ENDED: WIN Tix to ELEANOR FRIEDBERGER Live @ The Crocodile [Seattle]

February 1, 2012 in Music, With Video

CONTEST HAS ENDED

winner will be announced/contacted shortly

The brother and sister duo of Eleanor and Matthew Friedberger officially came together as the experimental Indie-pop project, Fiery Furnaces back in 2000.  Since then, they have consistently proven themselves to be one of the most adventurous and prolific groups in contemporary music.  The duo is credited with 9 releases throughout their shifts between 3 of the most respected independent record labels in the business (Rough Trade, Fat Possum, & Thrill Jockey).  With Eleanor taking on the majority of the vocal duties (both live and in studio) and Matthew handling most of the instrumentation, the brother and sister team has created everything from concept albums to incredibly inventive re-workings/re-editings of previous material, a “silent album” and even their “Democ-Rock” series, which attempts to place the fate of the music -both in content and approach- into the hands of their fans/audience.  It’s not rare to find Eleanor singing pop-like melodies over a mutated fabric of bubbling and squawking sonic confusion ala-Captain Beefheart, with glimpses of Brazillian psych legends Os Mutantes, shambolic free-jazz drum assaults, or synthed-out bleeps and blown-out bass lines forcing their way up through the film of buzzing Marquee Moon-esque guitar work.  It’s often been difficult to describe their sound for many, but the word “difficult” itself has been used on more than one occasion.  Their live performances had a tendency for becoming even more “experimental”, blending songs together or simply fragmenting and reconstructing them into new creations altogether.

Matthew dropped two simultaneous solo records in 2006, but Eleanor didn’t bother to take that same plunge into the realm of solo artist until 2011‘s 10-song effort, Last Summer.  Overall, Last Summer was received with incredibly positive reviews, even landing on multiple best of the year lists.  With her vocal cadence often coming through like a cross between Jonie Mitchell and an On Golden Pond-era Katherine Hepburn injected into the bone of verse-chorus-verse structure, it would be almost understandable for one to attempt to classify the release as a straight ahead indie-pop effort, but the stark shifts in tone, subtly off-kilter rhythms, and varied influences overlap in such manners that they often become something almost undefinable.  It’s something that is decidedly and uniquely Friedberger.

Guitar in hand, Eleanor is currently touring in support of Last Summer and our friends at the legendary Seattle venue, The Crocodile have offered us a pair of tickets to kick down to one of youz guyz, so as you can go to and enjoy the show real nice like. Read the rest of this entry →

Pledge to see TIM & ERIC’$ BILLION DOLLAR MOVIE Un-”Rango’ed” on Youtube or On Demand

January 28, 2012 in Comedy, Movies / Television, The Web, With Video

We here at Monster Fresh are huge fans of the comedy team of Tim Heidecker and Eric Wareheim.  These days, the duo is most widely acknowledged for their sketch comedy program Tim and Eric Awesome Show, Great Job! that airs on the Cartoon Network‘s late night programming block Adult Swim and features jarring quick-cut editing, flashes of Pokemon-seizure-level anxiety, and public access/early ’80s instructional video aesthetics.

