Interview with THE GOOD ONES Producer, IAN BRENNAN
February 17, 2011 in Global Destruction, Interviews, Music, Politics, With Video
When we mention “two-time award nominated producer, Ian Brennan,” a good percentage of mainstream America would likely assume that we were referring to the creator of the FOX network’s musical sitcom, GLEE. We aren’t. Although his work may be less recognizable among the soccer mom and mall-frequenting tween sets, the Bay Area producer/musician/writer/indie-promoter is, arguably, much more prolific than his prime-time Hollywood namesake. [Please note that this is not a claim that Brennan is likely to make himself or one that he is even likely to concern himself with.]
Through various successful ventures, Ian has consistently proven himself a modern day Renaissance man, drawn to any project or cause that he finds substance in and feels that he has the ability to be beneficial towards. Besides working on his own music, Brennan produced the debut release from Rain Machine (aka: Kyp Malone from TV on the Radio) in 2009, and has received Grammy nominations for his work on albums for both Rambling Jack Elliot [I Stand Alone -2006] and Peter Case [Let Us Now Praise Sleepy John - 2007]. He’s been a highly successful concert promoter- raising over $100,000 in charity funding from benefit shows- and booked the music for the free “Food Not Bombs” 20th anniversary show (feat. Fugazi and Sleater Kinney). Over the last 17 plus years, he has worked as an expert on the subjects of violence prevention, anger management, and conflict resolution (both as a published author and lecturer) and, in 2008, created San Francisco‘s Sidewalk Homeless Memorial, raising awareness for the numerous casualties that annually befall individuals who are living on the streets. Brennan has worked in public radio, written a music column, directed a weekly public-access TV show, and even created the original “Boxing Bush” online video game, after unsuccessfully extending a challenge to the former U.S. President to compete against him in an 8-round charity boxing match. For his latest project/labor of love, the Bay Area-native has focused his sights overseas and unearthed the soulful music of a relatively unknown Rwandan trio known as The Good Ones. At a time when bad musical theater renditions of 80s covers by Twenty-something actors posing as precocious teens are being credited with breaking Billboard Top 100 records held by the likes of The Beatles (who they cover!), James Brown, and Elvis, music this unpretentious, pure, and untainted by over the top marketing gimmicks is more essential than ever. Read the rest of this entry →
Shiro Ameko! (White American)
June 18, 2008 in Notes From Japan
One of the first people contacted after starting MonsterFresh.com, was our writer known as D.W. Patton. It may have been the last time that I saw him face to face when we were sitting at the China Town bar in Olympia, Wa. We traded manuscripts. I gave him a 19 page paper I had written about my theories on time travel and Satan while he gave me a copy of a play that he had written entirely of Elizabethan dialogue involving a half-man/half-woman Brian Bosworth separated vertically down the middle. He is currently teaching children in Japan and has written 3 articles for the site about his experiences living in the Island Country. He has covered such topics as spending the 4th of July in a foreign land, Japanese Porn, and even cultural transplants such as McDonalds. I had hoped to receive more content based around these observations from an outsider and have had occasional emails with Patton pertaining to such aspirations. He had planned to send an article to me about the bar scenes and drinking in his current location but it has yet to happen for one reason or another. There was even hope that I could get the Zomba group to grant him free access to a Backstreet Boys concert in Japan so that he could report on the continued boy band frenzy and the juxtaposition of the two pop cultures coming together, but that didn’t work out either.
D.W. has been very busy with work and other responsibilities as of late. I was recently thinking about him and his work. I had thought to contact him about possibly writing some more facinating content for us when I noticed a message in the MonsterFresh email account. Somehow during a correspondance with a friend of his, their email conversation was accidentally forwarded to me. Although I still hope to receive some material tailored specifically as an article and/or to work with him more in the future in one form or another, I quickly realized that the email that I had in my posession was a genuine article that represented some very deep and honest feelings for him at the time it was typed. It was written from a sincere place of evaluation for both his environment and his place within it. I know that he holds his time and experiences in Japan very dear, and that he truly does have respect for the culture and opportunities that he’s had over there, however, if I plan to print honest unfiltered material on this site, and I do, I felt that I could not overlook what I had read. I contacted him and Patton agreed to let me post his letter without hesitation.
I hope, as I’m sure that he does, that this is read, not as a document of slander for a place and its people and culture, but as a look into the effects of culture shock on one’s psyche and emotional health and well-being. He has confirmed that this letter accurately represents his recent feelings as a foreigner living in a distant and very different land. Hopefully, this will further help those of us who read it, to re-evaluate the way that we too treat and view people around us who have ventured outside of their own cultural safe-zones with adjusted and more conscious approaches to what they may be experiencing. Below in bold type is that letter.
-DEAD C Read the rest of this entry →
Tags: Culture, Culture Shock, D.W. Patton, Japan, Pachinko, racism, Social Commentary, Vinyl Bars
No Comments »