THE FRENCH CONNECTION : KLEMENT – “SUPERSIZE” [video]

January 9, 2011 in art, Global Destruction, Music, Politics, With Video

It’s already the year 2011, which means that we’re only 9 months away from the 10 year anniversary of the attacks on the world trade center.  For a lot of us, 9-11 is our Kennedy assassination; meaning that we all remember where we were when we heard the news.  I, for one, was working for the housing department at the Evergreen State College and, both coincidentally and inappropriately, listening to “You Dropped A Bomb on Me” by the Gap Band.  After the shock subsided, that’s when the country began losing their goddamn minds.  It’s been almost a fucking decade already and, within that time frame, the American people have transformed from a savage pack of wolves, thirsty for the blood of any brown person they could locate, into a country that is thirsty for the blood of the black man that they elected for President, because he hasn’t worked fast enough to taper down the inertia that was push-started by that, aforementioned, original thirst for blood.  Oh, America.  Remember that time, when we had a new collective anger that was fresh and clear?  We didn’t just have to be disgruntled in our usual, personal ways, or even complain about our government anymore.  Sure, we hate our families, but they’re OUR families and no outsiders were gonna tell us what’s what, or give us the what for.  We were together on something… a team, if you will.  All of us!  Everyone!  That is…  except for people like myself, of course, who are clearly some sort of nondescript ethnicity that recklessly refuses to shave regularly.  Throughout the two-thousand-oughts, however, everything has slowly become muddled up, as usual, and we all hate the government again and, of course, each other.  It’s pretty much just like it used to be, except that less people have jobs, privacy rights, or even their lives.  We do have a lot more gadgets, though, and I have a pretty strong feeling that, if you really did some honest research, we wouldn’t choose to have it any other way.  Yep, it’s pretty much the same and it’s clear as all get out that no single tragedy, no matter how large or catastrophic, will likely ever capsize our chosen way of life.  There’s actually a beauty to that, otherwise depressing, reality–I think.  Yep, it’s pretty much the same, and one thing that continues to ring true is our blind pride and baseless dislike for anyone that we get the feeling thinks that they are better than us.  I’m not talking about Al Qaeda; there’s no question that whole situation is all terribly fucked.  I, of course, am referring to none other than the French. Read the rest of this entry →

Squarepusher Q & A : plus, Shobaleader One – “Megazine” [Video]

September 30, 2010 in Music, With Video

{Photo - left to right: Sten t'Mech, Strobe Nazard, Squarepusher, Company Laser, Arg Nution}

If you read our last post regarding Shobaleader One, then you’re already hip to a few things regarding Squarepusher‘s latest project.  If not, you should probably go read it now, but the major revelation is that Tom Jenkinson isn’t just working alone anymore.  For those who weren’t aware, Jenkinson originally made his venture into electronic music as a simple hobby/side-project, while he was the member of a separate project as part of a full band.  Obviously, the groundbreaking sonic anomalies that he began to exhibit under the name of Squarepusher overshadowed everything else and, for the last decade and a half, he has remained the often mysterious and non-collaboratory musical wizard that most of us are primarily familiar with today.  How four other anonymous musicians were finally able to convince the bass virtuoso to welcome them into his process and relinquish some of the control that he is so accustomed to is still a bit unclear, but the sheer fact that they were able to do it at all is a minor miracle.  As the October 18/19 release date for Shobaleader One‘s debut d’Demonstrator approaches, Warp Records continues to leak more and more information about the new group.  The latest updates come both in the form of media samples, as well as a Q&A with Jenkinson himself. Read the rest of this entry →

Cocaine Orgy Cybernetic Funtime Party : LCD Soundsystem – “Home” [VIDEO]

September 24, 2010 in Global Destruction, Music, Technology, With Video

When DFA records founder, James Murphy dropped his debut LCD Soundsystem full-length, it’s lead off track was “Daft Punk is Playing at my House“.  Now it’s 5 years later and the electro-dance maestro is continuing to demonstrate his affinity for cybernetic organisms and house parties.  The latest LCD release, This is Happening is a really solid album (especially, the opener “Dance Yrself Clean”), but I wasn’t immediately sold from the first single, “Drunk Girls“.  The song “Home“, on the other hand, is much more representative of the overall sound on the new release.  What makes it even better is the crazy new video for “Home” that has just hit the interweb like a busted computer monitor .  As you’ll see for yourself, it’s part Pinnochio, part Iron Man, and entirely pretty awesome.  It’s got everything: cocaine, robots, lite brite pegs, foil, orgies… everything. Read the rest of this entry →

SQUAREPUSHER presents SHOBALEADER ONE – “d’Demonstrator”