Prior to the Awesome Show, Tim and Eric starred-in/created Tom Goes to the Mayor, another Adult Swim program that, unlike it’s follow-up, was primarily animated and much more story-based.  The limited animation style of TGTTM was created from highly expressive (both facially and bodily) still images -processed through photo-shop to resemble photocopies and making for incredibly jumpy transitional movements for the characters- to tell the stories.  The program, which evolved from a web series, had a very specific aesthetic of it’s own, while including random live action clips interspersed throughout it.  When the Awesome Show was created, it adopted some of those same live action characters (ie. married news team, Jan and Wayne Skylar).  It also brought with it some of the many co-stars/cameos that Heidecker and Wareheim had managed to work with on Tom Goes to the Mayor (Patton Oswalt, Zach Galifianakis, Jeff Goldblum, etc.).  With the shift into the more fragmented approach of the Awesome Show, an altogether new, yet equally distinct, aesthetic was created that came to define the duo.  Eschewing the static imagery and stiff facsimile look of the two-tone TOM for schizophrenic blips and the diced-up scattered imagery of their new program, the live action felt decidedly more “animated” and, for lack of a better word, psychedelic.  It was like laying half-chloroformed in a bin of mixed candy’s while a wall of televisions flipped through clips of Max Headroom, QVC, white noise, Univision, and Sid and Mary Krofft outtakes.  While TGTTM was like a pill high (or, low, rather), The Awesome Show was like floating out of an LSD or Molly trip, while spiking your high back up with OJ, wasabi, and a cocktail of  the shit that gets you crunk, but wasn’t necessarily created for that intended purpose (solvents, dramamine, nitrous, Robitussin).  The strychnine was dirty.  The cinematography often felt like a real life John Kricfalusi cartoon. This was a style that followed Wareheim into directorial work in videos for the likes of MGMT, The Bird and the Bee, Major Lazer, and Depeche Mode, as well as commercials for Old Spice.  They’ve done live tours and even some short films for HBO‘s Funny Or Die presents, but this week the comedy duo is attempting to translate their trademark tomfoolery onto the big screen (or small screen, depending) with a handful of somewhat unorthodox promotional methods. Read the rest of this entry →

CAPTAIN AO – A Conversation with Electronic Musician, DJAO

January 10, 2012 in Interviews, Music, Technology, With Video

Alex Osuch, who records under the moniker of DJAO, is a member of the Pacific Northwest electronic music label/collective, Dropping Gems.  He is a relatively new artist making his way into the Seattle music scene, but with the release of his first solo EP, Wuhn and his more recent collaborative EP in the No Northwest series, he has been getting a lot of attention.  A promising up and comer, Osuch creates music that has a distinctive tone and that crosses genres.  Though he works with the tools of electronic music, he has a quality that appeals beyond his media.

Electronic music is not my genre of expertise, so it came as a surprise to me when I heard AO’s soothing and ambient tones on his solo release.  I had the good fortune of then, seeing him live at the Dropping Gems Showcase at Decibel Festival, where he was joined by friend and frequent collaborator, Zuri Biringer, whose lilting guitar riffs added a grounded sense of nature, invoking images of sky and water.  It’s impossible to listen to the Seattle native’s sound without being drawn to the beats.  However, while they ultimately drive the music forward, they aren’t the primary focus of the songs, which create a vivid mood through crooning vocals, guitar, and keyboard.  In combination with some incredible imagery that accompanied the performance, the set was nearly transcendent.

Not long after his show that night, I was able to sit down with Alex to discuss his development as a DJ and find out where he draws his inspiration from.  His ambient sound was a divergence from the sounds that I had heard from him previously and I had many questions.  Eloquently and in fascinating detail, he was able to give me answers to questions that I didn’t even know that I had.  To an electronic media newbie, like myself, I found him to be incredibly informative and insightful; even providing hints on where to start my own exploration of the vast genre.  In the end, he was even so helpful as to give a demonstration of how he creates his unique style.

The following is the transcript from that conversation. Read the rest of this entry →

CONTEST HAS ENDED! WIN Tix to live podcast of Uhh Yeah Dude in Seattle

December 12, 2011 in Comedy, The Web, With Video

CONTEST HAS ENDED!

[CLICK HERE to jump directly to giveaway]

