BRIGHT IDEA: Watch “LUMINARIS” – animated short by Juan Pablo Zaramella

April 18, 2012 in Movies / Television, With Video

Buenos AiresJuan Pablo Zaramella has been drawing since he was a child and, by the time that he was sixteen years old, he was already a working cartoonist.  He studied to become an animation director at Instituto de Arte Cinematografico de Avellaneda and, after graduation, he began making his own films.  This independent work, in turn, brought him enough recognition to result in getting advertising animation work and in directing commercials for high profile international clients.  From the late 1990s to mid-2000s, Zaramella even held a position as an illustrator/graphist for the most widely distributed magazine in Argentina, Clarín, for which his work garnered several international awards from Society of News Design.  Still, as new positions, responsibilities, and accolades continued to roll in, he has never ceased work on his own personal projects.  In fact, Juan Pablo‘s film shorts have, arguably, become his greatest accomplishments, collectively yielding over 100 awards in their own right, worldwide.  Among these achievements, Zaramella was selected for a 2008 Saatchi & Saatchi New Directors Showcase in Cannes and, in 2010, Annecy International Animation Festival presented a special program, showcasing all of his works.  His most recent animated short, Luminaris, however, may be his most impressive yet. Read the rest of this entry →

“CAINE’S ARCADE” a short documentary [WATCH]

April 10, 2012 in Movies / Television, With Video

Yesterday, a Los Angeles filmmaker by the name of Nirvan Mullick posted a short film on his vimeo page and the traffic went haywire.  If you look up Mullick on imdb, the last real filmwork documented for him on the site, came nearly a decade ago.  The most recognizable -perhaps, only recognizable- project on the list is the 2003 Crispin Glover rodent-centric horror film, Willard, in which Mullick was an uncredited animation director for the opening title sequence.  His credits also show that he collected a handful of awards at independent film festivals for his animated short The Box Man (2002), which likely landed him the Willard gig, in the first place.  Otherwise, imdb only features a fairly slim 3-film-deep resume for the director/producer/animator/writer.  It’s not all that Nirvan‘s been involved with -he’s actually working on at least one other highly ambitious project that I know of- but with this new short being the only video posted and no other real activity on his vimeo account at all, it is still remarkable to consider that this new 11-minute movie has already claimed over 350,000 views in such a short period of time.  The only real factors that can truly be credited for such immediate success is the content, the quality, the subject, and the genuineness of the piece, as well as the internet’s ability to spread little independent projects like this out to people who, otherwise, wouldn’t have ever been able to see them 10 years ago. Read the rest of this entry →

WATCH: Documentary – “Wesley Willis’s Joy Rides” in it’s Entirety for FREE!

March 22, 2012 in art, Movies / Television, Music, With Video

We here at Monster Fresh love the late, great Wesley Willis like a god damn milkshake.  We love him like a magic kiss.  Every day when I get up and walk into my living room, I am fortunate enough greeted with one of the typically expansive cityscape line drawings hat he created in his home town of Chicago.  A massive beast of a man, he was a force of a nature and, for anyone that crossed paths with his music, he was more than a difficult artist to forget.  For those of us that met him in person and bumped his skull, at some point during his 40 short years on this planet, it was even more evident that his like would never be witnessed again.  I’ve mentioned it before, but at the time when Willis died of chronic myelogenous leukemia on August 21st, 2003it was the only time that I had ever felt a legitimate sadness and emptiness by the death of a public figure.“  Fortunately, the musician/artist left behind thousands of songs, a plethora of detailed visual works, and endless and priceless personal connections -chronicled in an impressive documentary- for us to remember and re-experience his powerful life force through. Read the rest of this entry →

Last Minute Preview – “Is This Thing On? 2: The Weird Year”

March 9, 2012 in art, Comedy, Movies / Television

Tom Haubrick - "Richard | "Rodney" (ink & wash on paper )

Today is the the day that it all goes down.  For the second year in a row, Gallery 1988 in Los Angeles will host it’s much anticipated group exhibit titled “Is This Thing On?” and the opening is tonight (March 9th) from 7 – 10pm.  This year’s show is being deemed “The Weird Year” both for the fact that MC-ing duties will fall on the shoulder of host,”Weird AlYankovic and because the gallery will also be showcasing a 9-print set of pieces chronicling highlights throughout the famous parodists career.  100 artists in total will be creating depictions of their favorite comedians and it’s likely that at least a few of them will be in attendance (Artists, definitely. Comedians? Quite possibly).  Last year Zach Galifianakis sent a letter to artist, Mike Mitchell and personally thanked him for the piece that he created of him, while also apologizing for his face.  The show is being co-presented by Funny Or Die. Read the rest of this entry →

