CONTEST HAS ENDED! WIN Tix to live podcast of Uhh Yeah Dude in Seattle

December 12, 2011 in Comedy, The Web, With Video

CONTEST HAS ENDED!

[CLICK HERE to jump directly to giveaway]

Back in the early 2000s, I lived in Olympia, Wa and there was a lot of DIY music and media production happening in the small college town.  People were mixing albums in their basements, silk-screening posters and T-shirts in their kitchens, and using DV, High-8, and/or Super-8 cameras to record short films in dusty fields and damp alley ways.  My friend Mac Dawg was taking advantage of the fact that we had a local public access station to create his own programs.  His original idea was to film a fictional, biopic-style sitcom based around Kurt Cobain in the 80s, referencing his tenure as an Olympia resident.  Being a Jewish Puerto Rican in his early twenties who had dread locks and mutton chops at the time, he came to the conclusion that I would be the perfect person to star as the dead, blonde, white grunge-rock icon in the re-imagining.  The project never actually came to fruition, but, during a random house party at Mac Dawg‘s house, I came up with my own idea for another program by the name of “TANGENT.”  The basic premise was that I would have guests on, like an informal talk show, and then just consistently shift the topic on them.  [I only have brief glimpses of memory pertaining to coming up with the idea... I was really drunk.]  One morning Mac Dawg wakes me up with a phone call and asks if I’m ready to do the show.  “What show?” I asked.  I thought that he might be referring to the Cobain thing again.  He explained that it was my idea and that I should get ready, because he was planning to film it that morning.  I threw on a slim, denim 1970s pantsuit (just vest and pants) and a large plastic dollar sign necklace, bought a case of OLY stubbies and came up with/scribbled down some topic ideas onto a piece of scrap paper during the ride over to his basement, where the video equipment was set up.  Between being awaken to sitting in the basement getting miked, it was probably 1/2 hour total.  It was about 9am, I had taken down enough alcohol to get rolling and we went from there.  There was no real podcasting back then and there was no Youtube whatsoever.  There was no real direction for the program either and, although I’d like to believe that it had it’s moments, there was a decent amount of aimlessness involved.  I imagine that doing an improvised standup routine must be similar to trying to carry an unscripted program and helping it to remain interesting; it can get awkward quicker than you may think.  If I we could have harnessed those select moments, expanded them, and worked tirelessly on them for years, I could still only have hoped to yield something half as effortlessly smooth and entertaining as the podcast, “Uhh Yeah Dude.” Read the rest of this entry →

FRIED PORK – Watch: “The Pig Farmer” animated short by Nick Cross

January 25, 2011 in art, Global Destruction, Movies / Television, Politics, The Web, With Video

This morning we discovered the work of a Ottawa, Toronto, Canada-based cartoonist by the name of Nick Cross.  Since then, I’ve spent my day watching his various animated shorts and work-in-progress clips, sifting through his print work and reading his blog.  While finding employment through larger animation companies, Cross has managed to make the time to create quite a few gems of his own.  His personal work has been nominated for numerous awards; often transcending the animated world and infiltrating  larger independent film festivals world-wide.  For someone such as myself, who has a very limited vocabulary when it comes to this type of work, Cross seems to utilize a very “classic” style of cartoon illustration in the vein of the New Adventures of Mighty Mouse, Ren and Stimpy, and The Powerpuff Girls.  The dialogue is minimal, if present at all, and the artist is much more inclined to use silent era dialog cards, if anything, to “illustrate” his points.  Beyond the occasional foley sound-effect, the audio is mostly comprised of old stock music, which is used to set the tone and pace.  In other words, the actual animating and the detailed movements of the characters are relied on to relay the storyline and to move it forward.

