Phifteen Years of Bluegrass : Phish – 1994 Bluegrass Documentary [WATCH]

November 15, 2009 in Movies / Television, Music, The Web, With Video

PHISH BLUEGRASS

[Scroll to bottom for MP3 Download of 11/19/94 "Parking Lot show"]

Years ago, when I lived in Olympia, Washington, something odd happened.  I couldn’t receive any television stations, so I attached a set of bunny ears to achieve a  few of them.  One day I decided to move my furniture around, which included plugging my TV into the outlet on the other side of the room.  When I did that, I lost all of my channels that I did get but, when I disconnected the bunny ears, a whole bunch of extra ones came through for the first time.  One of the benefits from this was that I wound up with two different PBS stations and PHISH was scheduled to be featured on Austin City Limits.  I was excited to watch the program, but I had a birthday party to attend, so I set my VCR to record it and blasted out to the soirée/BBQ.  When I returned home to check the video, I was treated to an unexpected surprise.  Although I had successfully recorded an episode of Austin City Limits, it wasn’t the episode with PHISH on it.  Apparently, at the exact same time, the WILCO/Bela Fleck Bluegrass Sessions episode was airing on the other PBS station and I had recorded that one.  Bela Fleck was performing with Tony Rice, Sam Bush, Vasser Clements, etc and the error turned out to be a blessing in disguise.  Over the next year or so, I watched that footage excessively and it became one of my favorite things to space out to in awe.

Tonight, while my sister was visiting, something equally as fortunate took place in reverse.  She has recently become increasingly interested in Bluegrass music and, after her ringtone of a bluegrass breakdown went off, I decided to search out the version of “Salty Dog” that Fleck and his crew had performed on ACL all those years back.  To my surprise, after typing “Bluegrass Sessions” into a YouTube search, I found a PHISH video instead and this whole scenario came full circle.  Many of us are aware of the Vermont 4-piece‘s remarkable ability to transition through various genres and their penchant for busting out favorites like “Uncle Pen” and “Old Home Place” but, although they had demonstrated those influences in the past, this video displays a time when the quartet truly began to focus and venture seriously into such Bluegrass territory.  Posted by Youtube user jlaughli, the clip is from 1994 and was the first part of a 9 part “documentary”.  Fans of the group should really enjoy viewing this home footage, which features Mike on banjo, Page on upright bass, and even drummer, Jon Fishman playing the mandolin.  The youtube poster did not create the documentary, it was filmed by Rev. Jeff Mosier, but we’d like to give him huge props because, it is really nice to finally see it all in one place and so easily accessible.  To make it even easier to locate and view in it’s entirety, we have provided all 9 parts of the full documentary footage below.  Seeing as yesterday marks the 15 year anniversary of when the recording of this footage originally began, I feel that there is no better time for us to put this up, than now.  Enjoy! Read the rest of this entry →

Sufjan Stevens Films Something Concrete : “The BQE” Reviewed

October 5, 2009 in art, Global Destruction, Movies / Television, Music, Reviews

Sufjan-Stevens-BQE-Super-8

Multi-instrumentalist and songwriter, Sufjan Stevens earned his most notable success through 2005‘s Illinois album.  The 22-song ode to the Prairie State launched both Stevens and his “50 States Project” into the public eye.  In 2006, he followed it up with The Avalanche: Outtakes and Extras from the Illinois Album and a 5-disc box set of Christmas music but, since then, the releases have pretty much ceased.  There’s a strange conflict created in the logic of many of Sufjan‘s fans because, although they want to hear a “new” project from him, they are also focused around what the next installment of the last (50 States) project is gonna be.  People would often prefer to buy the same album over and over again than risk having an artist grow in a direction that is uncomfortable for them to deal with.  For anyone with logic and reasoning skills, it’s clear that Stevens will never write an album for each of the 50 states, unless technology and/or his work ethic changes drastically.  I don’t think that the artist’s intentions or claims are dishonest but, even by churning out an album every year, it would still take him until the age of 82 to finish the project.  Music aside, I am acquiring a growing respect for Sufjan‘s approach to the creative process, which involves healthy doses of patience, a virtue that I have trouble possessing.  His focus seems to be more about the process than the result and, whether or not you enjoy those results, his dedication and sincerity is undeniably commendable.  He seems to be content with investing as much time to create, or even re-structure, a project until it’s just the way he had envisioned.  In fact, October 6th marks the release of Run Rabbit Run, a reworking of his 2001 Chinese Zodiac-themed, electronic album Enjoy Your Rabbit; this time, with all string instruments.

Recently, I had the opportunity to view one of Steven‘s most ambitious projects yet.  In usual Sufjan fashion, The BQE is based around a very specific theme; The Brooklyn-Queens Expressway.  Like the 50 states Project, it’s geography based, and the music is completely instrumental, like that of Enjoy Your Rabbit.  There is one aspect that puts The BQE in stark contrast from any of his previous work, however, and that’s the fact that it’s also a film. Read the rest of this entry →

Pseudo-Erotic Lite-Brite Pointillism by Steve DeFrank

September 12, 2009 in art, Movies / Television, The Web, With Video

Steve Defrank Mom & DadOne of the beauties of the internet is that it contains so many hidden mysteries.  Not unlike a thrift store or junkyard, there are endless treasures buried underneath all of the worthless and fly-by-night bullshit.  Through monitoring the traffic that each of our articles generate, I’ve discovered the randomness in both the timing and focus of the people that find and read the shit posted on here.  An article that I post today may not get any more than 2 readers this week but, 3 months from now, there may be a sudden interest and that traffic will spike through the fucking roof.  Today I have found one such hidden gem that, although it may have been buried for a few years, I hope to exhume this like Ed Gein constructing a living room set.

The image to the left is a piece of art created by a New York artist by the name of Steve DeFrank.  It’s an older work of his, but I only just discovered it through the official website for the Smithsonian Institute‘s National Portrait Gallery.  This piece was a finalist in the 2006 Outwin Boochever Portrait Competition and was part of the subsequent, related exhibit held at the gallery.  DeFrank‘s work did not “win” the competition, it is only one piece in a group with the work of other finalists’.  It is, however, a piece that stands out amongst all of the various life-like and detailed works, for both it’s medium and it’s subject matter.  The 5 foot tall portrait is titled, “Mom and Dad” and is a pointillism piece constructed entirely out of Hasbro Lite-Brite pegs. Read the rest of this entry →