Amazing GENE WEEN New Orleans Prints by TODD SLATER

May 6, 2011 in art, Music

If you poke around on Monster Fresh long enough you should be able to discover a couple of things fairly easily.  One is that we like art.  Another is that we really like the band WEEN.  Whether it comes from the guys being incredibly discriminate or just simply being incredibly fortunate, WEEN has -and continues to have-  some of the most consistent artwork from any band around.  Gig posters have proven themselves to be increasingly collectible over the years and the prints created to support and commemorate shows by the boys from New Hope have found themselves within the top tier of this phenomenon.  The true secret seems to be that the band often pulls from a very elite group of regular artists, all of which seem to be legitimate fans of the group.  Artists like Justin Hampton, Emek, Jermaine Rogers, and GreggGigartGordon are not only loyal contributors to the WEEN poster art dynasty, but they are also some of the most respected poster artists in the game, altogether.  Another such artist is TODD SLATER, whose latest work involves a pair of posters for the back to back GENE WEEN New Orleans shows during Jazz Fest, which are guaranteed to become instant classics.
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FRIED PORK – Watch: “The Pig Farmer” animated short by Nick Cross

January 25, 2011 in art, Global Destruction, Movies / Television, Politics, The Web, With Video

This morning we discovered the work of a Ottawa, Toronto, Canada-based cartoonist by the name of Nick Cross.  Since then, I’ve spent my day watching his various animated shorts and work-in-progress clips, sifting through his print work and reading his blog.  While finding employment through larger animation companies, Cross has managed to make the time to create quite a few gems of his own.  His personal work has been nominated for numerous awards; often transcending the animated world and infiltrating  larger independent film festivals world-wide.  For someone such as myself, who has a very limited vocabulary when it comes to this type of work, Cross seems to utilize a very “classic” style of cartoon illustration in the vein of the New Adventures of Mighty Mouse, Ren and Stimpy, and The Powerpuff Girls.  The dialogue is minimal, if present at all, and the artist is much more inclined to use silent era dialog cards, if anything, to “illustrate” his points.  Beyond the occasional foley sound-effect, the audio is mostly comprised of old stock music, which is used to set the tone and pace.  In other words, the actual animating and the detailed movements of the characters are relied on to relay the storyline and to move it forward.

The video that originally ignited our interest in Nick Cross was his latest animated piece, “The Pig Farmer” (posted below). Read the rest of this entry →

[WATCH] GORILLAZ entire 45 minute “Live on Letterman” performance!

October 11, 2010 in art, Movies / Television, Music, Technology, With Video

2010 marks 12 years since Blur frontman, Damon Albarn and cartoonist, Jamie Hewelitt (Tank Girl) first teamed up to create their world famous “virtual band” Gorillaz.  Since then, the animated music project has gone through various changes, lineup and otherwise.  Albarn has remained the only consistent musical contributor to the group, with the projects self-titled debut incorporating the talents of Del The Funky Homosapien and producer, Dan the Automator, of which Damon had collaborated previously on the Deltron 3030 album.  2005 brought the sophomore release Demon Days, featuring appearance by such artists as De La Soul, MF Doom, and Dennis Hopper with production work by Danger Mouse.  The incorporation of fictional animated characters with the reality of the live musicians who’ve created them and rotating guest musicians has been a lofty concept since day one and has forced the group to make numerous adjustments in a variety of areas since their inception.

Over the years there has been repeated talk about making an animated film, but that was eventually abandoned, then pursued temporarily, and then abandoned all over again.  Around the time of DEMON DAYS, the duo took on a larger-than-life venture, attempting to perform “live” shows with 3-dimensional holographic versions of the characters/band members that they’d created.  Their abilities to manifest these visual-centric performances were first demonstrated at the MTV Europe Music Awards in Novemeber of 2005, with a follow up performance at the 2006 Grammy‘s, which included an aging Madonna writhing in a leotard.  They announced plans to embark on a full-blown holographic world tour in 2007 – 2008 but, due to cost issues and the unreliability of the technology, that entire idea was eventually bagged.  In fact, by 2006, Albarn announced his intention to scrap the entire idea of Gorillaz as a  functional “band” altogether.  With the help of Terry Gilliam (Monty Python, Brasil, 12 Monkees, etc), the idea for a movie had resurfaced again, with Albarn focusing on that film as the primary vessel for the Gorillaz project.   “As far as being in a big band and putting pop music out there, it’s finished.” He Stated, “We won’t be doing that any more” (Uncut Magazine, Nov. ’06).  Of course, the animated film idea was scrapped yet again and the group did, in fact, release another pop album for the masses this year.  Now Gorillaz has even taken to the road to begin promoting the release but, after over a decade-plus of ups and downs, left turns, and the creators themselves losing interest, should we even be paying attention to this generally, overly-ambitious project at all anymore.  Based on their recent Oct. 7th appearance on The Late Show with David Letterman and the following 45 min. multi-media performance that they treated the audience to [featured below], the answer to that question is a resounding “probably.” Read the rest of this entry →

