Enter Now: ZAPPA PLAYS ZAPPA Seattle ticket Giveaway!

June 8, 2010 in Music

GIVEAWAY HAS ENDED!

We love Frank Zappa… a lot. This also means that we take it seriously when someone decides to cover his music. We are sure that his son Dweezil loves him too… a lot, but that doesn’t mean that he’s capable of covering his father’s work and doing it justice. When I heard about the Zappa Play Zappa project that Dweezil has embarked on, in which he tours with a group of hand picked musicians to cover his father’s music live, I was incredibly skeptical.  However, after speaking to some of the biggest, most hard-assed, and critical Zappa fans that I know, every response that I’ve heard has been incredibly positive.   It sound like this kid has taken this project as seriously as anyone could have ever hoped and that the resulting effort is beyond what could have ever been expected.  When Zappa Plays Zappa makes it’s way to Seattle on Monday June 14th with a performance at the Moore Theater, it will be our first opportunity to catch this critically acclaimed tour for ourselves and see if it lives up to the hype. T he good news for you is that, we’ve teamed up with the Seattle Theatre Group yet again, to offer that same opportunity to some of our readers, for free!

Our friends at STG Presents have offered us 20 pairs of tickets to give away!   Yep, that’s 40 total, and were’ not fucking around.  This is no joke my friends.  In fact, it looks like we will probably have even more than that, when it’s all said and done, so pay attention to the rules and act quick if you’re interested.   If you do this right the first time we shouldn’t have any problems.

HOW TO ENTER

We’re doing this shit real simple like. Read the rest of this entry →

EXCLUSIVE WEEN PHOTOS: The Sasquatch Music Festival [May 31, 2010]

June 5, 2010 in art, Music

Last weekend marked the 9th annual Sasquatch Music Festival at the Gorge Amphitheater in George, Wa.  The lineup was pretty impressive this year and included MGMT, The XX, LCD Soundsystem, Nurses and even Pavement.  Closing out the festivities was a performance by one of our favorite bands of all-time, WEEN.  I was there all weekend so that I could report on everything that went down and regurgitate it back for you assholes, but I am still putting everything together, going through photos, and simply recovering.  You may have noticed that we don’t typically just post updates here and there.  It’s much more important for us to process everything and provide something that is more adequately thought out.  Hopefully it’s something that will actually provide the reader with new information and, if we’re really lucky, something that can even moderately stand the test of time.  With a situation like this year’s Sasquatch, however, there’s a lot to deal with, so I’m going to do things a little differently.  I’m covering the entire 3-Day event all by myself, including photography, reviews, editing, etc, and so there’s a lot for me to organize.  The reviews will be posted soon but, seeing as I have a ton of images and only a handful of them will be used in those reviews, I wanted to drop some photos from the WEEN set right here and right now.  These aren’t all of the photos even obtained at the WEEN show, but it’s a lot of them (24 to be exact).  This is a little update for everyone, while I process everything else, because I’m assuming that a lot of you probably still don’t know about our Flickr account.  More images will be popping up on that account as we process them, so keep your eye on there if you want to see more.  For now, please enjoy the images of Gene and Dean provided below.

Thanks Read the rest of this entry →

Devendra Banhart and the Grogs LIVE @ The Crystal Ballroom (3.21.10)

April 2, 2010 in Music, Reviews

My first attempt at seeing Devendra Banhart was while he was touring as part of his side-project Megapuss.  It was during the fall of 2008 and the band was scheduled to play in Portland Oregon.  That show was canceled.  14 months later Devendra returned to Portland to play in support of his latest album What Will We Be (Warner Bros), his 7th full-length studio release and his first since signing with a major label.  This show was held on Sunday March 21st and took place at the Crystal Ballroom. Read the rest of this entry →

Booji Nights : DEVO Performs “Freedom of Choice” in Seattle

November 21, 2009 in art, Global Destruction, Music, Reviews, With Video

Mothersbaugh-Keyboard-REDI had a photography teacher in high school that would play a video of  The Eagles‘ “Hell Freezes Over” tour, almost every day in class.  Occasionally, it would be a Billy Joel concert video instead, but it was still pretty terrible.  Fortunately, I was in “advanced photography” and was able to avoid some of it.  This basically means that I would step past the rest of the class and puff chronic herbs out of Country Time Lemonade cans in the dark room.  One day I came to class and was surprised to see that the TV playing  We’re All Devo, a VHS featuring music videos and original SNL cast member turned voice-over actress, Laraine Newman.  It wasn’t too difficult to locate the kid who brought in the DEVO video, because he was the only one that was even paying attention to the screen.  Besides that kid, the only other person that I knew who was really vocal about their appreciation for the group, was my friend Crackbaby G.  It was the mid -90s, and nobody at my suburban high school really gave a shit about the, then defunct, band.  Thanks to Crackbaby, in 2006, I was finally able to achieve my dream of seeing DEVO live for the first time.  This month, I was finally able to combine my love of photography with an opportunity to witness the bands on- stage theatrics all over again.