Back in the early 2000s, I lived in Olympia, Wa and there was a lot of DIY music and media production happening in the small college town.  People were mixing albums in their basements, silk-screening posters and T-shirts in their kitchens, and using DV, High-8, and/or Super-8 cameras to record short films in dusty fields and damp alley ways.  My friend Mac Dawg was taking advantage of the fact that we had a local public access station to create his own programs.  His original idea was to film a fictional, biopic-style sitcom based around Kurt Cobain in the 80s, referencing his tenure as an Olympia resident.  Being a Jewish Puerto Rican in his early twenties who had dread locks and mutton chops at the time, he came to the conclusion that I would be the perfect person to star as the dead, blonde, white grunge-rock icon in the re-imagining.  The project never actually came to fruition, but, during a random house party at Mac Dawg‘s house, I came up with my own idea for another program by the name of “TANGENT.”  The basic premise was that I would have guests on, like an informal talk show, and then just consistently shift the topic on them.  [I only have brief glimpses of memory pertaining to coming up with the idea... I was really drunk.]  One morning Mac Dawg wakes me up with a phone call and asks if I’m ready to do the show.  “What show?” I asked.  I thought that he might be referring to the Cobain thing again.  He explained that it was my idea and that I should get ready, because he was planning to film it that morning.  I threw on a slim, denim 1970s pantsuit (just vest and pants) and a large plastic dollar sign necklace, bought a case of OLY stubbies and came up with/scribbled down some topic ideas onto a piece of scrap paper during the ride over to his basement, where the video equipment was set up.  Between being awaken to sitting in the basement getting miked, it was probably 1/2 hour total.  It was about 9am, I had taken down enough alcohol to get rolling and we went from there.  There was no real podcasting back then and there was no Youtube whatsoever.  There was no real direction for the program either and, although I’d like to believe that it had it’s moments, there was a decent amount of aimlessness involved.  I imagine that doing an improvised standup routine must be similar to trying to carry an unscripted program and helping it to remain interesting; it can get awkward quicker than you may think.  If I we could have harnessed those select moments, expanded them, and worked tirelessly on them for years, I could still only have hoped to yield something half as effortlessly smooth and entertaining as the podcast, “Uhh Yeah Dude.” Read the rest of this entry →

Traces – BUILT TO SPILL Live @ City Arts Fest 2011 [review + illustrations]

December 7, 2011 in Music, Reviews, With Video

BUILT TO SPILL

City Arts Fest 2011

The Moore Theatre

Seattle, Wa

10.21.11

I first heard Built to Spill from across the hall in the dorms.  When I lived in the dorms, I tried to keep myself off the radar.  The natural manner that my floor mates had with group dynamics made it clear that they were the fittest Darwinian specimens and that I was going extinct.  It came to a point where I, more or less, waited until I was confident that the halls were clear, before coming and going (a habit that has, unfortunately, penetrated into apartment life as well).  In the dorms, I became very skilled at dodging social interaction with the  people that I lived around.  However, some things are inescapable: things that become the air you breathe in such close quarters.  You can’t burn enough sage to satisfy the evil spirit that is the pervasive smell of Easy-Mac.  There is nothing that you can do to soften the rumble caused by charging stampedes of post-shower man-boys.  And certainly, you cannot close enough doors to dampen the constant noise of dormish this-and-thats.  Built to Spill was part of the “this and that”. Read the rest of this entry →

[Preview] ABSOLUTE HAPPINESS: A Solo Exhibit by Serge Gay Jr.

December 1, 2011 in art, Global Destruction, Politics, With Video

Prior to October of last year, we had never even heard the name Serge Gay Jr.  Since then, we’ve conducted/published an interview (March ’11) with the artist here on the site and I’ve personally purchased 2 of his works (an original piece and a giclee print).  The last year has shown itself to be quite successful for Gay, finding him earning a Grammy nomination -shared with director/frequent collaborator, Matt Stawski- for his work on Cee Lo Green‘s “Fuck You” video.  As the Bay Area gallery/publishing house, Spoke Art was launching themselves into the art world with their breakthrough Wes Anderson-themed art show, Bad Dads, Serge was catching our attention with his standout contributions to that exhibit.  Since then, Gay and Spoke Art have proven to be mutually beneficial to each others success, as the San Francisco-based painter has continued to submit impressive piece after impressive piece to such Spoke Art events as the multiple round (NYC, SF, LA) “Quentin vs. CoenAn art show tribute to the films of Tarantino and the Brothers,” the Pangaea Seed-curated shark exhibit/benefit “Sink Or Swim,” and  “Bad Dads II.”  This Saturday, the two of them will work together yet again; this time with Serge Gay Jr‘s work finally taking center stage in a solo exhibit of his own. Read the rest of this entry →