Pledge to see TIM & ERIC’$ BILLION DOLLAR MOVIE Un-”Rango’ed” on Youtube or On Demand

January 28, 2012 in Comedy, Movies / Television, The Web, With Video

We here at Monster Fresh are huge fans of the comedy team of Tim Heidecker and Eric Wareheim.  These days, the duo is most widely acknowledged for their sketch comedy program Tim and Eric Awesome Show, Great Job! that airs on the Cartoon Network‘s late night programming block Adult Swim and features jarring quick-cut editing, flashes of Pokemon-seizure-level anxiety, and public access/early ’80s instructional video aesthetics.

Prior to the Awesome Show, Tim and Eric starred-in/created Tom Goes to the Mayor, another Adult Swim program that, unlike it’s follow-up, was primarily animated and much more story-based.  The limited animation style of TGTTM was created from highly expressive (both facially and bodily) still images -processed through photo-shop to resemble photocopies and making for incredibly jumpy transitional movements for the characters- to tell the stories.  The program, which evolved from a web series, had a very specific aesthetic of it’s own, while including random live action clips interspersed throughout it.  When the Awesome Show was created, it adopted some of those same live action characters (ie. married news team, Jan and Wayne Skylar).  It also brought with it some of the many co-stars/cameos that Heidecker and Wareheim had managed to work with on Tom Goes to the Mayor (Patton Oswalt, Zach Galifianakis, Jeff Goldblum, etc.).  With the shift into the more fragmented approach of the Awesome Show, an altogether new, yet equally distinct, aesthetic was created that came to define the duo.  Eschewing the static imagery and stiff facsimile look of the two-tone TOM for schizophrenic blips and the diced-up scattered imagery of their new program, the live action felt decidedly more “animated” and, for lack of a better word, psychedelic.  It was like laying half-chloroformed in a bin of mixed candy’s while a wall of televisions flipped through clips of Max Headroom, QVC, white noise, Univision, and Sid and Mary Krofft outtakes.  While TGTTM was like a pill high (or, low, rather), The Awesome Show was like floating out of an LSD or Molly trip, while spiking your high back up with OJ, wasabi, and a cocktail of  the shit that gets you crunk, but wasn’t necessarily created for that intended purpose (solvents, dramamine, nitrous, Robitussin).  The strychnine was dirty.  The cinematography often felt like a real life John Kricfalusi cartoon. This was a style that followed Wareheim into directorial work in videos for the likes of MGMT, The Bird and the Bee, Major Lazer, and Depeche Mode, as well as commercials for Old Spice.  They’ve done live tours and even some short films for HBO‘s Funny Or Die presents, but this week the comedy duo is attempting to translate their trademark tomfoolery onto the big screen (or small screen, depending) with a handful of somewhat unorthodox promotional methods. Read the rest of this entry →

No Plan B – MARC MARON Live @ the Neptune [Seattle]

January 16, 2012 in Comedy, Reviews, The Web

Marc Maron

Neptune Theatre

Seattle, WA

11.25.11

So you’re probably thinking, “Jesus Christ, Devon. What the fuck?  This goddamn show was, like, two months ago. What the hell took so long?”  I know.  I understand.  I’m a little upset about it all myself.  But here’s the thing, see… it’s Marc Maron.  I love the guy, I really do, but sometimes he can be a little rough for me.  Not him or his material per se, but the thing is that, when I talk about Marc Maron, or when I think about Marc Maron, I can’t help but think about myself.  I can’t help but think about how I think about myself, how much I do, and why and when.  Once I start getting into self-examination like that, well, it can get a little overwhelming, and it can get a little paralyzing.  But at the end of it all, it’s why I love Marc Maron.  It’s why I’ve listened to all two-hundred forty-something episodes of his podcast.  It’s why I bought all four of his stand-up records, and why I’ve read his book more than once.  It’s why I snagged a ticket to 2010’s Bumbershoot festival, just so that I could see a live taping of his podcast.  It’s all because I know that I should look inside myself – I want to and I feel like I’m ready to- and it’s not something that I was ever compelled to do before I got into this one stand-up comedian. Read the rest of this entry →

CONTEST HAS ENDED! WIN Tix to live podcast of Uhh Yeah Dude in Seattle

December 12, 2011 in Comedy, The Web, With Video

CONTEST HAS ENDED!

[CLICK HERE to jump directly to giveaway]

Back in the early 2000s, I lived in Olympia, Wa and there was a lot of DIY music and media production happening in the small college town.  People were mixing albums in their basements, silk-screening posters and T-shirts in their kitchens, and using DV, High-8, and/or Super-8 cameras to record short films in dusty fields and damp alley ways.  My friend Mac Dawg was taking advantage of the fact that we had a local public access station to create his own programs.  His original idea was to film a fictional, biopic-style sitcom based around Kurt Cobain in the 80s, referencing his tenure as an Olympia resident.  Being a Jewish Puerto Rican in his early twenties who had dread locks and mutton chops at the time, he came to the conclusion that I would be the perfect person to star as the dead, blonde, white grunge-rock icon in the re-imagining.  The project never actually came to fruition, but, during a random house party at Mac Dawg‘s house, I came up with my own idea for another program by the name of “TANGENT.”  The basic premise was that I would have guests on, like an informal talk show, and then just consistently shift the topic on them.  [I only have brief glimpses of memory pertaining to coming up with the idea... I was really drunk.]  One morning Mac Dawg wakes me up with a phone call and asks if I’m ready to do the show.  “What show?” I asked.  I thought that he might be referring to the Cobain thing again.  He explained that it was my idea and that I should get ready, because he was planning to film it that morning.  I threw on a slim, denim 1970s pantsuit (just vest and pants) and a large plastic dollar sign necklace, bought a case of OLY stubbies and came up with/scribbled down some topic ideas onto a piece of scrap paper during the ride over to his basement, where the video equipment was set up.  Between being awaken to sitting in the basement getting miked, it was probably 1/2 hour total.  It was about 9am, I had taken down enough alcohol to get rolling and we went from there.  There was no real podcasting back then and there was no Youtube whatsoever.  There was no real direction for the program either and, although I’d like to believe that it had it’s moments, there was a decent amount of aimlessness involved.  I imagine that doing an improvised standup routine must be similar to trying to carry an unscripted program and helping it to remain interesting; it can get awkward quicker than you may think.  If I we could have harnessed those select moments, expanded them, and worked tirelessly on them for years, I could still only have hoped to yield something half as effortlessly smooth and entertaining as the podcast, “Uhh Yeah Dude.” Read the rest of this entry →