September 3, 2010 in Global Destruction, Music, Technology, With Video


Tom Jenkinson (aka: SQUAREPUSHER) is the type of rare artist that I can’t imagine doing anything else except for working at his craft.  What I mean by that isn’t that I couldn’t see him having any other occupation because he is destined to give birth to some of the best electronic music ever and that it is his calling… blah, blah, blah, etc, etc.  What I mean is that I can’t imagine him doing ANYTHING else, as in going to the grocery store or playing boardgames at a dinner party with lifelong chums in his living room.  His sonic creations are so elaborate, complex, and multi-dimensional that they often splinter into so many directions at once that the listener’s mind has no other option but to do the same.  Separate corridors and paths open and close; platforms lift, raise and disintegrate.  No one else is better at actually providing depth, layering, and a visual element to their music; seemingly creating something tangible and solid from simple audio.  No one is better at making music that has the potential to physically give me an anxiety attack either, which is why my girlfriend hates it so much when I want to play it.  Over the last decade and a half, the Englishman has twisted and mutated sound into so many varying directions that his only limitation appears to be his own imagination.  His proficiency is ridiculous and his delivery suggests an obsession with perfection.  This is why I have difficulty imagining him in any other element than in one of methodical experimentation, constant restructuring, and focus.  I imagine that even when he’s making a sandwich, his mind is off trying to work out some ridiculous algorithm and, after he puts the bread away and the cheese back in the crisper, he immediately returns to his dungeon, eating with one hand and tweaking knobs with the other.  He’s always appeared to me as some sort of crazy reclusive electro-alchemist, hibernating simultaneously in a futuristic lab and in a Medieval basement.  Both hermitic and hermetic, residing in a hybrid yurt/hovercraft.  As evidenced by the promotional image/album cover (above), Jenkinson’s latest project, SHOBALEADER ONE, is doing very little to dispel such outlandish suppositions of this character as a futuristic cyber-jazz druid. Read the rest of this entry →

RJD2 returns with a Massive Tour & a Minotaur [...an iPhone app & a new LP]

January 6, 2010 in Music, Technology, With Video


Back in the Winter of 2005, I officially moved to Seattle.  As I was being hired for my first job here, a night auditor in a piece of shit crack hotel, I made only one request; I needed December 29th off to catch DJ Greyboy at a Macy’s department store downtown.  I scurried around the building and, when I finally found Greyboy‘s setup, the DJ was in the young mens section, spinning Steely Dan‘s “Black Cow” and he had a table full of free Dominos Pizza and cans of Pepsi.  He was down to talk and didn’t seem concerned that I was one of only 2 people who were there to see him at that point.  I asked him what a producer/DJ like himself was was doing in the tween wing of a department store like that and he explained that, since he was sponsored by Ocean Pacific, he sometimes had to make those type of appearances.  He asked me to add him on myspace, but explained that there was a fake music account for him and that his was the one without the music player,  “I don’t even fuck with the music“.  He further explained to me about a project that he was working on, which I believe he had planned to put out within the following year or so.  After that, Mr. Andreas Stevens seemed to, temporarily, disappear off of the map.  He made a slight resurfacing to work with the Greyboy Allstars on their 2007 reformation project, but his creation of acid jazz-centric solo albums like Freestylin’, had all but ceased.  He released a greatest hits style compilation in 2008 but, when he finally returned to his trademark sound on last years Era Correct, I completely missed it.  The music industry has changed dramatically in a short period of time and, whether it was due to his disinterest in forced adaptability/conformity (ie. myspace) or a misguided assumption of his own staying power, the innovator slipped off the radar in a genre that he was the major player in pioneering.

This post isn’t really about Greyboy, however, but it is about the phenomenon of our favorite artists evaporating off of the face of the Earth. It is also a heads up about the next triumphant return by one of the greatest beat-makers of the last 10 years, because it has the potential to get buried in the current musical climate.  The pseudo-resurrection, of which I’m referring, is of a one Ramble John Krohn, better known as “RJD2“. Read the rest of this entry →

The Prog Prince: Squarepusher’s “Just a Souvenir”

November 10, 2008 in Music, Reviews, With Video


This album started as a daydream about watching a crazy, beautiful rock band play an ultra-gig.” -Tom Jenkinson, aka Squarepusher

If Squarepusher fans abandoned Tom Jenkinson for any reason other than for churning out his same recipe of jazz-fusion, drill-n-bass, and musique concrète, it would be for finally providing evidence that he may, after all, be human.  For over 10 years now, Tom Jenkinson, aka Squarepusher, has wowed audiences and home-listeners alike with his blend of virtuoso bass solos, chaotic amen-break reconstructions, and all-out fuck-all noise assaults.  Whatever genre Jenkinson has chosen in the past to tackle, be it jazz-fusion, acid-house, musique concrète, hip-hop, or breakcore, often on the same album, he has done so with such precision that his critics can only cite repeating himself as a point of contention.  And justly so- 2006’s Hello Everything played almost like an anthology of styles he has mastered since 1996’s Feed Me Weird Things, again with near-flawless results.  But while Jenkinson definitely delivers something new and different from his past endeavors with Just A Souvenir (2008, Warp Records), he reveals to the world that he is not a robot programmed to sequence psychotic drum explosions and stroke perfectly crafted jazz bass solos after all.   Nope, Squarepusher lives, breathes, and occasionally makes a mediocre album.

Read the rest of this entry →