Pop Music, Social Development, and Neurology; A Scientific Exploration of Lana Del Rey’s Rise and Fall (and Rise)

March 16, 2012 in Music, Reviews

THE INTRO:

For those of you who do not know who Lana Del Rey is or simply feel that they may not have the appropriate knowledge of her history in relation to this piece, we have created an additional write-up which we believe should sufficiently fill in any gaps and provide context.  That introduction can be reached through linking HERE.

It’s actually quite lengthy, in it’s own right, so if you do feel that you already have enough of a grasp on the subject and/or that it should not affect your ability to absorb the following content, we encourage to simply continue reading.  Thank you.

On March 10, Lana Del Rey gave a free concert at Easy Street Records in Seattle. The motives were clear. After a disastrous SNL performance, she would perform several brief, low-pressure sets to hone her delivery. And, with a large stable of consultants and voice coaches, Del Rey would advance to the arena circuit by next year. I anticipated swift progress. I was wrong. Read the rest of this entry →

THE SET UP: An Intro to Lana Del Rey & the Article “Pop Music, Social Development, and Neurology”

March 16, 2012 in Global Destruction, Music


[CLICK HERE to jump ahead to the main article, written by Adam Forman]

PLEASE NOTE…

This section is only intended to establish a reference point for those unfamiliar with Lana Del Rey and/or her background.  It was initially created as a preface for the article: “Pop Music, Social Development, and Neurology; A Scientific Exploration of Lana Del Ray’s Rise and Fall (and Rise)” by Adam Forman, which delves more immediately into the subject and reflects on where she is now.  This piece is focused more about where she came from.  If you feel that you are already adequately versed on this subject matter, please feel free to click the above link, bypassing this introduction and advancing to the primary content directly.

Unless you’ve been living in a cave under a rock, it’s likely that you’ve read any number of strikingly unoriginal, cookie cutter-articles that lead off with the phrase, “Unless you’ve been living in a cave…” or “Unless you’ve been living under a rock…” before launching into some brief update regarding breakout indie pop vocalist Lana Del Rey.  In fact, even back when I read the very first article that introduced me to the overnight sensation and vocalist behind the smash internet hit “Videogames“, I was already greeted with the implication that I had arrived embarrassingly late to the LDR party.  Of course, the exaggerated content in the post was centered around the idea of a PR team conspiring to bamboozle the taste-makers and internet world by selling them them a pop-star packaged under the guise of a self-made indie starlet. “WE’VE BEEN TRICKED!  WE’VE BEEN DUPED!  IT WAS A SETUP!” were the basic claims.  I wasn’t paying much attention. Read the rest of this entry →

Disconnect the Dots – A Review of Paralytic Stalks by Of Montreal

March 10, 2012 in Music, Reviews

In late August of 2009, I picked up Of Montreal’s Hissing Fauna, You are the Destroyer? a couple of days into an ill-fated trip with my wife.  Between losing our ID’s and the fact that I had decided (for the both of us) to skip the planning process for the trip, we had as much chance of having a good time as a dying man at a bar mitzvah.  I had this romantic notion that we would drift for a few days and land wherever the road seemed to be taking us. For almost any Seattleite, this “plan” is actually some weird code for “let’s go to Portland.”  We got to the city pretty late. Without a useable ID between the two of us, we were turned away from almost every hotel in the city.  It’s also worthwhile to mention that, at this poin,t we had only been married for two days.  Eventually, we found a hotel with a tenant so mousy that I managed to intimidate my way into a room.  The complementary soap smelled like fish sauce.  The next morning, we stopped at a record shop before leaving the city, where I was drawn to the stained-glass graphics of the Hissing Fauna, and thought some electro-pop might smooth over this honey-moon-gone-wrong.  This also happens to be a good way to describe Of Montreal’s new album, Paralytic Stalks. Read the rest of this entry →

Nightwork – Atlas Sound Live @ Neumos [2.28.12]

March 8, 2012 in Music, Reviews

Atlas Sound
Neumos
Seattle, Wa
2/28/12

Atlas Sound is interesting because it is essentially a counterpoint to Bradford Cox’s other role as frontman of Deerhunter.  On record, the differences between the two projects is slight; and many Atlas Sound songs would dovetail quite well with the more subdued moments on Microcastle and Halcyon Digest, the band’s latest albums.  Yet in a live setting, these nuances are magnified.  As the frontman for Deerhunter, Cox seems to define his music by its relation to, and subversion of, the well-worn tropes of rock music.  I recall a Deerhunter show in 2010 that began with Cox announcing, “We’re just some good ol’ boys from Georgia who like to play rock’n’roll” before launching into a loose, spaced-out effects-laden jam -probably the last thing one might expect “some good ol’ boys” to put out.

At the Atlas Sound show at Neumos the other night, Cox was just as eager to play with the expectations of a “solo” show. Read the rest of this entry →

UP IN THE NORTH: Eleanor Friedberger live in Seattle [2/9/2012]

March 8, 2012 in Music, Reviews

ELEANOR FRIEDBERGER
The Crocodile
Seattle, Wa
2/9/2012

Eleanor Friedberger is an underrated genius.  [You will be reading that word a lot in this review; "genius."]  Most people know Eleanor as one-part of the genius team of the Fiery Furnaces, but she also has her own hermetic freakishly gifted brand of brilliance that is worth casting an admiring eye upon.  The evidence is fully served up in her debut solo album, Last Summer that plays as a 10-song diaristic overview of her life at the time that she wrote it.  Unlike much of the Fiery Furnaces‘ quasi-experimental work, Eleanor’s solo release is super listenable.  It’s full of rock and funk hooks (the “funkiest” example of which carries an upbeat song tailing a meandering trip to get drugs, take drugs, and the thoughts one thinks when on drugs) that sound fresh and new, even though they are working in classic pop territory. 

Last Summer came out in July and Friedberger is currently in the middle of a big-ass US tour to promote it.  When a group of friends and I left the Crocodile after seeing her show there on Feb 9th, the conversation immediately turned towards discussing her as some sort of wunderkind.  We all felt like we had just experienced something sneakily special—there was no bravado, glitz or spectacle surrounding the show (it largely lacked pretense of any kind)—but we were kind of blown away, nevertheless.  Our friend Scotty summed it up perfectly by saying that she has a “shine.”  Here’s the full run down of the shiny-ass night that we had: Read the rest of this entry →

Entire Weird Al Yankovic Career Retrospective Screenprint set for “Is This Thing On? 2”

March 7, 2012 in art, Comedy, Music

This Friday marks the second annual “Is This Thing On?” exhibit in Los Angeles, which features 100 of the top contemporary artists in the game depicting their favorite comedians through their respective mediums.  Last year’s show yielded some impressive results and this year shouldn’t prove any different.  Never satisfied with hosting a simple art show, the folks over at Gallery 1988 have arranged for “Weird AlYankovic himself to MC/host the opening for the exhibit, which has a full title of “Is This Thing On? 2: The Weird Year” and is co-presented by those zany jokers over at Funny Or Die.  Along with his hosting duties, Yankovic will also be honored with a 9-print set chronicling his career and featuring contributions from a few folks that you may even recognize as artists that we’ve featured on the site over the years.

The opening takes place this Friday March 9th from 7 – 10pm and, as the date approaches, we’ve continued to wait patiently to get glimpses at more and more of the art.  Our accompanying post about the show features our first set of preview images and can be viewed HERE.  As far as the Weird Al pieces, however, we’ve finally got them all available for viewing below.  Along with the images, the following statement was siphoned from the Gallery 1988 blog, which is now delivered via their new tumblr account. Read the rest of this entry →