SERGE GAY JR. Relaunches Webstore & Releases PULP FICTION Print

March 20, 2011 in art, Movies / Television, The Web

Earlier this month we posted an interview with San Francisco-based artist, Serge Gay Jr. Those who read it and/or already know about Serge should also be familiar with the fact that, beyond being a growing force in the fine art world, he was also recently nominated for a Grammy for the artwork that he provided for Cee-Lo Green‘s “Fuck You” video.  Last week, we also posted some preview images for the upcoming Spoke Art event “Quentin vs. Coen – An art show tribute to the films of Tarantino and the Brothers”, wherein we premiered Serge‘s contribution, “Furious Anger” (above left), which the painter created in homage to the film Pulp Fiction.  The beautifully crafted image was an instant standout and includes such “subtle” imagery as a bag of smack, a pocket watch, and a gimp mask.  We immediately had to wonder if it would be released as a signed, limited edition Giclee print, just like his Life Aquatic-inspired print, “LIFE“, from last year’s Bad Dad‘s exhibit.  The answer to that question is a resounding “YES“.  In fact, with the recent re-opening of his online store, Serge is not only offering the limited edition print RIGHT NOW -almost 3 full weeks before the launch of the exhibit that it was created for- but he also has some great original pieces available for some absurdly low prices. Read the rest of this entry →

Watch the Footage from WEEN’s Vancouver Show “meltdown” & Get Over it.

January 31, 2011 in Music, Reviews, The Web, With Video

If you consider yourself an avid fan of the New Hope, Pennsylvania 5-piece known as WEEN, then chances are that you have already heard something about their recent, and now infamous, performance at Vancouver, BC’s Queen Elizabeth Theatre on Monday Jan. 24th.  The moment the show let out, tales of AaronGene WeenFreeman being “too fucked up” and/or losing his shit began to weigh down the WEEN forum and flood their official Facebook page.  It’s been described with such terms as “meltdown” and “collapse“.  There are mixed feelings about what occurred that night.  Some people were pissed off, while others have stated that they had a great time, but very few would disagree that some sort of spectacle took place.  Claims came in about how the frontman had problems with tuning, or rather constantly re-tuning, his guitar throughout the evening.  Random audience footage taken from the back of the crowd appeared to display Freeman laying on his back, at some point, and kicking his legs in the air.  I read a lot of comments regarding the show taking a downhill plunge around the song “ReggaeJunkieJew“.  One of the first things to be consistently confirmed was that, for the last half hour or so, Gener was on stage performing solo, after his frustrated cohorts eventually had enough and left him out there to fend for himself.  The screwy part is that, if all of this was true, the band had still performed a full 20 songs before they began to walk off the stage and “ReggaeJunkieJew” was already the 17th track on the setlist.  From then on, Gene took on 5 songs all by, or mostly all by, himself.  I don’t hear of too many bands knocking out that much material, even on their best nights.  So what the fuck is the problem, really?  Are the WEEN “fans” that attended the Vancouver show too whiny?  The band did leave him out there all alone; was it really that big of a irreparable disaster?  Has this group grown so large over the past decade that too many of the folks that go to their shows these days don’t really even “get it”?  It was just a fucking concert, so does it really even matter?  One thing’s for sure, those of us who weren’t in attendance can’t very well rely on the opinions of those staining the internet with their opinions.  Fortunately for us, someone had enough sense to record some up-close footage of the entire evening and afford us the ability to make our own assessments.  Hopefully, after this, everyone can move on and finally leave all of the excessive complaints, reiterations, and drama behind them. Read the rest of this entry →

FRIED PORK – Watch: “The Pig Farmer” animated short by Nick Cross

January 25, 2011 in art, Global Destruction, Movies / Television, Politics, The Web, With Video

This morning we discovered the work of a Ottawa, Toronto, Canada-based cartoonist by the name of Nick Cross.  Since then, I’ve spent my day watching his various animated shorts and work-in-progress clips, sifting through his print work and reading his blog.  While finding employment through larger animation companies, Cross has managed to make the time to create quite a few gems of his own.  His personal work has been nominated for numerous awards; often transcending the animated world and infiltrating  larger independent film festivals world-wide.  For someone such as myself, who has a very limited vocabulary when it comes to this type of work, Cross seems to utilize a very “classic” style of cartoon illustration in the vein of the New Adventures of Mighty Mouse, Ren and Stimpy, and The Powerpuff Girls.  The dialogue is minimal, if present at all, and the artist is much more inclined to use silent era dialog cards, if anything, to “illustrate” his points.  Beyond the occasional foley sound-effect, the audio is mostly comprised of old stock music, which is used to set the tone and pace.  In other words, the actual animating and the detailed movements of the characters are relied on to relay the storyline and to move it forward.

The video that originally ignited our interest in Nick Cross was his latest animated piece, “The Pig Farmer” (posted below). Read the rest of this entry →