself up and people were stomping and moving all around her, so she had to make like a recently birthed giraffe and get to figuring out how to walk with the quickness.  I got her up and we started moving out of the crowd, but it seemed like she was doing even worse.   She was having some trouble breathing and, as is often the case with panic attacks, it was difficult to figure out if she was actually physically sick or if it was just an anxiety issue.  It was clear that she wasn’t feeling well, but didn’t want me to miss the festival. “We are going back to the tent, now. I don’t want to talk about it… c’mon.” Read the rest of this entry →

DAY TWO *first half* : Sasquatch Music Festival [Sun. May 30, 2010]

June 21, 2010 in Comedy, Music, Reviews, With Video

FOR DAY ONE, CLICK HERE

I woke up from the blazing heat in my tent.  It was about 7:308 o’clock in the morning.  By the time that I would manage to get myself shoed up and standing, the outside would already be slightly chilly and overcast.  This is a pattern that I would become accustomed to over the next couple of mornings; wake up early to the heat and then immediately put a sweatshirt on and hobble around looking for a different line of outhouses.  We were camped pretty deep into the grounds, which meant that our Honey Buckets took a while to be maintained and were usually “full” in the morning.  Such is the way of the music festival.

Apparently, Patrick has trained in the culinary arts and that fact, along with his generosity, resulted in us eating pretty well in the mornings.  He was in a really good mood from getting to see My Morning Jacket the night before, but the festival wouldn’t really be starting for me until today.  That morning, Jesse and I also got the chance to speak more about music.  We were both really excited about the opportunity to finally see Pavement and had different songs that we were hoping to hear.  I was betting on “Range Life“.  We knew that once we got into the venue we would be in there all day, so we tried to decide at which point we needed to head in and what we were willing to miss out on.  The collective decision was to wait and go in to see They Might Be Giants at 3:20. Read the rest of this entry →

DAY ONE *second half* : Sasquatch Music Festival [Sat. May 29, 2010]

June 18, 2010 in Music, Reviews

TO READ THE FIRST HALF, CLICK HERE


MiiKE SNOW

To avoid any confusion right off the bat, I think it’s important to clarify that Miike Snow isn’t the name of a man.  It’s actually the name of a Swedish electro-pop trio.  I first became aware of the group, thanks to friend of the site, SeanHar Mar SuperstarTillmann, whose personal tweets and Facebook postings expressed an appreciation of their recent self-titled debut.  Much like Har Mar, the trio has managed to gain a solid level of popularity in the UK.  Although Miike Snow are arguably still more recognizable overseas, I believe that, if they aren’t on your radar yet, they will be soon enough.  In fact, Miike Snow isn’t unfamiliar with the concept of “Radar“, because 2/3 of the group actually helped to produce a hit song of the same name for Britney Spears.

I use to be a barista at a place where I was lucky enough to work with someone who had similar musical tastes as myself.  Sometimes, our co-workers didn’t feel as lucky about that situation as we did.  A lot of Silver Jews, Dungen, Pavement, Ween, Tortoise, Talking Heads, Sonic Youth, free jazz, etc, was played during our shifts, but one day Josh brought in the Britney Spears Blackout album and everyone was so pissed off that they lost their minds over it.  Both of us, on the other hand, got really into playing it more and more.  It’s extremely popular to trash pop-stars like Brit Brit, especially at that time, but there was something really intriguing about that album.  Once you get past the ideas of commercialism, shallow marketing tactics, and Total Request Live tweens buying scrunchies at a Claire’s in a Westfield shopping mall, it contained some brilliant layering and production work throughout.  Above all, “Radar” had a super catchy hook and was the one track that I couldn’t shake.  It turns out that, along with “Piece of Me” and two other tracks from Blackout, “Radar” was produced and co-written by the Swedish duo of Christian Karlsson and Pontus Winnberg (aka: Bloodshy and Avant).  In 2007, Karlsson and Winnberg teamed up with American frontman/songwriter/multi-instrumentalist, Andrew Wyatt to form Miike Snow and did so without any real expectations.  Bloodshy and Avant had already achieved a high level of success from their production work with vagi-centric pop acts like Spears, Kylie Monogue, Madonna, J-Lo etc.  In fact, these guys even produced and co-wrote the song “Toxic” which was credited by multiple publications as being one of the greatest songs of the Two-Thousands.  So, although their names as artists may not be as recognizable as the acts whose careers they helped to boost, most people are still very familiar with their work.  With Miike Snow, the production duo is now stepping out into the forefront to endure any risks and rewards which may come along with it. Read the rest of this entry →