“Diorama of Endless Desires”
oil on canvas
48″x 60″ image
SOLD
New York has the Jonathan Levine Gallery among others. Los Angeles offers art venues like Gallery 1988. San Francisco is the birthplace of Upper Playground with galleries like Fifty24SF and Fecal Face. For many years, Seattle was far less acknowledging of the underground art movement. Although the city is home to artistic innovators like the subversive Charles Krafft, there was never really a place tailored to display works of such members of the Pop Surrealism/Underground Contemporary art movement. Fortunately for us that live in the city , Kirsten Anderson changed all of that. Coupled with her love of the culture and the realization that there was a huge void to be filled, Anderson opened the Roq La Rue Gallery in 1998 and has remained an integral part of “LowBrow” and underground art movements ever since. In 2004, Anderson even released the first real comprehensive book on the subject entitled, Pop Surrealism: The Rise of Underground Art (Last Gasp), which featured essays by artist Robert Williams, curator/critic Carlo McCormick, and Fantagraphics‘ Larry Reid. Not only has Roq La Rue provided a forum for established names like Mark Ryden and Chet Zar, but the gallery has also made us personally aware of amazing work by lesser known artists on the rise, such as Victor Castillo.
Last year Anderson curated a group exhibit at Roq La Rue titled, LUSH LIFE. The following quotation, which is taken from the press release of that event, explains the intention of the show as well as why Roq La Rue has continued to remain such a unique venue throughout the rise of these underground art movements:
“While many galleries in the “underground”/Pop Surrealism art scene have increasing turned towards street art, Roq la Rue has decided to instead focus on the more formal, Symbolist -inspired painters in the genre. “Lush Life” brings together painters in both the alt-art world as well as contemporary art scene, who all work within a guideline of tight technical craftsmanship as well the use of opulent and decadent imagery to convey higher inner truths and emotions. This take on “Neo-Symbolism” is different from it’s predecessor in that while it still mines the unconscious for a sense of mythic gravitas, it incorporates American culture’s pervasive pop culture-flavored and cartoony aesthetic.“
Beginning last Friday, March 12th, and running all the way until May 7th, is the sequel to that event, LUSH LIFE 2. When we contacted Kirsten for more details on the event, she explained to us that, while last years LUSH LIFE exhibit “was focused on painters who worked with a bit of an opulent or lush tone either in subject matter or in technique (ie: painterly)“… “this time (she) opened it to sculpture as well.“ Among contributors of new work to this exhibit are Pop-Surrealist powerhouses, Marion Peck and Charlie Immer, Les Claypool favorite, Travis Louie, and, helping to round out the 3-dimensional aspects of the show, the intricate sculptural work of Kris Kuksi. Anderson was also kind enough to provide us with a full list of pieces in the exhibit along with their images (featured below) Read the rest of this entry →
