[Preview] ABSOLUTE HAPPINESS: A Solo Exhibit by Serge Gay Jr.

December 1, 2011 in art, Global Destruction, Politics, With Video

Prior to October of last year, we had never even heard the name Serge Gay Jr.  Since then, we’ve conducted/published an interview (March ’11) with the artist here on the site and I’ve personally purchased 2 of his works (an original piece and a giclee print).  The last year has shown itself to be quite successful for Gay, finding him earning a Grammy nomination -shared with director/frequent collaborator, Matt Stawski- for his work on Cee Lo Green‘s “Fuck You” video.  As the Bay Area gallery/publishing house, Spoke Art was launching themselves into the art world with their breakthrough Wes Anderson-themed art show, Bad Dads, Serge was catching our attention with his standout contributions to that exhibit.  Since then, Gay and Spoke Art have proven to be mutually beneficial to each others success, as the San Francisco-based painter has continued to submit impressive piece after impressive piece to such Spoke Art events as the multiple round (NYC, SF, LA) “Quentin vs. CoenAn art show tribute to the films of Tarantino and the Brothers,” the Pangaea Seed-curated shark exhibit/benefit “Sink Or Swim,” and  “Bad Dads II.”  This Saturday, the two of them will work together yet again; this time with Serge Gay Jr‘s work finally taking center stage in a solo exhibit of his own. Read the rest of this entry →

PangeaSeed & SPOKE ART Present “SINK OR SWIM” [Art Exhibit/Fundraiser]

September 22, 2011 in art, Global Destruction, Politics, PSA

When I was growing up in the 1980s, it was nearly impossible to think about sharks without thinking of the movie JAWS.  Although the original film was actually released in 1975 -the first 80s sequel wasn’t until JAWS 3D (1983)- it was such a groundbreaking cinematic accomplishment and it permeated our culture to such a degree that it was difficult to see imagery of a shark swimming without instantly hearing that infamous John Williams tune doom-thumping through your skull.  JAWS helped launch Spielberg‘s career and has even been credited as the father of the summer blockbuster.  The film transcended the horror movie genre in such a way that the idea of a killer monster shark not only felt like a plausible storyline, but it also felt as it were a real life inevitability.  Those of us who were not marine biologists -especially, those of us that were incredibly young- accepted the idea of JAWS as the quintessential interpretation for the cartilaginous fish and often internalized it as a reality.  What it taught us was that, completely unprovoked, a shark will eat your ass whole.  Even more, they just might jump up onto your boat or simply bite the goddamn thing in half.  In 1987, the Discovery Channel began airing their annual shark week series to help us regular folk gain a wider respect and understanding for these majestic animals of the deep, which had been striking unwarranted fear into the hearts of so many for so long.  It’s fair to say that, over these last 2.5 decades, leaps and bounds have been made in the way of remedying the PR disaster which began for shark kind in the mid-70s, but logic and fear can not always co-exist on the same plane and it can still be difficult to shake off the impact made with those original negative impressions (not unlike with the HYUNDAI EXCEL).  In reality, humans are a great deal more of a threat to sharks than they have ever been to us and many species of the animal have become increasingly endangered.  According  to NOAA Fisheries, “over 100 million sharks are killed each year” by humans, both accidentally, as well as intentionally.  Fortunately, organizations like PangeaSeed have been erected to help reverse this trend and, in association with San Francisco‘s SPOKE ART, they are presenting a new group art exhibit with the hopes of raising some money to help aid in that endeavor even further. Read the rest of this entry →

Interview with THE GOOD ONES Producer, IAN BRENNAN

February 17, 2011 in Global Destruction, Interviews, Music, Politics, With Video

When we mention “two-time award nominated producer, Ian Brennan,” a good percentage of mainstream America would likely assume that we were referring to the creator of the FOX network’s musical sitcom, GLEE.  We aren’t.  Although his work may be less recognizable among the soccer mom and mall-frequenting tween sets,  the Bay Area producer/musician/writer/indie-promoter is, arguably, much more prolific than his prime-time Hollywood namesake.  [Please note that this is not a claim that Brennan is likely to make himself or one that he is even likely to concern himself with.]

Through various successful ventures, Ian has consistently proven himself a modern day Renaissance man, drawn to any project or cause that he finds substance in and feels that he has the ability to be beneficial towards.  Besides working on his own music, Brennan produced the debut release from Rain Machine (aka: Kyp Malone from TV on the Radio) in 2009, and has received Grammy nominations for his work on albums for both Rambling Jack Elliot [I Stand Alone -2006] and Peter Case [Let Us Now Praise Sleepy John - 2007].  He’s been a highly successful concert promoter- raising over $100,000 in charity funding from benefit shows- and booked the music for the free “Food Not Bombs20th anniversary show (feat. Fugazi and Sleater Kinney).  Over the last 17 plus years, he has worked as an expert on the subjects of violence prevention, anger management, and conflict resolution (both as a published author and lecturer) and, in 2008, created San Francisco‘s Sidewalk Homeless Memorial, raising awareness for the numerous casualties that annually befall individuals who are living on the streets.  Brennan has worked in public radio, written a music column, directed a weekly public-access TV show, and even created the original “Boxing Bush” online video game, after unsuccessfully extending a challenge to the former U.S. President to compete against him in an 8-round charity boxing match.  For his latest project/labor of love, the Bay Area-native has focused his sights overseas and unearthed the soulful music of a relatively unknown Rwandan trio known as The Good Ones.  At a time when bad musical theater renditions of 80s covers by Twenty-something actors posing as precocious teens are being credited with breaking Billboard Top 100 records held by the likes of The Beatles (who they cover!), James Brown, and Elvis, music this unpretentious, pure, and untainted by over the top marketing gimmicks is more essential than ever. Read the rest of this entry →