BANKSY Tags Springfield : The infamous Vandal Imortalized in Simpsons Intro

October 10, 2010 in art, Global Destruction, Movies / Television, Politics, PSA, With Video

Earlier today, I noticed a substantial jump in site views for an old article that I wrote a little over 2 years ago.  The post was about the notorious UK street artist, BANKSY and an animatronic pet store that he had set up in NYC and made available to the public during that time period.  Not unlike his other work, the project was a remarkable and innovative effort, charged with abrasive tongue-in-cheek social commentary.  Sure, it was a fascinating endeavor, but why all of the interest now?  Why today?  I didn’t know myself, until the latest episode of The Simpsons aired and the introduction had BANKSY‘s name written all over it (literally). Read the rest of this entry →

No Mas Presents: Dock Ellis & The LSD No-No by James Blagden [VIDEO]

November 13, 2009 in art, Movies / Television, The Web, With Video

dock ellis and the LSD No-No

Ever since the 1950‘s, when folks like Ken Kesey began stealing LSD from controlled scientific experiments and leaking/distributing it out to the masses, adolescents and young adults everywhere have made the determination that they could learn more by eating paper than writing one.  Often, previous interests like sports fall to the wayside and are replaced with hiking, dance, and/or a more intent focus on exercising one’s mind.  Mental and spiritual “advancement” may overtake the desire to become a creature of physical dominance.  For the most part, it has become widely accepted as a “truism” that psychedelic drugs and sports are not to be mixed.  Fortunately, those of us who have digested an adequate amount of the blotter and cube have realized that the mass acceptance of a concept doesn’t have much bearing on “reality”.  In fact, in the early Seventies, former Pittsburgh Pirates pitcher, Dock Phillip Ellis, Jr. disproved the theory that psychoactive drugs and sports should always remain mutually exclusive, once and for all.

In 1971Ellis gained a championship ring with the Pirates and performed as the starting National League pitcher for the All-Star game but, as is often the case, the MLB pitcher is more well known for his actions of controversy.  Among these incidents is a 1976 episode where he intentionally beaned Reggie Jackson in the the face (said to be in retaliation for a homerun that Jackson hit on him during the ’71 All-Star game), his 1974 attempt to bean the entire Cincinnati Reds roster before getting pulled from the game, and a 1972 altercation with a security guard in front of Riverfront Stadium that resulted in him being maced.  Arguably, his most infamous feat took place on June, 12 1970, when he pitched a no-hitter against the San Diego Padres, while hopped up on speed and dosed out of his gourd on Acid.  In fact, Ellis actually obtained his very first stolen base in the Major Leagues, during this game. Read the rest of this entry →

Cereal Killer – New Works by Patrick Ballesteros

October 11, 2009 in art, Global Destruction

Cereal Killer

Cereal Killer

30 x19, Framed, Giclee on Canvas

$675.00

Los Angeles artist, Patrick Ballesteros isn’t a household name yet, but he may be on his way.  Over the last few years, he’s exhibited with some of the most prominent artists and rising stars in the underground, pop-surrealism, low-brow, and street-art movements.  Such artists have included Munk One, Luke Chueh, Chet Zar, Brian M. Viveros, Yuka Yamaguchi, and Audrey Kawasaki, among others.  Group shows are a great way to get your work noticed, but it’s also easy to have it overlooked, when placed amongst a sea of so many other strong pieces.  This month, Ballesteros is showcasing a collection of new work in his first solo show at San Diego‘s SUBTEXT gallery.  The exhibit, titled “Cereal Killer“, is a solid effort that will, hopefully, help to springboard the illustrator a little further into the fine-art spotlight. Read the rest of this entry →