Pledge to see TIM & ERIC’$ BILLION DOLLAR MOVIE Un-”Rango’ed” on Youtube or On Demand

January 28, 2012 in Comedy, Movies / Television, The Web, With Video

We here at Monster Fresh are huge fans of the comedy team of Tim Heidecker and Eric Wareheim.  These days, the duo is most widely acknowledged for their sketch comedy program Tim and Eric Awesome Show, Great Job! that airs on the Cartoon Network‘s late night programming block Adult Swim and features jarring quick-cut editing, flashes of Pokemon-seizure-level anxiety, and public access/early ’80s instructional video aesthetics.

Prior to the Awesome Show, Tim and Eric starred-in/created Tom Goes to the Mayor, another Adult Swim program that, unlike it’s follow-up, was primarily animated and much more story-based.  The limited animation style of TGTTM was created from highly expressive (both facially and bodily) still images -processed through photo-shop to resemble photocopies and making for incredibly jumpy transitional movements for the characters- to tell the stories.  The program, which evolved from a web series, had a very specific aesthetic of it’s own, while including random live action clips interspersed throughout it.  When the Awesome Show was created, it adopted some of those same live action characters (ie. married news team, Jan and Wayne Skylar).  It also brought with it some of the many co-stars/cameos that Heidecker and Wareheim had managed to work with on Tom Goes to the Mayor (Patton Oswalt, Zach Galifianakis, Jeff Goldblum, etc.).  With the shift into the more fragmented approach of the Awesome Show, an altogether new, yet equally distinct, aesthetic was created that came to define the duo.  Eschewing the static imagery and stiff facsimile look of the two-tone TOM for schizophrenic blips and the diced-up scattered imagery of their new program, the live action felt decidedly more “animated” and, for lack of a better word, psychedelic.  It was like laying half-chloroformed in a bin of mixed candy’s while a wall of televisions flipped through clips of Max Headroom, QVC, white noise, Univision, and Sid and Mary Krofft outtakes.  While TGTTM was like a pill high (or, low, rather), The Awesome Show was like floating out of an LSD or Molly trip, while spiking your high back up with OJ, wasabi, and a cocktail of  the shit that gets you crunk, but wasn’t necessarily created for that intended purpose (solvents, dramamine, nitrous, Robitussin).  The strychnine was dirty.  The cinematography often felt like a real life John Kricfalusi cartoon. This was a style that followed Wareheim into directorial work in videos for the likes of MGMT, The Bird and the Bee, Major Lazer, and Depeche Mode, as well as commercials for Old Spice.  They’ve done live tours and even some short films for HBO‘s Funny Or Die presents, but this week the comedy duo is attempting to translate their trademark tomfoolery onto the big screen (or small screen, depending) with a handful of somewhat unorthodox promotional methods. Read the rest of this entry →

No Plan B – MARC MARON Live @ the Neptune [Seattle]

January 16, 2012 in Comedy, Reviews, The Web

Marc Maron

Neptune Theatre

Seattle, WA

11.25.11

So you’re probably thinking, “Jesus Christ, Devon. What the fuck?  This goddamn show was, like, two months ago. What the hell took so long?”  I know.  I understand.  I’m a little upset about it all myself.  But here’s the thing, see… it’s Marc Maron.  I love the guy, I really do, but sometimes he can be a little rough for me.  Not him or his material per se, but the thing is that, when I talk about Marc Maron, or when I think about Marc Maron, I can’t help but think about myself.  I can’t help but think about how I think about myself, how much I do, and why and when.  Once I start getting into self-examination like that, well, it can get a little overwhelming, and it can get a little paralyzing.  But at the end of it all, it’s why I love Marc Maron.  It’s why I’ve listened to all two-hundred forty-something episodes of his podcast.  It’s why I bought all four of his stand-up records, and why I’ve read his book more than once.  It’s why I snagged a ticket to 2010’s Bumbershoot festival, just so that I could see a live taping of his podcast.  It’s all because I know that I should look inside myself – I want to and I feel like I’m ready to- and it’s not something that I was ever compelled to do before I got into this one stand-up comedian. Read the rest of this entry →

CONTEST HAS ENDED! WIN Tix to live podcast of Uhh Yeah Dude in Seattle

December 12, 2011 in Comedy, The Web, With Video

CONTEST HAS ENDED!

