Child I Will Hurt You – CRYSTAL CASTLES Live @ The Moore Theatre [Seattle]

May 17, 2013 in Music, Reviews

CrowdBlur

CRYSTAL CASTLES
The Moore Theatre
Seattle, Wa
4.30.13

My friend and I approached the will call booth at The Moore Theater with the assumption that everything was going to work out fine.  The bald, goateed clerk had just started his shift and was annoyed already.   I handed him my identification and asked him about my photo pass to the event.

I have no idea about that.  Your tickets aren’t here.

Oh, wow.  Um, is there any other list, or anything…?

The guest list isn’t here yet, like I said…

Oh, well you didn’t say…

Yeah, well… yeah.

I couldn’t decide if I wanted to punch or hug this man.  To be honest, it looked as though he could use both.  So we sauntered off to the nearest watering hole to drain the lizards and get some booze in our bellies.  After a neat Fernet (don’t judge me), we headed back down to the impersonal will-call window.  As soon as we approached, the evil Moby shoved my tickets through the burglary slot and apologized for being so grumpy. Read the rest of this entry →

The Source Family: A Documentary [Review]

May 14, 2013 in Movies / Television, Music

source doc posterHumans, hopefully, ponder long and hard on the dissension woven within the lives we lead.  We require change to overcome the nostalgic half-truths associated with memory or miasmal triggers in the forefront of our mind’s eye–possibly, blocking the foresight of present and future affairs.  Other people, of course, can spark these feelings; but what motivates an “abuser” to put someone in their game?  Why use such universal faults to their advantage?  Why manipulate a person’s life?  There may be many reasons, though they’re certainly related to our inherent love of attention.

Without love and affection, our lives would revert to basic survival, full of monotonous slush and unadulterated anthropophobia.  Violence, resentment, envy, jealousy, and confusion would all become daily torrid mazes that we’d fight exponentially, until reaching extreme endangerment and estrangement.  We vanquish such possibilities by loving others and creating and maintaining mutual, positive tidings from being generally, socially acceptable, courteous and grateful human beings.  And these tribulations are exclusive to our kind.  We are emotionally unstable creatures with the ability to cognitively scrutinize and solve problems–not just from evolutionarily developed instincts, but also because of our capacity to do it at any given time.  Our development depends on the amount of experience and “truths” we individually discover, contrary to other animals that collectively learn to survive.

Humans aren’t inherently a “hive-minded” species, though some would argue that we’re capable of becoming so.  Most of us accept that our basic understanding, at a young age, comes directly from those who raise us; their opinions, notions, voices, and vices can all be absorbed subliminally.  It takes a few years for us to ask questions and challenge our beliefs—if at all.  Over time, a person may feel the constraints of their learned ideology.  One’s intrinsic belief that an outsider may have all of the answers is common in young people.  The new experiences create fear and excitement, along with the ambivalent lust for knowledge, like that of a child having completely read their first book on their own.  But how long would it take for the purity to wear away?  Who’s carnal or sinister desires would drag you back to reality and carve your path as a ronin animal once more?  Surely it doesn’t take over 5 years for someone’s ulterior motives to shine through their “teachings.”  Does it?

Jim Baker lived a thousand lives before his second coming as “Father Yod” (Pronounced: Y-ode).  And, in becoming the otherworldly figure, he influenced more than one- hundred-and-forty malleable minds, previously convinced that the Earth denied them but one.  He gave these wayward souls a reason to bask in the sun.  He provided them with a responsive and coddling household.  The Source Family is an equitable and mind-numbing documentary that poses complicated questions by covering the short and convoluted history of Jim Baker’s carefully designed “cult” family, The Source.  Directed by Jodi Wille and Maria Demopoulous, much of the content used in the project comes directly from the group’s extensive film and audio archive accumulated and maintained by associate producer, Isis Aquarian; the Source Family‘s official documentarian and one of Yod‘s 13 wives. Read the rest of this entry →

Death and Resurrection: Killing Joke Live @ Neumos [Seattle]

May 13, 2013 in Global Destruction, Music, Reviews

Jaz-horiz.