FRIED PORK – Watch: “The Pig Farmer” animated short by Nick Cross

January 25, 2011 in art, Global Destruction, Movies / Television, Politics, The Web, With Video

This morning we discovered the work of a Ottawa, Toronto, Canada-based cartoonist by the name of Nick Cross.  Since then, I’ve spent my day watching his various animated shorts and work-in-progress clips, sifting through his print work and reading his blog.  While finding employment through larger animation companies, Cross has managed to make the time to create quite a few gems of his own.  His personal work has been nominated for numerous awards; often transcending the animated world and infiltrating  larger independent film festivals world-wide.  For someone such as myself, who has a very limited vocabulary when it comes to this type of work, Cross seems to utilize a very “classic” style of cartoon illustration in the vein of the New Adventures of Mighty Mouse, Ren and Stimpy, and The Powerpuff Girls.  The dialogue is minimal, if present at all, and the artist is much more inclined to use silent era dialog cards, if anything, to “illustrate” his points.  Beyond the occasional foley sound-effect, the audio is mostly comprised of old stock music, which is used to set the tone and pace.  In other words, the actual animating and the detailed movements of the characters are relied on to relay the storyline and to move it forward.

The video that originally ignited our interest in Nick Cross was his latest animated piece, “The Pig Farmer” (posted below). Read the rest of this entry →

THE FRENCH CONNECTION : KLEMENT – “SUPERSIZE” [video]

January 9, 2011 in art, Global Destruction, Music, Politics, With Video

It’s already the year 2011, which means that we’re only 9 months away from the 10 year anniversary of the attacks on the world trade center.  For a lot of us, 9-11 is our Kennedy assassination; meaning that we all remember where we were when we heard the news.  I, for one, was working for the housing department at the Evergreen State College and both coincidentally and inappropriately listening to “You Dropped A Bomb on Me” by the Gap Band.  After the shock subsided, that’s when the country began losing their goddamn minds.  It’s been almost a fucking decade already and, within that time frame, the American people have transformed from a savage pack of wolves, thirsty for the blood of any brown person they could locate, into a country that is thirsty for the blood of the black man that they elected for President, because he hasn’t worked fast enough to taper down the inertia that was push-started by that, aforementioned, original thirst for blood.  Oh, America.  Remember that time, when we had a new collective anger that was fresh and clear?  We didn’t just have to be disgruntled in our usual, personal ways or even complain about our government anymore.  Sure, we hate our families, but they’re OUR families and no outsiders were gonna tell us what’s what or give us the what for.  We were together on something… a team, if you will.  All of us!  Everyone!  That is…  except for people like myself, of course, who are clearly some sort of nondescript ethnicity that recklessly refuses to shave regularly.  Throughout the two-thousand-oughts, however, everything has slowly muddled out as usual and we all hate the government again and, of course, each other.  It’s pretty much just like it used to be, except that less people have jobs, privacy rights, or even their lives.  We do have a lot more gadgets, though and I have a pretty strong feeling that, if you really did some honest research, we wouldn’t choose to have it any other way.  Yep, it’s pretty much the same and it’s clear as all get out that no single tragedy, no matter how large or catastrophic, will likely ever capsize our chosen way of life.  There’s actually a beauty to that, otherwise depressing, reality, I think.  Yep, it’s pretty much the same and one thing that continues to ring true is our blind pride and baseless dislike for anyone that we get the feeling thinks that they are better than us.  I’m not talking about Al Qaeda; there’s no question that whole situation is all terribly fucked.  I, of course, am referring to none other than the French. Read the rest of this entry →

“The Rent Is Too DAMN High (Vol 1.)” : Jimmy McMillan releases an LP

November 1, 2010 in Music, Politics, Reviews, The Web, With Video

On October 18th, a, now infamous, televised debate was held for New York‘s 2010 Gubernatorial election.  Along with conservative Republican candidate, Carl Paladino, the current NY State Attorney general/Democratic nominee, Andrew Cuomo, and 4 others, there was one relatively unknown third-party candidate that managed to overshadow the other 6 and take the world by storm.  Looking like a cross between Rudy Ray Moore and Dr. Zaius, Jimmy McMillan used his pimp-style cadence to express the core positions of his “Rent Is 2 Damn High Party“, which include a pro-gay-marriage stance and, as would be expected, a belief that the rent in NY is “too damn high“.  Over the last 2 weeks, McMillan‘s stock has risen, as the footage from the debate has continued to spread across sites like Youtube and spring-board him to into full-on internet meme status.  In this relatively short period of time, the McMillan footage has been treated to the usual auto-tune remix treatments and SNL parody, while the man himself has received backlash, due to information suggesting that he doesn’t even pay rent on his own apartment, but rather provides maintenance services in exchange for his housing.  Now, the latest news surrounding the aspiring Governor involves another step towards celebrity status with the release of his very own full-length LP of poverty-inspired soul jams. Read the rest of this entry →