[CLICK HERE to jump directly to giveaway]

Back in the early 2000s, I lived in Olympia, Wa and there was a lot of DIY music and media production happening in the small college town.  People were mixing albums in their basements, silk-screening posters and T-shirts in their kitchens, and using DV, High-8, and/or Super-8 cameras to record short films in dusty fields and damp alley ways.  My friend Mac Dawg was taking advantage of the fact that we had a local public access station to create his own programs.  His original idea was to film a fictional, biopic-style sitcom based around Kurt Cobain in the 80s, referencing his tenure as an Olympia resident.  Being a Jewish Puerto Rican in his early twenties who had dread locks and mutton chops at the time, he came to the conclusion that I would be the perfect person to star as the dead, blonde, white grunge-rock icon in the re-imagining.  The project never actually came to fruition, but, during a random house party at Mac Dawg‘s house, I came up with my own idea for another program by the name of “TANGENT.”  The basic premise was that I would have guests on, like an informal talk show, and then just consistently shift the topic on them.  [I only have brief glimpses of memory pertaining to coming up with the idea... I was really drunk.]  One morning Mac Dawg wakes me up with a phone call and asks if I’m ready to do the show.  “What show?” I asked.  I thought that he might be referring to the Cobain thing again.  He explained that it was my idea and that I should get ready, because he was planning to film it that morning.  I threw on a slim, denim 1970s pantsuit (just vest and pants) and a large plastic dollar sign necklace, bought a case of OLY stubbies and came up with/scribbled down some topic ideas onto a piece of scrap paper during the ride over to his basement, where the video equipment was set up.  Between being awaken to sitting in the basement getting miked, it was probably 1/2 hour total.  It was about 9am, I had taken down enough alcohol to get rolling and we went from there.  There was no real podcasting back then and there was no Youtube whatsoever.  There was no real direction for the program either and, although I’d like to believe that it had it’s moments, there was a decent amount of aimlessness involved.  I imagine that doing an improvised standup routine must be similar to trying to carry an unscripted program and helping it to remain interesting; it can get awkward quicker than you may think.  If I we could have harnessed those select moments, expanded them, and worked tirelessly on them for years, I could still only have hoped to yield something half as effortlessly smooth and entertaining as the podcast, “Uhh Yeah Dude.” Read the rest of this entry →

WIN a Pair of Tickets to PATTON OSWALT Live DVD Taping in SEATTLE!

April 10, 2011 in Comedy

CONTEST HAS ENDED!

It came down to the wire again, but the winner has been chosen and contacted [The winning entry was #10].  Thanks again to everyone who entered.  For updates and first alerts about future contests, follow us on Facebook. (there should be a little widget to click on the right… over there somewhere———>)

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For many, comedian/writer/actor, Patton Oswalt may be the most identifiable as Spence Olchin, a character that he portrayed on the sitcom The King of Queens from 1998 – 2007.  That final year he also took on what was, arguably, his most widely “successful” gig, voicing Remy the Rat in the Disney/Pixar animated film, Ratatouille.  Currently, Patton maintains a recurring role on the Showtime original series, United States of Tara.  It hasn’t always been the most profitable gig in the world to be a comedian, but Oswalt‘s managed to make a living taking on gigs from comedy writing (Mad TV, Dr. Katz, Human Giant) to memorable television appearances (Tom Goes to the Mayor, Tim & Eric Awesome Show, Reno 911!, Flight of the Concords), always shining larger than his bit parts and minor roles might suggest. In 2009, a starring role in the independent drama Big Fan, further solidified his legitimacy in the acting world.

Acting and writing aside, Patton is still, first and foremost, a highly respected standup comedian.  Back in 2004, Oswalt put together the Comedians of Comedy tour, along with Zach Galifianakis, Brian Posehn, and Maria Branford.  The alternative comedy tour utilized space in indie rock venues to host their nightly shows, as opposed to the stages of typical comedy clubs.  The tour was chronicled in a documentary of the same name, a subsequentl series, and even an opening act at the 2007 Coachella Valley Music FestivalOswalt has already recorded successful comedy specials for both HBO and Comedy Central in the past and cemented himself as one of the top standup comedians over the last 15 years, but, at this point, Patton doesn’t seem content with completely abandoning the artform that originally brought him to the forefront for an easier route with less substance.  He continues to write and he continues to come up with more and more consistent material.  To showcase his latest work, the comedy mastermind will be bringing his spot-on perceptions and brilliant social commentaries to Seattle‘s own, Moore Theatre.  On Saturday May 14th, two shows will be held at the legendary venue and videotaped for a the comedians new DVD.  Thanks to our friends at the Seattle Theatre Group, we are offering one lucky winner a pair of tickets to the event for FREE! Read the rest of this entry →