Killing Joke: The Singles Collection 1979-2012
Neumos
Seattle, Wa
4.30.13

Before strutting onto the stage, Killing Joke set the mood with an incense stick and a candle set upon their amps.  They burned, until frontman, Jaz Coleman held the flame up towards the crowd and walked off stage with it, along with the sweat and energy that the reformed British post-punk legends had revved up all night.  The act fully sanctified the last hour and a half as, not just a rock concert, but a rock rite.

The listing for the show read Killing Joke: The Singles Collection 1979-2012, and that’s what we saw.  Their trans-genre history and apocalyptic visions are compressed into a new box-set that warrants this world tour.  Sometimes a band guards a great song catalog, but will play five or so songs off of a new release, which are much less interesting and unique than their older tunes.  Due to the fact that they were not promoting a new album with new material, Killing Joke only played the most popular hard hitters for their fanbase.  Over the years, the band has released twenty-one singles that have entered the US and/or UK top 100.  Of these twenty-one, they played only four at Neumos, skipping over such cuts as “Love Like Blood“–by far their most “successful” song to date.  I didn’t get the feeling that the crowd was too upset by this fact. Read the rest of this entry →

Fuzz, Thrash, and Roll: An Evening with Marnie Stern @ Rickshaw Stop [San Francisco]

May 11, 2013 in Music, Reviews

marnie stern sun face

Marnie Stern
SISU
E V Kain

Rickshaw Stop
San Francisco
4.18.13

In the heady, anything can happen heyday of post-graduation, I tour managed my friends’ band; which is to say that I took turns at the wheel and cashed in their drink tickets.  They were under 21 and I was raised not to waste, so I got wasted.  In this whirlwind run, our San Francisco stop was at the Rickshaw, notable in memory only for the hostility expressed by the bouncer at my underage compatriots’ smuggled Maker’s Mark.  Headed back to the Rickshaw Stop recently for a evening with Marnie Stern and friends, the lack of subsidized intoxicants loomed disappointment, but I took comfort in the $20 in my pocket just burning to be gin.  With low resources, the bands had to bring their share of conscious spinning songcraft to sink me into the moment.  Good fortune ensured just that. Read the rest of this entry →

[ENDED!] Win Tickets to Jay & Silent Bob’s Super Groovy Cartoon Movie and Live Podcast Q&A

May 7, 2013 in Comedy, Global Destruction, Movies / Television, Pop Culture, With Video

jay and silent bob flyer

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It’s been nearly 20 years since writer/director Kevin Smith released the first Clerks movie. I’m sure that if plenty of folks decided to watch it for the first time in this day and age, it might not seem like much more than a low-budget black and white film that was made for around $27 thousand by a film school dropout, but Clerks was a little bit more meaningful when it was released in 1994.  Not unlike Richard Linklater‘s Slacker (1991); which was an inspiration for Smith, himself, to pursue film-making seriously and, more specifically, to create Clerks, in the first place; it’s release and subsequent popularity demonstrated to a whole generation that technology and access had advanced enough for any of us to make a film if we wanted it bad enough, and really set our minds to it (and cast our friends, sold our comic book collections, got insurance settlements,  borrowed a few grand from relatives, etc).  Even more encouraging was the prospect of anyone actually watching that film, it being able to find distribution, and even pulling a few million dollars profit. Read the rest of this entry →

THE INVISIBLE WAY – LOW Live @ The Crocodile [Seattle]

May 5, 2013 in Music, Reviews

Last month, I went to see one of my favorite live bands, Low.  It was beautiful, tremulous, soulful, quiet and loud all at once.  I have seen the husband and wife team of Alan Sparhawk and Mimi Parker six or seven times now, but this recent show at Seattle‘s Crocodile was by far the best yet.  Low never disappoints!  Their musicianship and vocal harmonies are fine-tuned to near perfection, and they have to be; everything is acutely audible, without much noise to drown out little mistakes.  Even early on in their career as a band, when they used a lot of vocal effects and ample reverb, those things were made so subtle and singular, that every note and hum had to hold its own with perfect pitch and placement. Read the rest of this entry →