Kickstart The Nostalgia: Helms Alee – “8/16″ [Video]

February 16, 2012 in Movies / Television, Music, The Web, With Video

The internet’s a weird fucking place and that’s mostly because it’s not really a “place.”  It’s absurd as shit and almost equally as fascinating when, one day, you simply realize that it’s the primary source for all of your information about what people are doing in the “real” world.  The computer is one of the first items that people head toward after they’ve done anything, just so that they can report to the virtual world that it’s just occurred and get validated, as if any meaning will evaporate otherwise.  That is, of course, if they don’t already have a smart phone, which allows them to report from it immediately, or even while these mundane events are still occurring.  It’s amazing how technology has managed to make a phone call even less personal and indirect than they were before.  [Remember the AT&T ads where the marketing angle was exactly the reverse.]  People have invested endless portions of their lives towards traveling this superhighway like Neil Cassady and becoming proficient survivalists in this world like some sort of Bear Grylls / Kevin Flynn hybrid.  Their fingers are on the electronic pulse and seem to know the moment that anything with any level of longstanding importance is generated, along with every fetal meme and the moment that each African green monkey cyber sneezes out a new strain of viral sensation.  These people are called “nerds” and, fortunately or otherwise, all of us have slowly grown closer and closer to epitomizing that term over the last 2 decades.  Most people seem to catch the hype during it’s peak, or even on it’s way out, like walking holographic corpses with the progeriatric life-spans of the digital age.  Those of us who fall somewhere in-between, either become aware of the new media by having it sent to us like a package or stumble across it like a pothole, possibly even getting nicked in the side of the head by it like low-hovering space-junk.  One such anomaly that’s really gained prominence over the last couple of years is the online crowdfunding website Kickstarter.com and, while I’ve often been unsure of what to make of it, the latest project by Seattle-based rock outfit, Helms Alee, has managed to officially validate it’s entire existence for me. Read the rest of this entry →

PREVIEW: Tim Doyle “Unreal Estate” Solo Exhibit @ Spoke-Art [SF]

January 30, 2012 in art, Global Destruction, Movies / Television


It’s been a good 3 years since we first heard the name Tim Doyle.  After catching a glimpse of his “Bill Murray Times Six” print, which quickly sold out through Doyle‘s own Nakatomi Inc.,  it was pretty clear that the Austin-based designer was definitely someone that we’d be hearing from again.  In September of 2010, we were contacted by the R&R Gallery in L.A. about a Bill Murray themed exhibit they had in the works and the first thing that I thought about was how I’d already seen Doyle nail the subject over a year and a half prior.  I noticed that he didn’t seem to be a part of the group exhibit and decided to hunt down what he had been up to.  To my pleasant surprise, I came across another Murray-related print, but this time it was Rushmore-inspired.  Along with the image was the information that it was created for a new Wes Anderson-themed exhibit.  The show was titled “Bad Dads” and was being curated by a fledgeling new gallery/publishing house known as Spoke-Art.

The Bad Dads show was wildly successful and the 3rd installment of the trademark exhibit is scheduled to take place later this year.  With the aid of consistently impressive themed group exhibits, such as the Quentin VS Coen series, Spoke-Art has continued to establish themselves as one of the top underground contemporary/pop-art galleries on the West Coast.  Not only has Timothy Doyle been along for the ride but, with his -typically multiple- contributions to these shows, he’s remained one of the major contributing factors to Spoke-Art‘s success.  Nakatomi has found continued success in it’s own right and Doyle‘s art has continued to pop-up in such places as Gallery 1988 and on poster work for the infamous Alamo Drafthouse.  Still, for whatever reason, we’ve yet to really see Tim shine in a full-on show of his own.  Now, as with Serge Gay Jr. before him, Spoke-Art is honoring one of the artists who’ve helped them to become what they are today, by playing host to Tim Doyle‘s very first solo art exhibit. Read the rest of this entry →