EnvyはEnvy: Interview with ENVY guitarist/songwriter NOBUKATA KAWAI

March 23, 2011 in Interviews, Music, Notes From Japan, With Video

It was a hot day for November and it was the time of year when hotter than average days felt good.  At about 4pm, I was scheduled to interview Tetsu Fukagawa, the lead vocalist of the hardcore group, Envy, at Club Upset in Nagoya, Japan, a city of over two million people.

To get to the club from Nagoya Station, one has to take the subway to a little station called Ikeshita stationIkeshita station is a small subway station that contains a large bus station.  That day, it looked kind of dumpy, littered with cigarettes, Styrofoam noodle cups, and rustling brown leaves.  Pigeons waddled freely across the bricks, feeding on random morsels of refuse.  There is a large mural that is visible upon exiting the subway gates.  It is a highly textured, black and brown piece that appears to depict two long-necked birds facing each other.

I walked around the surrounding area looking for the club.  During my walk, I saw many cheap restaurants selling low quality chicken and cheap beer.  There was also an abundance of adult video arcades and openly publicized brothels. Suited men stood in front of the walls, which were plastered with large numbered photos of the young women working.  The defining features of the women’s faces were blurred out.

I eventually found Club Upset, which was located upstairs in a brick building, five floors above a pizza kitchen.  Once inside the door I came to a small lobby.  The walls were plastered with posters of shows past; almost exclusively Japanese acts.  There was also a small ticket booth, but nobody was in it, so I opened the thick black door opposite the unmanned station.  There was a small hallway that led to another thick black door; a sound proofing technique used by smaller clubs in Japan to avoid noise complaints.

The club was of modest size with a two-level, black and blue checkered board.  Envy’s two guitar players were on stage with their instruments.  The people in the room were surprised to see me and nobody seemed to know what I was talking about when I said that I was there for an interview.  Finally, after some discussion amongst various folks, the singer, Tetsu came out and said, “Hey.”  Then, in Japanese, he explained that he had to do a soundcheck, which might take about an hour, but that I could watch if I wanted, so that’s what I did. Read the rest of this entry →

The Secret Formula to Making a Year End “BEST OF” Album List

January 4, 2011 in Global Destruction, Music, Reviews, The Web

By now you’ve probably checked out an end of the year list or two.  Whether it was the Top 10 or the Top 50 albums, you probably have some sort of opinion about all of these other opinions that people are throwing around like bunk flash grenades.  Do these “Best Of” lists really matter?  Probably not.  The problem that I see with them is the implication that whoever is making the list actually had the opportunity to hear every single release that came out within the year and, more importantly, that they actually had enough time to sit with each one and give it the appropriate attention necessary to to let the corresponding material unfold around them.  In some ways, it can create slight yet unnecessary pressures for both the artists and reviewers.  What is the purpose of these goddamn things, anyway?  I’d like to think that they ARE good for one thing; introducing you to some releases and/or artists that might have slipped past your radar throughout the year.  Other than that, they are pretty much bullshit.  Everyone has different opinions and, although I find value in hearing them and expressing my own, rating/comparing music with a number scale isn’t something that I find a whole lot of purpose in.  Of course that’s also my opinion and it might actually change in the future, but I doubt it.  Maybe it’s because I went to a liberal arts college, but I’ve always been more drawn to the concept of detailed evaluations than grading systems.  It’s true that a good ranking might also help push an act or artist further into the limelight… so… I get it…  Are they necessary?  I don’t know.  Are they expected?  Pretty much.  Still, this mandatory annual ritual of ranking one album over other, often completely incomparable, albums is starting to feel like a tedious and bothersome routine that may even be boring those who actually make them.  Basically, what I’m trying to say is that I have begun to recognize a fairly specific pattern on how many of these lists were constructed this year.  There seems to be a simple “go to” or default mode being used to churn these things out and I’d like to share with you the gist of what I’ve noticed.

