The Story Behind PHISH’s Festival 8 “BOREALIS” (lighted sky sculpture)

October 30, 2010 in art, Music, Technology, With Video

Last year, the Vermont 4-piece, PHISH triumphantly returned to the stage with a full tour, culminating in a 3-day extravaganza over Halloween weekend, entitled FESTIVAL 8.  The event was held at the Empire Polo Grounds in Indio, Ca, where the band played 8 total sets; including one acoustic set and one which featured them covering the Rolling Stones masterpiece Exile on Main St in its entirety, with the assistance of the remarkable Sharon Jones and the Dap Kings.  It was an impressive weekend overall, but one thing that really stood out was a lighted sculpture that took flight and boggled the minds of many of us that were in attendance.  Being the inquisitive and science/astronomy/technology obsessed little gent that he is, our writer ONSEN took it upon himself to track down the creators of the structure and compile the intriguing and fascinating piece that we have presented below for you. Since it was originally written, the 3-dimensional FESTIVAL 8 film was released in theaters, offering many of you who weren’t in attendance at the actual festival to have the opportunity to get a glimpse of the crazy lighted device in action.  For whatever the reason (timing, sloth, misguidance, etc) this article never made it onto the site until now.  Tomorrow night, PHISH will be unveiling and performing another cover of another artists’ legendary work, in their typical Halloween tradition.  This time their performance will be held at the Atlantic City Boardwalk Hall in NJ.  For everyone that’s there, we say, “have a great time, set something on fire for us, and don’t steal anybody else’s shit“.  Posting this article the day before Halloween may mean that we have waited and pushed this topic out right at the very last possible moments of relevance, but I hope that you will feel about it as I do.  This is an interesting piece, presented in a concise, informative, and entertaining fashion by a friend of ours who put in a lot of extra work to bring some fascinating information to light, and it still reads as such.  To you, I say thanks for reading it.  To ONSEN, I say, thanks for writing it.  And to everyone… sorry it took so long.

-DEAD C

{simply click on them to enlarge any of the images below & view at full size}
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NOBODY GIVES A SHIT: An Interview with The Gaslamp Killer

October 29, 2010 in Interviews, Music, Technology

William Bensussen (aka “The Gaslamp Killer”) has been tearing up stages and DJ booths since he was 17, infiltrating and wrecking the, otherwise, fairly orthodox “dance club” scene of San Diego‘s Gaslamp district.  In 2006, he relocated to Los Angeles and helped found the Low End Theory weekly that now serves as the epicenter for U.S.-based experimental beats.  Generously borrowing from a wide range of genres, GLK blends hip-hop, dubstep, jazz, and just about anything else into high-energy, schizophrenic sets characterized by fast cuts, chest-crushing bass, and gritty top-shelf beats.   Although mostly known for his DJ sets and mixes, Bensussen has also dabbled in production, collaborating with label-mates Flying Lotus and Daedelus in the past, and, more recently, with Gonjasufi on the critically acclaimed A Sufi And A Killer.   His most recent project, the Death Gate EP, just came out on Flying LotusBrainfeeder label this past month, and blends deep bass lines with dirty analog drums patterns, twisted ethnic samples, and dreamy, distorted synth lines.  The album includes guest appearances by Gonjasufi, San Francisco-based DJ/producer Mophono, and LA keyboard wiz Computer Jay.

I sat down with The Gaslamp Killer before the “Magical Properties” show at 103 Harriet in San Francisco on October 15th.  The tour featured other Brainfeeder/LA acts such as IDM pioneer Daedelus, dubstep producer/DJ 12th Planet, and Brainfeeder newcomer Teebs.  The lineup encompasses much of what is so exciting about the LA scene- off-kilter beats, powerful bass, record-crate samples, and plenty of weirdness.

- Davis Memes

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[WATCH] GORILLAZ entire 45 minute “Live on Letterman” performance!

October 11, 2010 in art, Movies / Television, Music, Technology, With Video

2010 marks 12 years since Blur frontman, Damon Albarn and cartoonist, Jamie Hewelitt (Tank Girl) first teamed up to create their world famous “virtual band” Gorillaz.  Since then, the animated music project has gone through various changes, lineup and otherwise.  Albarn has remained the only consistent musical contributor to the group, with the projects self-titled debut incorporating the talents of Del The Funky Homosapien and producer, Dan the Automator, of which Damon had collaborated previously on the Deltron 3030 album.  2005 brought the sophomore release Demon Days, featuring appearance by such artists as De La Soul, MF Doom, and Dennis Hopper with production work by Danger Mouse.  The incorporation of fictional animated characters with the reality of the live musicians who’ve created them and rotating guest musicians has been a lofty concept since day one and has forced the group to make numerous adjustments in a variety of areas since their inception.