Much like The Pixies, DEVO has set out on a limited city tour, scheduled to coincide with a deluxe album re-release.  The Ultra DEVO-LUX Ltd. Edition packaging will feature their debut album, Q: Are We Not Men? A: We Are Devo, and the commercially successful Freedom of Choice.  The double re-issue will also contain unreleased material, 2 DVDs, a poster, and a yellow 7 inch vinyl.  The tour itself  involves a 2 night stop in each of 6 different major cities.  The first of the nights features the group performing Are We Not Men? in its entirety, while the second night involves them giving the same treatment to Freedom of Choice.  I knew that DEVO was scheduled to perform a pair of dates in Seattle, but I had also accepted that I was probably not going to be able to see either of them.  I tried to jump on it and request passes the day that the press release was sent out, but it was a difficult ticket to get and the comp. tickets were all accounted for by radio stations.  As someone who used to listen to Are We Not Men? religiously, I was disappointed.  When the day of the show approached and I hadn’t heard any good news, I all but put the concerts out of my mind entirely.  The first night came and went but, on the second/Freedom of Choice night, I received a last minute email informing me that I could be approved for a photo pass.  The problem was that there were no more reviewer passes left.  I’ve had issues trying to enter the venue without a ticket in the past, but I was assured that shouldn’t be an issue.  This also meant that, if I wanted to stay in the venue after the 3-song limit outlined in the photo-policy, I was going to have to do so on the sly. Read the rest of this entry →

Swede ‘N Lo-Fi : DUNGEN & WOODS in Seattle (9.3.09)

September 17, 2009 in Music, Reviews

Gustav-acousticI used to work the graveyard shift as a night auditor at a pair of shitty hotels, across the street from a crack park in downtown Seattle.  I was eventually, and intentionally, fired but, like most shitty jobs, this one had some Pros mixed in with its Cons. The pros were the comical wingnuts and crackheads, the fact that I met my girlfriend there, my free pizza hook ups every night, and that it was not uncommon for patrons to kick me down free weed.  Among the cons were the not-so comical wingnuts and crackheads, my incompetent and self-important dipshit of a boss (who was over-compensating for his secretive, yet discovered, history for having a taste for man wiener), that I was constantly scheduled as a security guard (not my “job”), and the time that the vato with the dress shirt and neck tattoo tricked me into smoking a sherm blunt with him at 3 in the morning.  The most frustrating situations were the ones where the Cons actually canceled out the Pros all together. One example was when I had learned that the Swedish psych band, DUNGEN, was staying in the hotel and had offered the entire staff free tickets to their local performance.  Sure, it was a “sweet” bonus for having a shitty job, but the problem was that I was actually working at that shitty job during DUNGEN‘s performance.  It would take almost 4 more years before I realized to what magnitude I had missed out. Read the rest of this entry →

KEXP Brings Free Summer Concert Series Back to Seattle

July 27, 2009 in Global Destruction, Music

concerts at the mural

In my youth, Seattle was a pretty great place for community events.  Bumbershoot use to have great musical acts and only cost about $7, although I would sneak in every year anyway.  This year, Bumbershoot is $50 a day and has terrible headliners like Katy Perry, The Black Eyed Peas, and Sheryl Crowe.  The only thing that I even care about missing is Os Mutantes.  Why should it cost more now than it did in a year like 2001, when the lineup included WEEN, Built To Spill, Mos Def, David Cross, Daniel Johnston, Critters Buggin, Dj Logic, Sex Mob, Cat Power, King Sunny Ade, Stephen Malkmus & The Jicks, Taj Mahal, and Sam Bush?  The answer is because corporate elements have slipped in and raped everything out here.  Even the free events like the Rhythm Festival and Folk Life have had their community gatherings tweaked by the man.  Perhaps the one thing that I miss the most out here has been Pain in The Grass, a free weekly, summer concert series that used to be held at Seattle Center‘s Mural Amphitheatre.  Fortunately for us, two local radio stations are doing their part to bring it back.  One of them is resurrecting tradition to do it right, while the other is grasping on to the Pain in the Grass name, in an attempt to use nostalgia to fuck you in the ass. Read the rest of this entry →