ROYAL YUX: Drag City Revives Comedy Showcase with Hamburger/Barry Tour

March 19, 2011 in Comedy

On the first day of 1990, Chicago-based, Drag City Records put out a 7″ single called “Hero Zero” by the, then-relatively unknown, duo of Neil Michael Hagerty and Jennifer Herrema (aka: ROYAL TRUX).  It was the first release by the label (DC1) and, while endless other independents have come and gone over the years, very few have started off so promisingly.  When the money was recouped from that first single, it was reinvested to release another 7″; the Demolition Plot J-7 EP (DC2) by Pavement.  Things were looking surprisingly decent, so the founders, Dan Koretzky and Dan Osborn, decided to try and pull off the release of a full-length; the terrifyingly ambitious double-LP, Twin Infinitives, again from Royal Trux.  Since then, Drag City has gone on to release project after project based on one defining/primary criteria: their personal belief in the artists and material.  When the name Drag City is mentioned these days, prolific artists like Will Oldham (Bonnie “Prince” Billy, Palace Bros., etc), Silver Jews, Bill Callahan (aka: Smog), Joanna Newsom, and, of course, the Trux, instantly come to mind.  There is definitely some intangible element of credibility that runs throughout the various projects and unifies them, but what exactly that defining “genre” behind the label is has puzzled many a categorization-obsessed journalist, througout the years.  In a November, 1993 issue of Spin Magazine, David Berman (Silver Jews) was quoted addressing the phenomenon by describing Drag City as a label with an “intellectual streak” throughout its roster, while “American rock music is about glorifying stupidity for the most part.”  I think that, not unlike Berman himself (also a poet, illustrator, & aspiring screenwriter), Will Oldhan (producer, actor, musician,etc.), and many others who call the label their home, Drag City is much more than a one-dimensional institution content with simply retracing their footsteps over and over again.  So, is it surprising to hear that the next big adventure for Drag City may involve a foray into the comedy world?  Maybe… but, in reality, it probably shouldn’t be. Read the rest of this entry →

“IS THIS THING ON?” – Comedian Themed Art exhibit @ Gallery 1988 [Melrose]

January 11, 2011 in art, Comedy, Movies / Television

Jon Smith “Is This Thing On?” Show Poster

$20.00
poster
18 x 24 inches
Commemorative show poster
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“IS THIS THING ON?”

Comedian-Themed Art Exhibit

January 7 – 29, 2011

Gallery 1988: Melrose

Los Angeles, CA

Although we loved it when we first came across Tim Doyle‘s “Murray Times 6 print (January of 2009), paying tribute to various time-period’s of the actor’s career, we still chalked it up as one of those great one-off ideas.  The piece held such an immediate appeal that it was surprising that no one had attempted it sooner.  Like calling “shotgun!” or an ingeniously timed mama joke, it was difficult not to appreciate the concept that the artist simply “got to it first“.   The crazy thing is that, Doyle actually didn’t get to it first.  At least a year prior to that, another artist by the name of Jeff Boyes had already both created and sold-out of another Murray print; this time, paying tribute to the title character from the Wes Anderson film, The Life Aquatic with Steve Zissou.  I doubt they were even the first one’s to have taken on the comedian as their muse, but it was hard to fathom that there could be much more life-blood left, if any, in regards to creating Bill Murray-focused art pieces.  When Los AngelesGallery 1988 held their CRAZY4CULT group exhibit last June, however, Todd Slater‘s RUSHMORE inspired piece helped to discount that notion.  Then, in September, another L.A.-based gallery, the R&R, held an entire exhibit dedicated to “Mr. Bill Murray” (perhaps, you remember our preview for that show).  Less than a month later we found ourselves, yet again,  posting even more Murray-related works, with our preview of Spoke Art‘s ridiculously amazing Wes Anderson-themed “Bad Dads” group exhibit at San Francisco‘s Lopo Gallery (feat. work by both Doyle and Slater).  Even more surprising than the fact that everyone’s favorite Ghostbuster keeps popping up in the artwork of so many talented artists, is the fact that, rather than becoming an increasingly worn-out and tiresome subject, the work actually seems to be getting more and more impressive.  Much of this anomaly can be easily attributed to the benefit of group shows to provide variety through the numerous artists’ individual styles and interpretations.  Still… by this point, this metaphorical dead horse should have pretty much had its skull crushed in and been transformed into Elmer’s and gelatin, right?  Wrong! We recently came across an amazing original acrylic and wood Caddyshack-inspired piece by artist, N.C. WINTERS that just might take the cake.  When you consider that the painting, “Wisdom of the Lama“, was created as part off the 3rd group exhibit to feature a Bill Murray image that we’ve covered in the last 6 months, it can seem a bit excessive.  However, by giving little more than a quick glance to the example pieces in Gallery 1988‘s current “Is This Thing On?” exhibit, it should become instantly clear that the Melrose venue’s present curation provides plenty of inspired work. Work that is worthy of any art/comedy/film/pop-culture enthusiasts full attention. Read the rest of this entry →