October 5, 2009 in art, Global Destruction, Movies / Television, Music, Reviews

Multi-instrumentalist and songwriter, Sufjan Stevens earned his most notable success through 2005‘s Illinois album. The 22-song ode to the Prairie State launched both Stevens and his “50 States Project” into the public eye. In 2006, he followed it up with The Avalanche: Outtakes and Extras from the Illinois Album and a 5-disc box set of Christmas music but, since then, the releases have pretty much ceased. There’s a strange conflict created in the logic of many of Sufjan‘s fans because, although they want to hear a “new” project from him, they are also focused around what the next installment of the last (50 States) project is gonna be. People would often prefer to buy the same album over and over again than risk having an artist grow in a direction that is uncomfortable for them to deal with. For anyone with logic and reasoning skills, it’s clear that Stevens will never write an album for each of the 50 states, unless technology and/or his work ethic changes drastically. I don’t think that the artist’s intentions or claims are dishonest but, even by churning out an album every year, it would still take him until the age of 82 to finish the project. Music aside, I am acquiring a growing respect for Sufjan‘s approach to the creative process, which involves healthy doses of patience, a virtue that I have trouble possessing. His focus seems to be more about the process than the result and, whether or not you enjoy those results, his dedication and sincerity is undeniably commendable. He seems to be content with investing as much time to create, or even re-structure, a project until it’s just the way he had envisioned. In fact, October 6th marks the release of Run Rabbit Run, a reworking of his 2001 Chinese Zodiac-themed, electronic album Enjoy Your Rabbit; this time, with all string instruments.
Recently, I had the opportunity to view one of Steven‘s most ambitious projects yet. In usual Sufjan fashion, The BQE is based around a very specific theme; The Brooklyn-Queens Expressway. Like the 50 states Project, it’s geography based, and the music is completely instrumental, like that of Enjoy Your Rabbit. There is one aspect that puts The BQE in stark contrast from any of his previous work, however, and that’s the fact that it’s also a film. Read the rest of this entry →
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