Over the years there has been repeated talk about making an animated film, but that was eventually abandoned, then pursued temporarily, and then abandoned all over again.  Around the time of DEMON DAYS, the duo took on a larger-than-life venture, attempting to perform “live” shows with 3-dimensional holographic versions of the characters/band members that they’d created.  Their abilities to manifest these visual-centric performances were first demonstrated at the MTV Europe Music Awards in Novemeber of 2005, with a follow up performance at the 2006 Grammy‘s, which included an aging Madonna writhing in a leotard.  They announced plans to embark on a full-blown holographic world tour in 2007 – 2008 but, due to cost issues and the unreliability of the technology, that entire idea was eventually bagged.  In fact, by 2006, Albarn announced his intention to scrap the entire idea of Gorillaz as a  functional “band” altogether.  With the help of Terry Gilliam (Monty Python, Brasil, 12 Monkees, etc), the idea for a movie had resurfaced again, with Albarn focusing on that film as the primary vessel for the Gorillaz project.   “As far as being in a big band and putting pop music out there, it’s finished.” He Stated, “We won’t be doing that any more” (Uncut Magazine, Nov. ’06).  Of course, the animated film idea was scrapped yet again and the group did, in fact, release another pop album for the masses this year.  Now Gorillaz has even taken to the road to begin promoting the release but, after over a decade-plus of ups and downs, left turns, and the creators themselves losing interest, should we even be paying attention to this generally, overly-ambitious project at all anymore.  Based on their recent Oct. 7th appearance on The Late Show with David Letterman and the following 45 min. multi-media performance that they treated the audience to [featured below], the answer to that question is a resounding “probably.” Read the rest of this entry →

Cocaine Orgy Cybernetic Funtime Party : LCD Soundsystem – “Home” [VIDEO]

September 24, 2010 in Global Destruction, Music, Technology, With Video

When DFA records founder, James Murphy dropped his debut LCD Soundsystem full-length, it’s lead off track was “Daft Punk is Playing at my House“.  Now it’s 5 years later and the electro-dance maestro is continuing to demonstrate his affinity for cybernetic organisms and house parties.  The latest LCD release, This is Happening is a really solid album (especially, the opener “Dance Yrself Clean”), but I wasn’t immediately sold from the first single, “Drunk Girls“.  The song “Home“, on the other hand, is much more representative of the overall sound on the new release.  What makes it even better is the crazy new video for “Home” that has just hit the interweb like a busted computer monitor .  As you’ll see for yourself, it’s part Pinnochio, part Iron Man, and entirely pretty awesome.  It’s got everything: cocaine, robots, lite brite pegs, foil, orgies… everything. Read the rest of this entry →

SQUAREPUSHER presents SHOBALEADER ONE – “d’Demonstrator”

September 3, 2010 in Global Destruction, Music, Technology, With Video


Tom Jenkinson (aka: SQUAREPUSHER) is the type of rare artist that I can’t imagine doing anything else except for working at his craft.  What I mean by that isn’t that I couldn’t see him having any other occupation because he is destined to give birth to some of the best electronic music ever and that it is his calling… blah, blah, blah, etc, etc.  What I mean is that I can’t imagine him doing ANYTHING else, as in going to the grocery store or playing boardgames at a dinner party with lifelong chums in his living room.  His sonic creations are so elaborate, complex, and multi-dimensional that they often splinter into so many directions at once that the listener’s mind has no other option but to do the same.  Separate corridors and paths open and close; platforms lift, raise and disintegrate.  No one else is better at actually providing depth, layering, and a visual element to their music; seemingly creating something tangible and solid from simple audio.  No one is better at making music that has the potential to physically give me an anxiety attack either, which is why my girlfriend hates it so much when I want to play it.  Over the last decade and a half, the Englishman has twisted and mutated sound into so many varying directions that his only limitation appears to be his own imagination.  His proficiency is ridiculous and his delivery suggests an obsession with perfection.  This is why I have difficulty imagining him in any other element than in one of methodical experimentation, constant restructuring, and focus.  I imagine that even when he’s making a sandwich, his mind is off trying to work out some ridiculous algorithm and, after he puts the bread away and the cheese back in the crisper, he immediately returns to his dungeon, eating with one hand and tweaking knobs with the other.  He’s always appeared to me as some sort of crazy reclusive electro-alchemist, hibernating simultaneously in a futuristic lab and in a Medieval basement.  Both hermitic and hermetic, residing in a hybrid yurt/hovercraft.  As evidenced by the promotional image/album cover (above), Jenkinson’s latest project, SHOBALEADER ONE, is doing very little to dispel such outlandish suppositions of this character as a futuristic cyber-jazz druid. Read the rest of this entry →

Soundtrack to SPIKE JONZE’S “I’M HERE” Gets Official Release

August 15, 2010 in Movies / Television, Music, Technology, The Web

Back in March, we posted a review about the Spike Jonze-created short film, “I’m Here“.  The project, which is provided for free of charge on it’s own specially designed website, focuses on the love connection between a pair of robots, inhabiting some alternate version of Los Angeles.  Of course, there are underlying elements in the film which are much deeper than that.  The complexities of love, self-worth, social hierarchies, risk, trust, and even life itself are all explored throughout its half hour running time.

After reviewing the film we got a few comments, all relating to the soundtrack which accompanied the piece.  For those who haven’t read that last article about the project, the following excerpt should bring you a little more up to speed on the subject. Read the rest of this entry →