The video that originally ignited our interest in Nick Cross was his latest animated piece, “The Pig Farmer” (posted below). Read the rest of this entry →

FREEDOM RIDE: Halo Benders on the Real Stories of the Highway Patrol

May 24, 2010 in Global Destruction, Music, Politics, PSA, With Video

I spent a good part of this morning unsuccessfully looking for an old black & white Halo Benders promotional photo from the mid 1990s.  I’ve been working the same type of hustle that I am now for half of my life and, when I was in high school, I spent the majority of my focus on getting companies to send me free shit for my marketing program’s “trade show” projects.  The Calvin Johnson founded, K Records was one of the most helpful and provided me with tons of merchandise and materials, including that Halo Benders photo, which was intended to hype the group’s sophomore effort, Don’t Tell Me Now (1996).  Two years prior, when Johnson (Beat Happening) first started the side project with Doug Martsch (Built to Spill), I had begun hearing the song “Don’t Touch My Bikini” on the local community college radio station.  Both keeping with and ending their pattern of dropping a new album every other year, Halo Benders released their final album, The Rebels Not In, in 1998.  That release contained “Virginia Reel Around the Fountain“, a song that is still a regular feature on Built To Spill set-lists to this day.  Calvin hopped on stage with BTS for a few random cameos throughout the following decade and the group reunited with a slightly altered lineup for a pair of shows in Boise, Idaho.  There have even been some random non-confirmed rumors of a possible new album and/or comeback but, for all intents and purposes, The Halo Benders were a Nineties band.  At one point or another during that initial run, the side-project even made an infamous, yet rarely seen, appearance on a quintessential 90‘s television program.  Thanks to today’s technology, the footage from that fiasco is just one more thing that has managed to resurface in our current times. Read the rest of this entry →

James Brown’s Body: The Godfather of Soul May Be Travelling Without One

March 12, 2010 in Global Destruction, Music, PSA, With Video

On Christmas day of 2006, James Brown died at the age of 73.   The official cause of death was determined to be congestive heart failure, brought on by complications with pneumonia.   To anyone that remembers his haggard mugshot and takes into account the age of this man and the life he lived, it shouldn’t have been much of a surprise.  He was an amazing innovator who had a great run and left a stamp on the world forever, but it appeared that “The Hardest Working Man in Show Business” was all worked out.  Although the 3 separate New Years Eve performances/appearances that he was slated to make were canceled due to his demise, that didn’t mean that the spectacle was over. In fact, there was 3 separate memorial services held for him instead.  The first was at the Apollo Theater in NY on Dec. 28th, followed by a private memorial for family and friends in North Augusta, SC on the 29th, and then another large scale event on the 30th at James Brown Theater in Augusta, Ga.  Throughout these various services/presentations, the following was included: a open gold casket, a white glass-encased horse drawn carriage to transport it through the streets of New York, nachos, Michael Jackson, Bootsy Collins, a dance by MC Hammer, costume changes for the body, and more (yes… we’re fucking serious).

As is far too common these days with the deaths of celebrities, and even more-so legends, there was a lot of disputes regarding both Brown‘s will and where his final resting place had been.  Much like we witnessed last year with the death of Michael Jackson, family members and others actually argued about where to rest the musician’s body.  They had already transported it all over the goddamn East Coast as it was, so I guess they figured that they could shift it around a bit more.  I’m sure it’s all in keeping with whatever they feel James would have desired because, honestly, who wouldn’t want their lifeless corpse dragged around by horses, redressed constantly, put on display, and then buried and reburied after their death?  First his body was temporarily placed in a temperature controlled room at his estate, before being moved to an “undisclosed location“, as his common-law widow, Tomi Rae Hynie, and his children viciously argued about where it’s permanent resting place should be.  It only took a little over 10 weeks after his death for both sides to come to an agreement “amicably”.  The decision was to build a public mausoleum and, in an effort to keep milking the cash cow, transform the former legends estate into an attraction the likes of Graceland.  Until then, it was chosen for the body to be held temporarily in a crypt at the home of Brown‘s daughter Deanna Brown-Thomas.  Another private ceremony was held at Thomas‘ home, which was officiated by Reverend Al Sharpton, just like the previous 3.  Since that date on March 10, 2007, this is where the body has been laid to rest (or rather, “SNOOZE”) for the last 3 years.  Or has it?

