The Crying Light Shines on the Rainy City: Antony & The Johnsons in Seattle

March 8, 2009 in Music, Reviews

Moore Theatre Feb. 28th 2009
antonyphoto1It was my girlfriend’s birthday.  We got to the Moore Theatre about 45 minutes before doors to meet up with the contest winner and hand over his limited edition silkscreen.  I got a call from him on the phone asking if there was any way for him to pick me out in the crowd that was out in front of the venue.  I let him know that I was the only guy out front with dreadlocks, wearing 2 cardigans and a holding a camera bag.  When he finally introduced himself and shook my hand, it was just after watching me argue with the will-call about the location of my tickets.

The winner received his passes from the will-call without issue, and he even tried to get the window attendants to hand mine over to me.  The workers were condescending as fuck to me, but my main concern was making sure that the winners got their passes and that was clear.  I told him and the friend he brought with him not to worry about it, “I’ll get in.”  Now the only problem was that the evening planned for my lady on her birthday was blowing up in my face.  The crazy part was that I was given my photo pass but there were no tickets in the envelope with it.  I convinced a door guy to help me out and he said he’d grab someone in charge if they walked by.  I see the guy who tried to put the kaibosh on my photography during the Buckethead New Years show but, fortunately, he keeps moving.  Eventually, a manager came out front who was extremely helpful.  He hopped on his phone right away and offered us two options due to the theatre filling up rapidly: We could wait for someone to come down and see if they could get us a spot on the floor or, we could head up to the second balcony because, “Nobody’s up there“.  We just wanted to head in, so we came through the front and then headed through a latched side door and up a staircase. Read the rest of this entry →

Phish announces Free Hampton Downloads and Setlist

March 6, 2009 in Music, The Web

phish-hampton

If you’re like me, then you live on the West Coast, have created some semblance of a life for yourself since Aug. of 2004, and, when Phish announced that their reunion would again start with a run in Hampton, VA and remain on the Eastern portion of the country you thought, “Fuck this.  I’ll just wait for them to come to me this time“.  If you’re like me, then the idea of Phish performing at Bonnaroo is a bit confusing and you foresee the possible issue’s with trying to cram everyone and their baby’s mama’s cousin, who went to the festival to see The Decemberists or The Yeah Yeah Yeahs but feels that they should “probably see Phish” into a relatively small area, that is not equipped to deal with the crowd’s size or varying attitudes.  If you’re like me, you’re 3 fourths apathetic and 1 fourth not so secretly bitter and envious.  This is why, if you are like me, the band’s latest announcement to give away free downloads of the 3 night Hampton performances is pretty awesome. Read the rest of this entry →

Dr. Zaius VS Dr. Octagon : N8 Van Dyke & Kool Keith in Seattle (Pt. 1)

March 3, 2009 in art, Global Destruction, Music, Reviews

n8-van-dyke-and-kool-keithOn an extremely busy February 13th, I found time to head into the local Upper Playground store located in Seattle‘s University district.  Not only was it Friday the 13th, but I also had a drunken birthday party to appear at that night and it was my 3 year anniversary with m’lady.  The reason that I headed into the apparel/art retailer was actually to figure out my schedule for the palindromic following Friday,  Feb. 20th (02/20).  Kool Keith was scheduled to perform the same night as UP‘s opening night for an exhibit by artist N8 Vandyke but, after speaking to the staff, it was clear that there would be absolutely no conflict for me to attend both events.  “Don’t worry.  We’re all heading over to Kool Keith from here.  We’re actually helping to sponsor the show.” they told me.   I also recieved a proposal from the manager, Jen, asking me to contribute some writing to the Upper Playground blog The Citrus Report.

After leaving, I was pretty amped and was even more focused on making it to see Kool Keith this time around.  Even though we’ve had a preview in our suggested events section for two months, I had still completely spaced the date of the show until the last minute and never bothered to try and get passes until that week.  I spent the next few days tracking down whoever released the rappers latest album, while waiting to hear back from my connection at the venue about if he was able squeeze me into the overly packed guest list.  He couldn’t help me this time and it was my fault but, I did have a few back and forth emails with Threshold Recordings, Kutmasta Kurt‘s label.  The first email that I received from them went as follows: “Sorry, kool keith does not encourage show reviews, only show previews“.  I was a little confused because that is usually only the case with venues.  Reviews don’t help the venues because they are written after the events have already passed but, reviews still work to promote the artists.  I responded by pointing out that I had already posted a preview to which they replied with “Sorry keith’s policy is no show reviews“, “…we meant a full preview with interview etc etc“, and that they may be able to get me a pass if I “promise not to write a show review” and if I would, “guarantee a feature article on the new dr doom album“.  Of course, I would have been down to squash this article, if they would have worked out an interview and sent me the album but, it was taking days at a time to get a response and, by this time, it was the day before the show.  Plus, I had never been offered passes to NOT review a concert before.  It was all a little strange yet, somehow fitting for Kool Keith.  Fuck it, I already bought a ticket at this point anyway.  I sent them an email stating that, if they arranged an alternative option for my article, which included an email interview and an album for review, I wouldn’t write it.  Otherwise, I was going ahead with my plans.  Out of respect I waited but, it’s been long enough and I haven’t heard back.  Next time they should try leaving a sixer of Magic Hat and a sausage grinder out on a table in front of me and ask me now to eat it while they’re out of town.  I might wait an hour but, eventually, I’m gonna drank that beer and eat that sammich. Read the rest of this entry →

Master of the Game: Kool Keith & N8 Van Dyke in Seattle (Pt. 2)

March 3, 2009 in Music, Reviews

koolkeith-flyer(To read part 1 about the N8 Van Dyke art show CLICK HERE)

I was surprised to get a call from my friend John telling me that he was having trouble getting tickets, earlier that day.  I saw Kool Keith at the exact same location (Neumos) about 5 years ago and I didn’t have any issue buying tickets at the door.  Unless everybody went out and bought the “Grandma’s Boy” soundtrack, I’m at a loss as to why Keith‘s popularity would have skyrocketed since then.  I did hear that they stepped up the advertising for this show, which would make sense, but the major consensus seemed to be that people just really wanted to see “KoolKeith Thorntonbattle himself on stage“.

Keith‘s latest release, Dr. Dooom 2, is a sequel to 1999′s First Come First Served; also released under the Dr. Dooom Moniker.  Rocking a phony strap-on beard and pushing the “Funky Redneck” pseudonym, DJ/Producer Kutmasta Kurt is back to collaborate with his old friend for this follow up, as well.  Much like the first Dr. Dooom effort, part 2 has a strong emphasis on killing off Dr. Octagon, arguably Thornton‘s most “successful” persona.  The first video released for the album is for a song called “R.I.P. Dr. Octagon” and, like the subsequent video for “Take That Ride“, it has a really nice, grimy 1970s horror film look to it and the track is solid.  The tour itself has been promoted as “Dr. Dooom VS Dr. Octagon“, which further helped to fuel the idea that Thornton‘s personas would, somehow, be going head to head in a lyrical battle in front of the crowd that night. Read the rest of this entry →