Still need to make a best of 2010 list?
Here are a few rules to make it mindlessly simple for you: Read the rest of this entry →

EAST MEETS NORTHWEST : Ryuichi Sakamoto Live in Seattle

November 23, 2010 in Music, Reviews

Ryuichi Sakamoto is an enigma in my mind.  Perhaps just as well known for his work with Japanese synth-pop group, Yellow Magic Orchestra, Sakamoto had established himself as one of the most important solo composers in modern Japanese music.  Credited with hundreds of releases, spanning from 1978 to the present, he has bestowed upon his audience a plethora of classical piano, experimental/noise, future jazz, and synth-pop, as well as film soundtracks and scores.  Since his initial success with YMO, Sakamoto has helped to garner increased attention towards Japanese music through his east-meets-west musicianship. Read the rest of this entry →

AFTER IT ALL: Cat Power Live @ 5th Ave Theater (City Arts Fest)

November 10, 2010 in Music, Reviews

CITY ARTS FEST (Day 2)

Cat Power

5th Ave. Theater

Seattle, Wa

October 21, 2010

The iconic Chan Marshall (AKA Cat power) set the intimate 5th avenue Theater warmly aglow during the second night of the first ever Heineken City Arts Festival.  Accompanying her was a skilled 4-piece backing band, consisting of guitar, bass, Fender Rhodes, and drums.  Bathed in blue light, she effortlessly slow danced her way through lovely renditions of songs spanning her entire career.  Her voice filled the venue to the rafters and she would occasionally strip a song down to nothing but vocals, backed only by a solitary piano or guitar.  There were sparse bluesy jams where Chan played a tinny guitar, repeating simple riffs as the band filled in the colors.  There were loosely psychedelic spaces where she didn’t even sing.  Everything she presented was taken in and hungrily received by everyone in attendance.  Read the rest of this entry →

TWEE’S A CROWD : Belle and Sebastian Live @ Benaroya Hall (City Arts Fest)

November 5, 2010 in Music, Reviews

CITY ARTS FEST (Day 1)

Belle and Sebastian

Benaroya Hall

Seattle, Wa

October 20, 2010

I was twee when twee wasn’t cool…sometimes it’s good to be old” – {Facebook post from my best girlfriend Maria, via her Paris flat, in response to learning that  I would be attending the Belle and Sebastian performance for City Arts Fest 2010}

I was seriously excited, but not a little bit apprehensive about attending this show alone on a Wednesday evening.  Exhausted after a night of insomnia followed by a long day of office work; I knew I would be getting up at five to go to work the next day.  I was just praying that the sweet vocal harmonies wouldn’t lull me to sleep.  “Don’t let me miss the whole thing, asleep in  a cozy Symphony House chair”  I told myself.

Belle and Sebastian is a longstanding favorite in my music collection, but this is the music I do other things by.  I wash the dishes to it, take road trips to it, and ride the bus to it.  It’s one of my five year old’s go tos for singing along in the car (Her eyes half closed as she harmonizes from the back seat.).  Belle and Sebastian was on my wedding-mix, my baby-birthing-mix, and was the soundtrack to my deep deep days as a painting student at University.  I never considered going to see them alone in my 30’s, but going pensive and solo would have been just the thing I might have done in earlier years. Read the rest of this entry →

“The Rent Is Too DAMN High (Vol 1.)” : Jimmy McMillan releases an LP

November 1, 2010 in Music, Politics, Reviews, The Web, With Video

On October 18th, a, now infamous, televised debate was held for New York‘s 2010 Gubernatorial election.  Along with conservative Republican candidate, Carl Paladino, the current NY State Attorney general/Democratic nominee, Andrew Cuomo, and 4 others, there was one relatively unknown third-party candidate that managed to overshadow the other 6 and take the world by storm.  Looking like a cross between Rudy Ray Moore and Dr. Zaius, Jimmy McMillan used his pimp-style cadence to express the core positions of his “Rent Is 2 Damn High Party“, which include a pro-gay-marriage stance and, as would be expected, a belief that the rent in NY is “too damn high“.  Over the last 2 weeks, McMillan‘s stock has risen, as the footage from the debate has continued to spread across sites like Youtube and spring-board him to into full-on internet meme status.  In this relatively short period of time, the McMillan footage has been treated to the usual auto-tune remix treatments and SNL parody, while the man himself has received backlash, due to information suggesting that he doesn’t even pay rent on his own apartment, but rather provides maintenance services in exchange for his housing.  Now, the latest news surrounding the aspiring Governor involves another step towards celebrity status with the release of his very own full-length LP of poverty-inspired soul jams. Read the rest of this entry →