As reported by the New York post, a 48 year-old woman by the name of LaRhonda Pettit is actually claiming that JB‘s body has gone missing. Read the rest of this entry →

A Conversation w/ Har Mar Superstar [Star of Ghosbusters 3?]

February 14, 2010 in Comedy, Interviews, Movies / Television, Music, With Video

LSD…  it’s a helluva drug.  Back in the day, I did my share (and, perhaps, the shares of a few others).  Some believe that it has the potential to help turn you into such a super genius, that you appear freakishly insane to anyone else that’s not “on your level“.  Then again, it’s always possible that the reverse is happening and they really are going so ape-shit crazy, that it only leads them to believe that that they have a growing mental superiority.  One thing’s for sure; these chemical roller-coasters have the ability to twist up and whack out a synapse, like eating a parasitic egg-salad-sandwich from the vending machine of an interstellar truck stop bathroom.  The reality is that, even with all of the epiphanies and life lessons that one may obtain during these odysseys, there is really no scientific control for the experimenter/guinea pig and, short of a clone or view into a parallel dimension, no one can ever really know if they would have arrived at those same conclusions without the “aid” of the hallucinogen.  The good part is, since there is no way to make that determination, it doesn’t really matter and there are more detrimental things in the world than examining the differences between arrogance and confidence, exploitation and opportunity, respect and glorification, inspiration and contrivance, hustling and…well, hustling.  Despite the blatant self-aggrandizement implied in his stage name, SeanHar Mar SuperstarTillmann seems to have an incredibly firm grasp on these concepts and plenty of others.  Of all the electric realizations that I had, however, there is one specific principle that truly epitomizes Tillmann‘s career for me: “Regardless of how clearly, simply, honestly, or directly you express a pure truth, it doesn’t mean that anyone else will, necessarily, hear, believe, or even understand what you are trying to relate to them.Read the rest of this entry →

No Mas Presents: Dock Ellis & The LSD No-No by James Blagden [VIDEO]

November 13, 2009 in art, Movies / Television, The Web, With Video

dock ellis and the LSD No-No

Ever since the 1950‘s, when folks like Ken Kesey began stealing LSD from controlled scientific experiments and leaking/distributing it out to the masses, adolescents and young adults everywhere have made the determination that they could learn more by eating paper than writing one.  Often, previous interests like sports fall to the wayside and are replaced with hiking, dance, and/or a more intent focus on exercising one’s mind.  Mental and spiritual “advancement” may overtake the desire to become a creature of physical dominance.  For the most part, it has become widely accepted as a “truism” that psychedelic drugs and sports are not to be mixed.  Fortunately, those of us who have digested an adequate amount of the blotter and cube have realized that the mass acceptance of a concept doesn’t have much bearing on “reality”.  In fact, in the early Seventies, former Pittsburgh Pirates pitcher, Dock Phillip Ellis, Jr. disproved the theory that psychoactive drugs and sports should always remain mutually exclusive, once and for all.

In 1971Ellis gained a championship ring with the Pirates and performed as the starting National League pitcher for the All-Star game but, as is often the case, the MLB pitcher is more well known for his actions of controversy.  Among these incidents is a 1976 episode where he intentionally beaned Reggie Jackson in the the face (said to be in retaliation for a homerun that Jackson hit on him during the ’71 All-Star game), his 1974 attempt to bean the entire Cincinnati Reds roster before getting pulled from the game, and a 1972 altercation with a security guard in front of Riverfront Stadium that resulted in him being maced.  Arguably, his most infamous feat took place on June, 12 1970, when he pitched a no-hitter against the San Diego Padres, while hopped up on speed and dosed out of his gourd on Acid.  In fact, Ellis actually obtained his very first stolen base in the Major Leagues, during this game. Read the rest of this entry →